Bonus Episode: The Grateful Dead Psyop Theory and the Laurel Canyon Pop Star Military Industrial Complex

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“Welcome to the disgraced land, the After Party.”

[MUSIC PLAYING]

Welcome to the disgraced land bonus episode, a little thing we like to call the After Party.

This is the show after the show, the party after the party, the bridge to get from one full episode of disgraced land to the other, the backyard to dig into the dirt. Our mission to uncover the truth, to confront the myths, to reclaim the story of this bonus episode, we're disrupting the grateful dead CIA Syoptery.

“Previewing next week's new episode, part two of our in-excessed tale.”

And in the exclusive section, we dive into Laurel Canyon pop stars in their military industrial complex parents plus.

We get into your emails, comments, DMs, and as always, a whole lot of rosy.

This is the podcast for the musically obsessed the outsiders, independent tickers who know that the best histories of history that gets buried. Disgrace land is where I tell the stories they didn't want told, the kind you'll end up telling someone else. Our discos, let's get into it. [MUSIC PLAYING]

So apparently you can't spell Jerry Garcia without CIA.

G-A-R-C-I-A. Now, there are some that we'll have you believe that Jerry Garcia was a knowing participant in the federal government's covert manipulation of American use. And that the grateful dead's iconic defacto leader was a working spy, along with the band's sound man, Augustus Stanley. And the rest of the dead's band members, including Bob Weir, they were compromised supposedly as well. And this all proves that Weir's and Mickey Hart's membership at Bohemian Grove was nothing but a malevolent extension of the band's CIA affiliation.

I could do no shade to anyone who believes this, but I'm going to tell you why you're wrong.

“I don't believe this, obviously. And if you listen to my recent episode on Bob Weir, you'll learn exactly what I think about Bob Weir's affiliation with Bohemian Grove.”

However, at the end of that episode, I put the question to you guys, what do you think of my assessment of Bob Weir's affiliation with Bohemian Grove? And some of you do indeed believe that the grateful dead was far more involved with the CIA as efforts than I do. And that the dead were, in fact, knowing participants in MK Ultra, the CIA is cyopt counter and discredit the impact of the hippie movement. As a quick refresher, MK Ultra was a top secret illegal human experimentation program conducted by the central intelligence agency from 1953 through the early 1970s.

It is a documented fact, guys, that the CIA threw its MK Ultra program, used willing, and I repeat the word "willing" participants, Americans, to experiment on with LSD and other drugs, to test the drugs effectiveness when it came to mind control, basically. And many now, notable Americans signed up to be guinea pigs for this project, okay? Why do you bulge her? When he was at Alcatraz, the Unibommer, Ted Gisinski, authored Ken Keesie and grateful dead lyricist Robert Hunter. Those are facts, but what's less proven, but believable, is that the CIA used Americans on the fringe of society, sex workers, homeless and transient men, for for their drug tests as well.

Supposedly, discarding these individuals once their brains were properly scrambled by the drugs, and their usefulness had run its course. Okay, and then there's the nearly proven, but not totally locked down theory, that the CIA had roped in X-Con Charles Manson, roped him into their MK Ultra program, and that they weren't only experimenting on him, but we're using him and his wacky new hippie hippie bullshit to discredit the hippie movement.

Whatever those efforts may have been, and that the band was, or is, as some have claimed, a quote unquote, "sciop." Now you can go and read it extensively about this. You can read about it elsewhere, okay? There are lots elements of this theory, but the least batshit crazy believable version of this theory is that Robert Hunter, again, the dead's lyricist, the his participation in the acid tests, which you can hear about in our grateful dead part one episode, proves that the band were CIA affiliate.

“I can kinda see that, okay? And again, this is the least batshit version of this grateful dead as a siop theory, which I don't believe, by the way, I'm just giving it to you, okay?”

The theory also states that as the band matured, and their troubles with the law progress, arrest on the road, fans who went missing, deaths at their shows in the 1970's and the 80's, that grateful dead band members became compromised, and in an attempt to keep themselves out of jail, began working for the federal government, the CIA, using their music to affect mind control on the masses.

Some sort of mass hypnosis to dumb down liberal American youth.

