SmartLess
SmartLess

"Aubrey Plaza"

5h ago1:01:5412,639 words
0:000:00

Time for spaghetti and donuts; it’s Aubrey Plaza. Dancing, beams of sunshine, gum advocacy, and D. All Of The Above. We’re just [metaphorically] singing in the shower in the iso-booth but pretending n...

Transcript

EN

(upbeat music)

- Hey, Sean, I was just saying about,

I'm just going to get a really reminiscent

of the old days I was talking about it. - Well, I was just thinking about back in the day, you just be able to get 10 bucks out of it, many fetch your hand over ATM. So I was so broken, I take 10 bucks out,

and then I can buy a pack of smokes, and I go to Hot and Crusty, and I can get a coffee, and a Danish, and for 25 cents, I can buy in New York Post. And then I go to the 87th Street entrance

to the 86th Street station, the Upper West Side, and I'd wait for the subway doors to open.

And then I'd have the last second, I'd run,

and I'd hop the turn stop. Before they had the big thing, it was just a little turn style, shooting, and I'd hop it so that I'd time it so I'd run in and beat the fair to get on the subway.

In case there was a transit cop there, it would be a good thing. - Yeah, welcome to Smartless. (laughing) Welcome to Smartless.

(upbeat music) - I'm gonna keep the gum very low, I'm just gonna turn it down to one. - Oh, is this, is this, is this a suppressant, gum type of naked thing?

- It's just an old gum, I just have a lot going on. - Yeah, I got it. - And he needs it today, shall I? - Yeah, yeah, it's crazy. - You don't even need it.

- Don't they have like, they've got sprays now,

can't you just like spray your mouth? - Do they really? - Yeah, they've got like a nicotine spray. - Wait, what do you mean you just do a spray? - And it's safe. - Yeah, yeah.

- Yeah, like Banak, remember Banak, where Banak could go? - Banak Banak is still happening, I think. - Is it really? - You know what makes your breath worse? Oh, I can't say, can we say the name?

Those are the tabs, those mouth wash tab. - No, I don't know, though, they do know. - You mean, you mean the little sheets? - Yeah, little sheets, they make my breath worse. - Yeah. - Really?

- Who said that? - You, your mom? - No, because I use those constantly. - The little tongue? - No, no, but for me, I don't know what they do, they make my breath worse.

- Well, I just didn't know that your breath is much more

about your gut, but you know the thing that JV, it's about your gut. - I feel the ground beef you have for breakfast. - Yeah, it could be, yeah, I think it could be. - If we could get people in this and it donut on the same plate,

you kind of had it to a rope down the road of disaster.

But here's the thing I know by JV, that he hates.

More than just bad breath. He hates a heavy breath. - Yes, this is true. - Right, JV? - Something hot, warm, and, yeah, they take a blanket.

- Like a blanket. - We were on the golf court, we were somewhere, and we were in like a golf cart together and he goes, it turns me with the look of utter, just as he led, just tossed on his face and he goes,

and he goes, "I can smell your laundry detergent." (laughing) - Yeah, but that's not good. - It does, but it was, yeah, funny thing. - It was the funny thing to say.

- That must have been feeling a little extra grouchy that day. - I know. - Why am I naturally grouchy? What's most wrong with me? - You're not, I don't think I'm not naturally grouchy.

I'm just not unnecessarily chipped. - Gitty, yeah, I mean, do you guys like, well sometimes you are, and they're just like, and you can tell they're not really in that good of a mood, they're almost like keeping you at arm's length

by how happy they are. Hey, hey, how's it going? Go, good to see ya. It's like, no, I wanna bring you in with, I'm not full of shit over here, right?

I'm, that's a funny thing, how are you? - One of the, one of the many, many presidents of NBC, one, well and grace is on the air. Have you guys heard of that show? - Yes, yes, yes, okay.

- Wait, will, that's great. I said that I wanna try to see one of these days. - Still not ringing your bell, I'm so sorry. It's still nothing. - Wait, so one of the presidents came in one day,

and it was like, something wrong with Shawn?

To somebody, and they're like, no, he's fine, like what?

What's wrong? Well, it just wasn't, just wasn't chipper. And so it's like, you know, to your point, it's like, you can't, some days you just don't wanna, you just wanna like, just talk like a person.

