trends, which anyone can do this and type in Hacks Cloud, and you look over the last, like, whatever, enough time to include both last February and the February prior, you'll see that we were at, like, a 49 out of 100 last February in 2020, 45. And this year we're at, like, a 40 out of 100 in, in, in, in, 20, 26. So, like, you can clearly see across all of these different data points that we just didn't generate as much demand this year or awareness. And, like, I'm not shocked at that.
This Super Bowl campaign we did, probably drummed up 200, 300 million impressions. So, yeah, I mean,
we're, from a, luckily, from a revenue perspective, we're not, like, you know, I think our branded searchers down, like, multiple hundreds of thousands of, like, net impressions and as per Google search console this year. But revenue wise, we're not, like, trending in that direction, but we're absolutely, um, I think that speaks to how much demand a moment, like, that
“can generate when executed in the right way. Yeah. Yeah. That's why I was curious about asking you”
just one of those things where in the moment you can feel confident, you can kind of triangulate it and then what's often really helpful is, like, that following year. Yeah. Yeah. And even better understanding of, like, um, of what that total impact was. I'm hoping we could do it again soon. Right. Like, I would love to, the tricky part is, uh, you know, there's a reason you see, like, the massive, massive brands activating for a Super Bowl. The main reason is not the amount of
a spend of requires to buy a 15 or a 30 second spot that year. It's, there are, there's a lot more that goes into it. You generally have to commit to that same level of media investment with that
network. That's hosting it for the following three years. If you go spend $7 million on a Super Bowl
ad this year, well, in, in, in NBC or, or CBS, airs it, we have to go spend another $21 million of CBS over the following three years. You know, if you're a guy co or, you know, Dr. Pepper or Doritos, that doesn't matter because you're spending there already, but if you're, you know, hex clad or ridge or groans where you don't have a massive, massive linear TV, but you're relatively, like, chances are you can't go and commit $7 million per year. It's a linear,
it's like, national linear TV buys. Now, you know, we're foxes of partner of ours. So that's why we were able to go and kind of make that investment last year because we didn't have all of the requirements that we would have had with, you know, an H or a network we weren't partners with, but like, that's why we didn't buy another ad this year, because Fox was an airing it, and, you know, we're not partnered with any of these other networks. That's interesting.
Again, no, I had no backstory there. I, uh, might be in ridges future. We'll see. Once I've got, like, $30 million in budget to sort of allocate, uh, it's not the top of the list.
“I think you need, like, I think you need, like, $10 million. That is what I would say you need to”
shoot, like, ID it to create or shoot the creative by the media, and then any sort of, like, accessory activations that you're going to do around the campaign. I think that's probably, like, a good, if you feel like you can, you can spend $10 million. That's like a good, you're like, all right, we got, we got us who were all added in the tank, I think. Motion just dropped their 20, 26 creative benchmarks report, and it's been getting shared everywhere.
Slack channels, LinkedIn, Twitter, sharing it in our private group chats. And it's great because everybody's been asking the same for questions forever. What is normal? How many ads should we actually be shipping? What is a healthy hit rate in which formats really win? The report analyzes over 575,000 creatives from 6,000 advertisers in over a billion dollars an ad spend to answer these exact questions. And the report has some really interesting findings. Like, the fact that only 4 to 8
“percent of ads actually become winners in over half of ads actually lose. In promotion customers,”
this report is especially helpful. You can upload it into your motion dashboard with their run with AI chat and compare it directly against your vertical benchmarks. Hit the link in the show notes.
I promise you won't regret it. And as always, go to motionapp.com until the marketing operator sent you.
Primed is good. And I love getting into this rule. The technical first thing we've got on the agenda here, I'm hiring a new director of performance creative, which I'm super excited about. And I wanted to get your read on it. Performance creative, obviously. Like, I was talking to my brother last night actually, our director of performance creative on the team now has been around for like 5 years. And when we hired for that role, 5 years ago, nobody was hiring for that role. And this is also where
I give someone like motion, a lot of credit. Premier sponsor motion is like, you know, Resa came on the show 18 months ago. And he was extremely clear. And they've been clear for a very long time. Like, that is the person that they're building for. They're building for the performance creative or the creative strategies, what they call it. Because I just think over the last half decade, we've become like infinitely more data driven. And we've really built far more sort of