I find this theory to be funny as shit, okay? Oh, I forgot the best part that Bob Weir and Mickey Hart's affiliation with Bohemian Grove supposedly ends up proving this conspiracy in the end, okay? Forget about that, that's important. And also the sort as the lyric from the dead song, US Blues, it goes Uncle Sam, that's who I am, and hang it out in a rock and roll band. These are some of the, uh, this is saw some of the so-called truths that the theorists conspiracy theorists believe. The more I learn about this conspiracy theory, the more I love it, okay, and also the more I hate it.

I love it because it's so absurd that it's actually comical, because once you get to know the character of the individual band members from researching them, or, you know, from diving deep into the music being a fan, whatever, it becomes obvious that the Gravel Dead were physically, mentally, intellectually, and spiritually unable to work on any level with authority figures of any kind.

Jerry Garcia would have marched himself off to the gallows smiling before he'd work with the federal government on any effort to harm anyone, never mind deadheads.

“On the other hand, I hate this theory because it totally discredits the actual Gravel Dead CIA conspiracy theory that I believe is true.”

And that's that the dead unknowingly that the Gravel Dead unknowingly was used and manipulated by the CIA into influencing American youth through LSD proliferation. And in a lot of ways the result of this was that a benevolent counterculture was created that otherwise wouldn't have existed without the CIA's malevolent efforts, okay, how's that for irony? Again, more on that in episode 1. And this is the problem with conspiracy theorists. They go so far that they discredit themselves. The less juicy version of this theory is actually supported by the facts, the theory that I just stayed and that I believe will one day be proven. But to make this case, you got to work your way through a sea of irals that stem from the ludicrous claims of the juicy version of the theory.

“Okay, isn't it enough to believe that the Gravel Dead Soundman, Bear Ausley, was a likely CIA asset or upon of the CIA, and that his efforts directly influenced the ban on behalf of the agency?”

Do we have to go all the way to Jerry and Bob, we're using LSD to implant false memories into deadheads, man, Cornell 77 never happened, man.

Scarlet going, he's never got played dude, you let the CIA stash trick you and everyone else into thinking that there were other shows that never took place. That's a good one. Look that one up. There's literally a theory that claims that the dead live out in the show, the actual show, Cornell from 1977, Cornell 77 is a theory that that the show never took place. And that the Gravel Dead, along with the CIA, wanted to what's the term memory hole, their fans into believing that they actually attended an event that didn't happen as it means to test out the mind control capabilities of LSD.

It's a good one. It's a good one. We're looking up again, like I said, but this offense beyond a personal level, because Cornell 77 is my favorite, favorite recording of any recording of the Gravel Dead. Now, what doesn't offend me are the rays of truth shining through all this conspiracy muck. My cynicism around the Gravel Dead MK Ultra theory does not extend to Charles Manson. Manson's relationship with the federal government and the absolute bogus pile allies that we were fed about helped her sculptor is for many reasons, much more plausible to me.

Another story connected to MK Ultra in music history and the Gravel Dead, but I'm super interested in, is about the musicians from the Laurel Canyon in the 1960s who were supposedly linked to military intelligence and used by the CIA to discredit and control supposedly.

“The hippie movement and these musicians, these pop stars were the sons and daughters of military men.”

Again, big-time rock stars, Frank Zappa, Steven Stills, Jackson Brown, more. This theory is one that has always, always fascinated me. I have never looked into it, I should, I am, I will, Zeth and I are going to dig into the story of more detail in the exclusive all access section of this act. Part of go to discreetempod.com to sign up, five bucks will unlock this exclusive content and more plus add free listening. Alright, this whole conversation about MK Ultra, the CIA and the dead, we're obviously talking about this because the Bob we are episode in the feed this week.

Check that out if you have not already, along with our two other episodes on the Gravel Dead and for more on the subject of the CIA,

we've been making up the lives of our rock stars. We've got our Bob Marley episode coming at you and our rewind slot right after this after party. Next week on Tuesday, part two of our in-excess story hits and look, in-excess, they're not the band that we thought they were or released their origins, their origins. You know, for a band that sort of personified this sort of like pretty pop star 80s thing, they come from just, you know, ultraviolence. It's incredible, the world, the scene, the Australian music scene that these guys came from and what they became. You kind of get it with ACDC, you're like, oh, I get how these guys were part of a tough scene back home.