- Yeah, you don't want real today? - I know, and that's the, yeah, I think that, for the most part, we're pretty real with each other. We're pretty honest about where we're at. - I don't know. - Yeah, yeah, but, but I guess the difference

is that you, you don't, you hope people sort of like, they won't drag their stuff into your, your meeting, your time together. Like, I'm accountable for my own stuff. I'll put it in a little, in a little drawer.

I'm not gonna drag my bad for that. - Yeah, but I, but sometimes we record a lot, we make one of these a week, and sometimes life happens, and you end up getting on, and we start recording,

You are where you are, and there's no.

- Yeah, right. - I had, I gotta add somebody, I had a thing that came up on you,

are you ever going on that thing on the threads?

It's kind of like, it's almost like, you know what it is, right?

Twitter basically in a way, in a meta, in something,

somebody put my name in, and they were talking about the show, and they were like, "Ah, I hate hearing him tell his story." I didn't even, I was not looking for it, like, I don't know what's next. - Thanks, Matt, I was like, - No, I didn't even, and it came up,

I want to be like, "Thanks a lot." And then it was just like a litening of like, "Yeah, I don't really like that guy." You know what, because they're talking about you. Yeah, and they're like, "I hate hearing his stories,

I don't even listen, I hate that guy." - And you couldn't stop reading. - And by the way, you can't, how can you, and literally came up with my thing, and so much of it was so unbelievably mean spirited

in this way that I was like, "Whoa, I don't want you to..." - No, I don't want you to talk about things like, like, "I don't want you to talk about you." And like, "Wait a second, I didn't do." (laughing)

- Yeah, but that's not about you. That's about that. - I don't want to chime in, Willie. - I did this girl, this girl said something like, he seems like, like, what do you say?

He looks like, he looks like a perpetual ex-husband or something like that, isn't it? - He's fucking, I'm doing my best over here. - That's a lot. - He's like good ex.

- You know what I mean? And it was so, like, it was so weird. - And then the mean spirited comments, after we're so rude, I was like, I kind of wanted to go, like, "Hey, I'm a human, I can hear this."

- You want to just drop your phone number and say, "You know what, just call me." - Just call me. - Yeah, let's talk about this through. - Let's talk about this through.

- What do I do?

- Why don't we bring somebody on that hate us once a week?

- I listen, you'd have no, definitely I'd have no, there's no stupidity people who would love to chime in about. - Look at books itself. - Oh, waiting list. - By the way, what they think I am,

which is amazing. Anyway, God can say, "You two are two beams of sunglasses." And you know what a third beam of sunshine is. - Oh. - Guys.

- Yeah. Today we've got a guest who's a real kick. Okay, this gal pal of ours is about as funny as they come. She's his dryest burnt toast. Time named her, one of the 100 most influential people

in the world. She's been nominated for Heaps of Awards. She's one planning of him as well.

She's a producer and an actor, most important.

She's one of our friends. You guys, please welcome Miss Aubrey Plaza. - Oh! - Get it out here. - Oh, great! - Oh, great!

- Oh, great! - Oh, great! - Oh, great! - Oh, great! - Oh, my, oh, my, oh, my! - I don't want to. - Will, do you remember when she was your girlfriend and she was also my daughter at the same time?

- Yes, what? - What? - And what? - I thought you were both playing pedophiles in that. - Am I? - I mean, what are you talking about? - Oh, you're the one who's been commenting on playing it.

- Yeah. - It's a way. (laughs) - We did a digital short for what was the product? - Oh, that, that, I saw that. - Or bits? - Or bits? - Or, no, or bit, gum. - Or bit? - Or bit? - Or bit? - Or bit? - Or bit? - Or bit?

- Or bit? - Or bit? - Or bit? - Or bit? - Or bit gum? - Or bit gum? - Or bit gum? - Yes, yes. - That was commercial? - Yeah, it was like, - Oh, yeah. - Yeah, yeah. (laughs) - Did you write down how you were not compensated, Faley?

- I honestly though, only thing I remembered was I thought you were both pedophiles and one of you was my dad.

- Wow, that's how I was. - I was the dad

and the pedophile glasses, and then we'll show it up. We'll show it up as the two old to be dating my daughter guy. - Yeah. - And-- - All right, we were dating. - It was really funny. - And then what role did the gun play? The gum, the gum, I put in a stick of gum,

and then all of a sudden, you seemed like a good choice for my daughter, right? Wasn't that kind of a, I don't remember, I don't remember. - Was that on television? - I don't remember. - It was on the computer. - It was on the computer.

- You were fantastic, Aubrey. - I did that happen, I don't remember anything. - Well, I remember you came to us with the idea, you were like, how can we get gum going again? I think it's-- - Oh yeah, that sounds like me.

- Gums memory. - You've always been a big advocate for gum.

- I've got a friend that doesn't chew gum because he doesn't understand why you chew something and not swallow it. Like he just literally doesn't understand the concept of it. - Is that kind of like, if you think about it,

kind of makes sense. I feel that way about dancing. I don't understand why you just kind of just move your body and the rhythm of the sound you're hearing. It's like, why do we do that?

- Well, that sounds, that's a really tough. - Fuck, no, I understand, I'm not proud of it. It just feels good when you connect, it feels good when you connect a part of your body at the same time the music is doing.

- Aubrey Plaza is on our show, guys. - Well, this is going on, this is insane, Aubrey. - I wanna get, I wanna get down, what makes you tick obviously, I know that,

I'm not gonna get into that, I know if you take it,

it's come, well, it's come, it's been a minute, I'm trying to think, how I saw you, I saw you last summer, I feel like. - I saw you over the summer, yeah. - Yeah, I saw you, where are we?

- We were out east, as we say. - Okay, oh, on Long Island. - Yeah, it is, we're on Long Island.

- Which I'm always corrected, 'cause I was, I was say up.

- Up east. - Okay, I'm going up state or up whatever. - Yeah, I know who does that, you know, who does that, too, does that incessantly as polar? - Yeah.

- She says up for everything, never out for everything.

- I think you need to be two hours north of Manhattan

to be up state. - Right. - I don't know. - I just don't know, I'm learning about the long Island, it goes the other way.

- Well, it does go east, but it does go kind of north, too. It is kind of eggs, so you're done. - Aubrey Plaza is on the show today, everybody. - Hi, welcome, Aubrey. - Well, Sean, you wanna start with a little,

sure I, she knows that you know I adore you, I run into it the gyms. - Sean, I was like, you're opening, I forgot to, I forgot to text you. - What a second.

- You were? - We were at this, you know what I'm talking about. - Oh, about this, okay, walk us through you. - How is it? - Wait, we were the opening when the lights went out.

- Yes, I was. - Yeah, I was. - So we weren't at the opening. When were we there, Sean? - You were the day after.

- The day after. - Wait, you handled that great, by the way. You were awesome. - Oh, thanks. - Wait, you went to Aubrey, you went to the show,

and you enjoyed and Sean was great, and then you did not go back and say hi to him. - Oh, here we go. - No, I bolted the minute it was over. - James in her thoughts.

- Okay, I understand. - How many wants to talk after? - No, they don't, well, Sean does, and then he wants to take a picture in the elevator. - No, no, I don't mean to.

She'd be good. She'd be good, she'd be good. - The photo book, you could make in the elevator, what the wild people are standing. - Scottie takes all those photos.

- I know he does bless him. - Now, Aubrey, you're at the theater gal. You've done your runs at, what is it? ATC and a couple other hotspots I've seen on the Wikipedia page.

- Did you know anyone you say like that? - I've done two plays, but yeah. - Well, it's two more than I've done. I'm very jealous, but you're more seasoned than I am. So you might have a take on this.

I have heard that if is polite, polite and industry norm to if your famous and the person in the play is famous, well, then you kind of have to go backstage and say hi. I'm famous, your famous and enjoy your show, and if it don't, then that is your effectively saying

I didn't like the piece. - No. - This is what I hear. - Well, not at the opening, there everybody was there. - Very impolite.

- Not at the opening, not, right? - The opening is a good thing. - There's just too many people there.

- It doesn't matter either way to me, honestly.

It's where to go. - I know, but I guess one door was there. - Wow. - And went to her and she emailed me after. - And it really, so nice.

- I really did. - I didn't mean to email you. You were gay. I really mean, I meant to. - Is it winter or winter?

- Winter, I think, 'cause it's T-O-U-R. - In a winter? - I don't know. - I don't know. - I remember the, I said this to you before many times

and I know we've run into each other really in times and I love you.