“It's more counterintuitive with in-excess. Obviously, some incredible bands from down under in-excess ACDC, just in a few.”

And it occurred to me that we often limit our view of consequential rock bands just the United States in England,

but obviously there are great bands from all over. So when you're listening to the in-excess episode, be thinking about great groups from elsewhere and get at me and let me know which international artists bands, not from the United States or from England. Let me know which international group or musical artists you think has had the most impact on popular culture. Is it in-excess? Is it ACDC? Is it bad bunny? Is it, I don't know, is it? I was going to say the undertones, but it's not the undertones.

Who is it? Neil Young from Canada. Who? Let me know which international artist has influenced the most.

Let me know your thoughts. 617-906-6638 voicemail on text @discraceandpod on the socials.

“I'm going to take a quick break. I'll be back after this with the voicemail's text DMs and more.”

Let's take a look at the shopping site with Shopify. And look at our records, with the checkout with the world-famous convention. That's right, the checkout with the world-famous convention. The legendary checkout from Shopify is just the shop of your website, a bit to social media and everything else.

That's the music for your eyes. If you do so at least on vendors, make Shopify, consider to item #HipBadden. Hey everyone, I'm Joshua Adner and I am so excited to tell you about how we made your mother a rewatch podcast looking back at how I met your mother. And I'm here with Craig Thomas, who co-created the show along with Carter Bay's high-crag. Hey Josh, somehow it has been 20 years since the show premier that seemed I'm going to check the math on that 10 years since it went off the air.

And we thought that made this a perfect time to look back, see what the hell we did, and why the show still seems to resonate with fans around the world today. Follow and listen to how we made your mother wherever you get your podcasts. Feel, feel, feel my heat. You have been walking around all week singing that to the annoyance of my wife and kids.

Because I got boogie nights on the brand guys because you know what today is today. This week I should say is the release of our newest episode of our new video podcast. This film should be played loud. Our show that looks at the convergence of music and film great soundtracks and the greatest movies. And we've got a doozy of a release this week.

Our new episode is on the great Paul Thomas Anderson movie boogie nights. This was a blast record. I learned that Zeth takes performance enhancing drugs and that Walter Egan wasn't in Staley Dam,

And Zeth learned all about the connection between Reed Rothschild and the Rothschild's Eyes wide chuck conspiracy theory.

“All right, you're not going to want to miss this. Here's a clip.”

PTA worked with this music supervisor on this movie. Yes. In order to get this, the way that it is, her name is Karen Rackman. And she kind of has a fascinating backstory.

I just wanted to get into this for a second here. Her credits before this included.

She did reservoir dogs, pulp fiction, reality bites, some other movies before she gets in here. And her sort of origin is that Tarantino was making reservoir dogs. And he wrote that scene with the Steelers Wheel song and it stuck in the middle with you. He wrote that with that song in mind and he was having a really hard time getting Jerry Rafferty in the other guy to let him use the song. Because one of them was a hardcore Christian, didn't want to end this scene with all this violence and stuff.

He meets this woman Karen Rackman and she's like, "Hang on, I'll deal with it." And she goes and she sweet talks those guys, gets them to green light the song. And Quentin Tarantino was like, "You're going to supervise my whole movie." And then brings her on board for pulp fiction and then she goes onto this. Where do Quentin Tarantino meet Karen Rackman?

Karen Rackman? Do we have any idea? I don't have that level of information. Because I just did a little snooping on the internet in the interwebs here. And you know who Karen Rackman's brother is?

Who? Ricky Rackman? Hey! Hey! Yes!

Ricky Rackman back on the headbangers ball. It's my birthday show of headbangers ball tonight.

I don't know why I always thought Ricky Rackman's last name was actually fake.

Does he say it's like a stage name? I always thought Ricky Rackman was Casey Casey's kid. I'm still not convinced otherwise. Because they're kind of the same. He's a younger version of it.

I thought that way anyways. I love that way. But yeah, Ricky Rackman's sister. Pretty legendary. I mean, come on.