Is the first time I met you, which is,

I was in Amy Poler's trailer. I was on the set of Parks and Rack and the whole, like I said. - Is it Amy lives in a trailer? - Yeah, yeah.

- And you were sitting there with Aziz and Amy and just tons of other people on the crew, other people. - Sounds like a packed trailer. - It was, there was lots of people in there.

And I said, I said, "Look to you and I go, "what do you do on the show? "Are you working the crew?" Or you said, "I'm on the show." - Really?

- I don't remember that. - That's okay. I felt so bad and I emailed you a long email after. - You felt bad enough that you wanted to bring it up again today?

- Yeah, yeah.

- I felt like, that's just to remember him.

- Remember what I said to you? - And then I meant it. - What did she strike you as a, as a, as a, no, you were the quietest one. Like you didn't say anything in the trailer.

- I didn't know what was going on. I didn't even realize I was on a television show for like two seasons. - I do believe it. - I do believe it.

- Yeah. - So let's go, let's stay with Parks and Rack. - Is it true, Wiki says that you talked by sure and Greg Daniels into changing the part to be a little bit more

how it is, how it became. It wasn't originally that true, untrue. - What do you mean, like, as the show went on? - No, no, like when you went in there

and you first met with them.

You were like, the part was written a certain way and you were like, yeah, but wouldn't it be fun here if it was this? - Well, I don't think they had technically written it yet, but I remember I went in,

I went in for like a general meeting and I had no. And I really didn't have any idea how much like weight was on that meeting 'cause I was, I didn't have anything. - I was in Jones that you up with that general.

- Allison Jones. I came out 'cause I was in Jones. - Screen testing for Judd Apatau's movie. - The great, that was huge for me 'cause I was like plucked out of nowhere

Then I was in LA for a week

and I hadn't really been to LA.

So Allison was like, do you mind if I just send you on a couple other meetings and I was like, are she's in your agency supposed to do it later? - I didn't have any. - I didn't have any.

- I didn't have any. - I didn't have any. - I didn't have an agent. - What were you doing? Where were you?

Where did she plucked you from and how? - You should be. - She found me at a whore house. - No. - No.

- Audrey, don't have any problems with the problem. - What? - She's hard out there. - No, don't say that, Plaza. - I was at Howard Beach Queens in a whore house.

- No. - Oh, I was, I was doing UCB shows and it was, I don't know, actually.

I think it was, yeah, it was I was doing UCB

and the judge was doing like a very wide casting call 'cause he wanted to cast an unknown comedian to play this part. And so I made it up the ranks like sending my videos and stuff and then I made it.

And then I kind of like made Allison saw my tape. I somehow got a tape to her with the scene. And then yeah, so then it was like, I made it all the levels to the point where they were like, and now you're gonna come to LA and do a screen test.

- Yeah, and were you like on, did you have, like your own sketch group at UCB or? - Yeah, I was like, I was in a sketch group called "That's My Booze." - Who are your contemporaries at that time,

and you remember, you were a little after, I wasn't hanging around UCB as much of it, but it was like, 'cause I remember a Z's in those guys and Riggle and cheering those guys back in those days when they were all there.

- Yeah, as Z's and I were kind of in the same class, but as Z's wasn't really doing like improv so much, but he would be in the sketch part of it. And then like, you know, it was like, crawl and men'sucous and paly and Zach Woods and Lenin' Parham,

and all those guys were kind of above me, like Anthony King and Kate Spencer and Joe Wenger and all the Chris Gathered and I could go on, but they were kind of like... - So much telling.

- Seeing years when I was like a freshman, but I was kind of young and I was friends with them, and I was like dating Joe Wenger at the time, who was kind of running the school. Like the...

- Yeah. - Yeah. - There's a fly star. - I know, it's over here. - It's anxiety, I have to move my arms like this.

- Were you, were you, would you go to like, ask out on Sunday nights or at least watch, or... - I, yes, yes, yes, yes, yes, these are all sorts of things. - Yeah, I mean, when I was, yeah, I would watch, I would stand in the back, I would see that.

- Can I meet you back then, like, back before we became friends?

- Yeah. - And when they were talking to us? - No, you're kidding. No, don't say that. - Oh, my gosh.

- Don't say that. - I'm sure we met. I don't remember anything. - Do you miss sketch comedy? - Everyone was drunk in those days.

- That's true. - Yeah, I love, I miss sketch comedy. - Yeah. - I would love to do, like... - It's still happening, you know, you guys.

- It's still going on. - Where? - Yeah, no, you can find it. - By the way, where? - Does, you, you see, be still going, yes?

- Hello? - Yeah, I don't. - Guys, anybody can ask me this. - It's changed, right? I don't know.

- Yeah, I think it was gone, like somebody bought it or when it went or something and now it's back. - It's a very different, it's, yes, it's back. But it's a different.

I'm so, I feel, I do feel very removed from.

'Cause I was, I never did even UCB and LA.

Like UCB LA to me was like, what? This isn't-- - Right, right, right. - Anything. - You were only new. - You were up on eighth Avenue.

- I was on that Mercedes base, right? - Yeah, Mercedes base. - Yeah. - And we will be right back. - And now, back to the show.

- All right, so then, upright citizens brigade for, for Tracey and the rest who don't know that, that is an improv sketch place you go and you, you yell sort of a prompt to the tell, well, well, stage and they--

- That was, that was ask-at, that was the oneship when they would do like a Harold. That's one type of thing. - Yeah, it basically, I was a part of it. - I was created by Amy Polar and by Walsh

and Matt Buster and E-Rubberts. - Right. - And they came from Chicago and they created this thing. They were a sketch group, a person's brigade, and then they created this whole theater school

and stuff in New York back in the day.

- Yeah, like second city.

- And they would do those hairls. Like you said, Sunday nights they'd do ask-at, Jason, which you went to many times. - I was on a Harold team. That's how, that's that was the thing.

You wanted to be on a Harold team, that was for the main. - And a Harold was that where you have a suggestion and then you kind of bring everything back and you kind of telling a long form improv. Go ahead, Jason.

- But yes, so. My explanation was a tenth of a liter of this going to be. - No, no, mine was going to actually be one of the rare Jason short things. - I don't know.

- I was going to get to, this is a place where you go where

there is no pre-written and pre-written dialogue. - Yes. - You then, Aubrey Plaza, went on to start your acting career. - Yes. - With the scripted stuff.

- And how did you rip behind that?

How did you find that transition where you have to now

instead of making up what you say, follow what is already pre-written, the typical actor journey.

- I mean, I always, that's what I love movies.

I'm like a movie person, real. I mean, I love comedy and improv, but for me, it was always like, how do I get to the movies part? Like that was a voice.

- And what was the first, what was the first stuff? Were you doing some of that scripted stuff? While you were, while you were also playing around I mean, I tried, I was like, you know, auditioning for whatever I could when I was doing comedy stuff.

- Right. - But it really didn't start to you came out here to LA? - Yeah, I mean, I really, truly did have like, a big break moment, like the, the- - With parks in front?

- Many people, funny people was technically first, but like- - Oh, funny people, yeah. - You know, I told the story. - So then you got that judge screen test, you got it. - Yeah, so basically like, I went out to LA for one week

and I got, I booked funny people, Parks and Rec,

and Scott Pilgrim versus the world in one week. - Boom, boy, God, wow. - Oh, that's crazy. - Bought a bang, and it was like- - What?

- Did Allison, did Allison, Cass, so Scott Pilgrim? - Now, Scott Pilgrim too. - Um, what? - Did Allison, Cass, got Pilgrim too?

- Yeah, she sent me on all those meetings. And like, the Parks and Rec meeting, like, nods a backtrack was like, they hadn't written the script yet and Mike and Sharon, Greg Daniels were in the room

and I just went into Mike's office and I was just having a casual conversation with him and he- - You know what else you booked? - You know what else you booked? - That week, Michael Sarah.

Let's talk about Michael Sarah. - Wait, what? - She's got Pilgrim.

- Wait, but didn't you guys date for a while, right?

So it was like, oh, well, that's kind of, and I was like, you booked in a bag, that booked him back, him, real good. - It's been bagged.

- Well, we found her first cut.

There we go, we found her first cut. (laughing) - She went down, but what you said it was 18 months, that's a significant relationship, that's a good thing, right?

- That was a long time ago. - We were gonna get married. - We had a little, and we're still very good friends. I love him so much. We almost got married.