Like list those movies again that she's a music supervisor. For those who don't know what a music supervisor is. They're essentially the buck stops with them on music in the film, aside from the director. Because the buck stops with the director on everything in the film. But the music supervisor is in charge of not only getting the soundtrack,

figured out in the song's license for the movie for the Neodrops, but also handling the composer basically everything.

“I mean, it didn't really start as that, but that's what it's kind of become.”

Right. And it sounds like she just kind of got pulled into this by Taren Tino. And this career just, she made this happen for herself with reservoir dogs. And then what was the next one? She did pull fiction, reality bites, clueless, get shorty, basketball diaries,

Romeo and Juliet, office space. She essentially, I think you can argue that she, yeah, boogie nights. Of course, I think you could argue that she kind of changed movie soundtracks forever. I feel like there's a before and an after these 90s soundtracks don't you think? Yeah.

Yeah. Oh, man, office space. Yeah. Yeah. Yeah.

Thanks. Exactly. We got to do that one. All right, Karen Rackman, go to court when I was for Karen Rackman. I feel I feel ashamed that I haven't ever come across this name before.

All right. Guys, you want to watch or listen to this film. Should be played loud. You can do so through Patreon, go to disgraceampod.com. Become an all access member at the sound in fury level.

And then jump into the chat with the rest of us discos. And let us know what you think. Or you can just call me at 617-96-6638. Just like this voice mail from the 727. Hey, Jake.

This is Alex from the 727. I've become a fan of manic street preachers of the past few years. And I was wondering if you've ever done an episode on the number of manic street preachers that disappeared years ago.

“I think it will be a really fascinating episode.”

Anyway, keep it up. You're my favorite podcast. Peace. Alex, thanks for the call, man. I have not rich yet words to hear talking about from manic street preachers.

We got close to doing a whole season. Pain, Lindsey and I. That was going to be the season we did of dead and gone. But it ended up being a grateful dead. And then we're thinking about it for a season two.

And then I actually had talks with some studios about a limited television series.

But it never went anywhere.

So it's kind of been on the burner here for a while. Something we're absolutely going to get into at some point. It's a fascinating and sad story. I should really dive into manic street preachers. Musically as a band.

I never really have. Maybe that'll inspire motivate me. I should say to get into telling this story. Thanks for the call. Appreciate you, Alex.

All right. Let's check out this voice mail from the 916. Jake, this is Mr. Taylor from Raleigh, North Carolina. And I just finished the meeting in the pot of episode and it was great. But I just struck by the fact that on multiple occasions, you referenced me as privilege upbringing,

growing up in a penthouse overlooking central part. And it reminds me growing up in the 90s when authenticity was often weaponized against musicians.

Which is absurd.

The idea that largely suburban white kids would regularly criticize black artists for not being gangster enough.

I remember people slamming their varnas, unplugged performance because Kurt used an electric guitar on the man who stole the world to get that haunting, Nick Robinson sound. And to this day, I still hear people hate on the strokes, because doing cost of blankets father was a rich and powerful fashion executive. Though that had any impact on the incredible music they wrote.

“So what is it about music fans that we demand authenticity?”

Are we asking too much of our musicians that they continued destructive behavior? I mean, I'm sure many of us have said some version of the old line. They were better before they got clean. If they've been a junkie, they make you a better guitarist. Right?

So I mean, this idea to trauma and destructive behavior are the key themes behind this podcast. We know that. Without it, we wouldn't have this amazing show and these stories.

But why are music fans so critical of musicians who aren't harnessing will trauma?

If he's a music better, if it comes from people who are self-destructive. I'm just curious to hear you take on this. Appreciate all the hard work, Rock and Rolla. Hey, fantastic call. Thank you.

Lot to get into on me as a pada and on our mentioning of her privilege background. I hope that wasn't, I don't think you took that as. We're being critical of her or claiming that she was in authentic because of her privilege background. I just think we was mentioned as a point of fact because it obviously is a contrast between the life she lived as a musician and was living as a musician.

And the themes and some of the themes in her music, et cetera. You would not expect that somebody from privilege would have that point of view. And I think you can say the same thing about a lot of artists. And I wasn't, we weren't discrediting her in any way because of that. Not that I necessarily think that was your point, but after playing the message,

I could see some people hearing it and taking that as your point. So I just wanted to clarify that. You know, I don't know. I don't, to answer your question about why there's such a. A fervor, such a, why fans are so demanding that there are to be authentic.

I think it a lot of ways. Rock and Rolla is born of of of of of feral authenticity. And all the great movements in popular music, whether it's blues, country, punk, grunge, hip-hop.

There's, there's always this hardcore authenticity at the center of it.

In ways that isn't necessarily represented in other elements of society in Hollywood, in, in politics, in sports. And rock and roll in a lot of ways, popular music I should say in a lot of ways, kind of cornered the market culturally on authenticity. And I think that leads that as led to the demand.

I have never been one of these people. I loved the strokes when they came out. Excuse me, and I was smart enough to know that a lot of the, a lot of the DC hardcore bands, not going to name any names that I was into growing up, or even some of the New York hardcore bands, or like the Beastie Boys, or whoever it like, that these guys came from families

that were, you know, of a different class than the family that I came from. And that was part of the reason. I mean, certainly the Beastie Boys, for example, you know, if their parents weren't who they were, and I'm not saying that, you know, their parents were truly in Kazablancus's parents, but, you know, I didn't, I, you know, Mike D's mom was like a famous art dealer.

You know what I mean? Like who their parents were directly impacted, who the Beastie Boys became, not going to submerge them for that in any way. But I don't know. I, I hope I answered your question on the authenticity piece. I hope I did. I just think that historically we have looked to rock and roll with a higher standard when it comes

to the concept of authenticity than we do other elements of our culture.

“And that's why fans are so demanding of it.”

Hope that answered your question. Thanks for calling. Appreciate it. Keep calm back. 480, right?

And I received my t-shirt today. It's perfect. Thanks so much. You got it. See, guys?

I told you I was going to send those t-shirts out. The merch, not everybody got t-shirts. Some people got merch, stickers, pins. But yeah, everything went out. I think I got one to mail that I have not mailed for some reason.

I can't remember. Oh, I know why, because I had the wrong size. And I got to get the right size and send that out. What are these, what is put up with this merch? You're sending it, Jake.

“That's what some of you might be asking.”

Well, listen, you know, leave a review of the show on Apple Podcasts or Spotify. And you know, you might get some free merch if I happen to read your review here on the show.

They help with discovery. I'm insane this for years. You all know what I'm talking about. Meekin' me over on Apple Podcasts. Meekin' me.

Text me, 617-9066638. We'll figure out your issue, okay? Promise. Whiskey me 00 over on Spotify, right? It's great podcast.

“What I hear, it's like a picture that happened.”

Like a dark cartoon, dark and great storytelling. Like a dark cartoon. I love that. I love that. Like a dark cartoon.

Whiskey me 00, your poet getting touched. We'll get you some merch. 617-9066638. We've got this text from flow.

And the 317 who says, I would like to first thank you sincerely for the time and research.

It takes to run all your podcasts there enthusiastically composed, well read and thorough. Two things. When can we expect a Marcy or the Smith's pod? Also, you mentioned bourbon's quite often. I was merely curious if there were a few bourbons you enjoyed more than others.

As a chef, I can't help but pair stuff together. And when I listen to disgrace Land in particular, I like pairing a bourbon with mood of whichever pod I'm sinking my ears teeth into. Thanks for all that you do. Rock a roller.

Yeah, there's a lot of bourbons that I like.

“I think, you know, if it depends on what shape my bank accounts in, but I do enjoy some”

blends. And I try to keep at least one bottle of blends in my bar here at home. For when I, you know, when I'm going to have just one bourbon, just just me alone with one drink that night. I'll go for a blend. I like the knob creek, right?

Not exactly bourbon, but I like their rye a lot. Can't go wrong with wood for reserve. I know some snobs. I'll say otherwise. And Buffalo Trace Buffalo Trace is a good affordable mid level affordable bourbon.

And, you know, I've had some van linkles in my time too. And tasty, damn tasty. So there you go. I'd love to talk more bourbon. Anyone else want to talk about bourbon?

Hit me up. I don't want to pretend that I know a lot about it. I don't.

I basically just gave you my whole.

All of my knowledge. And somebody's been done a bourbon tour before. Not a lot of it's stuck. And you can probably guess why. But if anyone or any of you are bourbon connoisseurs, get in touch.

I'd love to learn more from talking to you all about it. 617-906-6638. Voicemail on text to get in touch. At disgracely and pod on the socials cult and over on Spotify says, let's hear about the doors. Well, we do have a doors episode for you, Colton, you can check that out.

Over on Instagram, two weird to live too rare to die comments that, hey, Laurel Canyon. It's pretty straightforward. And that's in reference to our Bob Weir episode. And you can hear more about Laurel Canyon in our exclusive section of this after party, as I mentioned before. Moose falcon over on Instagram as well.

Also writes in relationship to Bob Weir's Bohemian Grove affiliation. This ticked me off like no other.

Never could stomach this dude after finding this out.

And I had hundreds of hours by this band on record. The whole I'm Uncle Sam, that's who I am. Hyden out in a rock and roll band in plain sight. Jerry talks about working with the government and new clippings in the insert CD of Dix Picks 72 from Maryland with the crab on the front. And it just blew me away.

I love Jerry and Phil, but something about Bob Weir just pisses me off. And I have no control over it.

“Hey, what is this, what is this about Jerry talking about working with the government?”

Get back at me, Moose falcon. Let me know. Marlow underscore standfield, 420 rights. Bob Weir was a great man that did positive things to help the world. Why are you trying to bash him?

Well, you see Marlow standfield, 420. Despite your, your wire reference in your title. Dude, I'm a bashing Bob Weir even in the slightest. I'm asking questions. I'm curious, dude.

Curious. All right, guys, at this great same pot on the socials. You want to have a conversation there. I guess we can do it there, but it's better to just hit me up on the cell. 617-9066638 voicemail and text.

Talk about anything you want. I'll be back after this with your emails. Freddy Glover emails us saying, "Hey, died too young. I've been listening to you since you started. I appreciate all the time you and the crew behind the scenes do.

But anyways, how about a cliffburton from Metallica episode? Appreciate y'all. Freddy, my man. Freddy, Freddy. We've got a cliffburton from Metallica episode.

It's in the archive. Go check that out. You can dig it. Dan Kerns writes in with a Hall of Fame tease here in the email. Jake says, "Hey, Dan, from the 818, N.O.G. Disco, from Drop One, even through the Amazon

era, Google Brian Harvey slash house of freaks and check out what happened to him and his wife

I was at the freaks debut LP released party in LA where they played a scorching set.

And I was hooked. They're from Richmond, Virginia, and came to LA, like so many before and after to make it. They achieved a monochrome of success and returned to Richmond, which was their goal all along. And after some of the years they're playing locally, it happened.

This should spurn you to check out what happened. The only aspect of this story that might keep it from disgrace land is that H.O.F. We're fairly obscure, but believe me, in LA, they were hot. DK. Dan, obscurity does not scare me.

If this is truly a compelling story, I will dig into it. Let's know about House of Freaks, let me know. I'm going to dig into this. I'm going to make a note right now, because this sounds very interesting. I appreciate you, Dan.

617-966-38. Voice mail and text. Or you can email me, [email protected], send in your recommendations for future episodes. Or hit me with anything you guys want to talk about.

“All right, Matt, you know what I want to talk about?”

This, uh, get ready. All right, listen, this.

This is the 60 second sports rant in under 30 seconds.

Sponsored by 5R energy in the return of their confetti craze flavor. Bring big birthday energy wherever you go with this plan. You're confetti craze party at www.5Renergy.com. Or Amazon available now. Listen, I heard this the other day.

And it upset me to know when. Do you realize that the Boston Red Sox that they're line up going in to spring training in the 2000-26 season? Could, could, could include the following. Roman Anthony, Alex Braggman, Raphael Devers.

Right, all the Red Sox had to do is basically nothing except spend a little bit of money. And I'm not talking about Dodgers money. I'm not talking about Metz, Metz money, Yankee's money. I'm not even talking about Blue Jay's money. Just A, don't trade Raphael Devers for basically nothing in return.

Maybe instead try applying a little humility to the relationship that you messed up.

“And B, give Alex Braggman the no trade clause that he wanted and a competitive offer.”

Instead, the Red Sox had to be too clever by half. He can't win championships and the MLB by being too clever by half without stacked stars in your lineup. That means you have to spend money. You can't even compete in the postseason without spending money. This isn't the NFL, parody does not play into it.

This is gross is what it is. It's depressing. Roman Anthony, Alex Braggman, Raphael Devers, imagine that. That's, many Ramirez David Ortiz Johnny Damon level. It's a bum out, man.

It's a bum out. Not how I do it. A minute and a half, Jake. And since we're talking baseball, just want to say, RIP to Bill Maserowski, who brought us one of the greatest world series moments ever in

1960, the insers know who I'm talking about. All right. That was the sports rants sponsored by five hour energies. Confetti craze flavor backed by popular demand. Confetti craze tastes like the best birthday cake ever with this rich, buttery and vanilla.

Flavor since five hour energy shots are tiny and resealable. It's easy to take that birthday everywhere you go. Plan your confetti craze party at www.fiverenergy.com or Amazon available now. Guys, Hollywood land with Zethelundy available wherever you get your podcast. Make sure you are subscribed.

That is hitting the feed three times a week. All right. Especially, we got Oscars coming up. You want to vote on our Oscars, our disgrace land, Hollywood land version of the Oscars. You're going to be a patron.

I remember to do that. All right. Jump on into the chat over there. See what we get going on. You can vote.

“Matt, not sure if you want to give an update here on results.”

But, you know, go ahead. Yeah, we got the polls going on Patreon. We're looking for your votes on all six of the major categories. Voting is open till midnight on March 8th. And you do need to be a member of Patreon.

But you can even be a free member. So come over to Patreon. Check out what we're doing. Start a free membership and vote on the Oscars. All right.

Speaking of Patreon, speaking of the all access portion of disgrace land. We are going to get into our Laurel Canyon military industrial complex pop star. Disinformation, music history campaign in the exclusive section of this after party. Where's that tonight? We'll break this all down.

Go to disgracelandpod.com to sign up to become an all-access member. Now so you can hear that. All right.

Welcome guys. As always, mentioned a bunch of disgrace hand episodes.

Here in this episode, a couple of kind of mind. The doors, Metallica, mount out the episode information in the show notes. So you can easily navigate your way to those episodes. So should you want to listen to them? Going to recap real quick.

All right. Number one.

We are part three of our grateful dead saga.

That's available for you right now. Number two.

“Get a rewind episode coming up right after this on Bob.”

Marley next week are part two episode on an excess. Number four, Zeth, gizzy, those Hollywood land and crime vives over in Hollywood. Let's make sure you're subscribed.

Listen, our new episode on this film should be played loud.

It's available for you right now. We're discussing boogie nights. You're not going to want to miss that. Go to disgracelandpod.com to sign up to become an all-access member.

“So you can you can watch and listen to this film should be played loud.”

Number six, six, one, seven, nine, six, six, six, six, three, eight.

Your voice keeps us digging into the dark corners of music history.

So keep calling Texan with your answers to this week's question of the week. Or whatever else you want to talk about number seven. Don't forget, Discos. This isn't just content. It's a community, a community of the obsessed.

And no one cares about music books records in the crime and crime.

“It ties them all together like you do in well.”

That's a disgrace. All right. The CIA's favorite si-up. I'm kidding. Jerry Garcia from the Grateful Dead died on August 9, 1995.

And this was what America was listening to on that day according to the billboard charts. Number one, Waterfalls by TLC. Last week, one, peak position, one, weeks on chart, 11. Number two, kiss from a rose, seal. Last week, two, peak position, two, weeks on chart.

Number one, number three, bombastic. Do the summertime energy. Shaz, last week, last week, last four, peak position, peak three, weeks on chart. Weeks on chart, week four, two, number four. One more chance.

Stay with the story of the IG. Last week, five, peak position, two, weeks on chart. Nine. Number five, Colors of the Wind, from Coca-Hoptis, Vanessa Williams. Last week, six, five, peak position, five, weeks on chart.

Number six, five, peak position, five, peak position. Quit talking and start mixing. Quit talking and start mixing.