We drove across the country together, eating a bag of edible crumbs of edible, and we drove to Vegas with the plan to get married and then get divorced right away. So we could call each other our ex-wife

and ex-husband, whatever, 'cause we thought that would be a really good bit. - That's a great good, that is a good bit. - But then I think it was a combination of being too high and paranoid,

and then at that time he was just very, very famous at that time, he like, really, if you remember like when Nick and Nora and all that stuff came out, he was super bad, he was so recognizable that we won, I feel like we got in line at the,

county office or something, and then everyone started running and we ran. So that's kind of all I remember. - Wow, the fame saved you. - Yeah, he was too...

- The rare case.

- I'm pretty sure that's how I went down.

We, yeah, we, we bailed, but. - Now, what, what, what, what, what, what, what, what, I'm gonna stay, I'm gonna stay in, again, what, the great, great Wikipedia has laid out for me here, that in going in chronological order,

and I'm sorry if this is, we don't have to talk about this if you don't want to, but it is, I think you've talked about it before. There was at that time, you had a, a rare, a stroke, that a young person, a rare, for a young person,

I did, I had one at, I was 20, so it was before them, but it was when I was in New York, yeah. I was doing, yeah, I was doing UCB comedy stuff, I was in college. - What, what, what, you've got Sean's attention,

Sean's, Sean's running from a stroke every day. - Oh, you didn't, yeah, he's, no, I didn't know that, tell me, wait, how did you, how did it matter, like, how did it happen, and what did you feel? - It happened like, truly in mid, mid sentence out of nowhere.

It's a, it's a horror fun. - You just start starring your words. - It's a horror fun, it's right, I had taken my sister to a Hillary Duff concert at the night before. - Sure.

- Yeah. - And, you know, how that goes. And then, and then I, I was having lunch in Queens, I went, I took the subway, I was feeling normal, I had my coat on still,

I walked into my friends apartment in a story to have lunch with them, and I was telling them

About the Hillary Duff concert, and I said,

like, Hillary Duff, and then I stroked out. And I, and I kind of,

the first thing that happened was like, my right arm was numb,

and I looked down and, I was confused. I wasn't slurring, but I was looking at my arm, like, that's not my arm. It wasn't even numb, it was just not connected to my body, and then, wow.

- Then I kind of blocked out for like a second. And then I came to, could move my arms, but I couldn't speak, 'cause the blood clot was in my language center. - Oh my gosh.

- So it was like, not even slurring, it was just like, not talking. - Not talking. - But I can understand everything that was happening. - And how did somebody at 20 years old

get a blood clot or get a heart attack or whatever, to our stroke? - I don't know, it's, honestly, it's a mystery. - I think it was birth control or the tricyclean.

That was the only thing I was putting in my body.

Like, I wasn't on drugs or, you know, doing anything weird. So it was a real fluke, and even to this day, like, I still have to, you know, whenever I go, the doctors have to fill out like my history and... - Right.

- I've seen top neurologists, I've been tested for, you know, all the blood disorders and clotting disorders and everything, and it's just like, I really think I, it must have been birth control,

'cause they had that on the label. - So then what, well, did, did they, were you, were you fine right then, or did they take you to the hospital? Like, how did they fix that thing?

- I was not fine, 'cause I wasn't, I wasn't talking.

And so my friends were like, first of course,

thought I was doing a bit, and they were like, stop it. And then they realized like, something's wrong. And so the paramedics came. - And sorry, are you loose at at this point? Like, are you aware?

- And I don't know where, like, it's a really weird thing when you have a stroke.

I've read books about it, and it's across the board

really similar experience that people have. You know what's happening, and you're brained, there's, it really makes you understand that there's your brain, and then there's something else going on, which is very profound to think about,

because I was, whatever that other thing is was watching my brain malfunction. And so I was, me was aware that my brain wasn't working right. So it's this really fucked up thing

where you're like, wait a minute. Like, my consciousness is operating in one another level. And so people would talk to me, and I would know how to respond to them. I would know the answer, but I could not get it

through the pathways of my brain out of my nerve. - Did you, did you, did you, did you? - I mean this, did you, after that experience, did it give you a sort of a different sense on, I don't know how to say, like, spirituality, did you, do you feel like a,

do you have, as you said, because you're sort of conscious or whatever this other thing that's operating. - Yeah, did it change? - Did it change the way that, yeah,

did it change the way that you look at stuff and look at spirituality and stuff like that? - Yeah, 100, like 100, like 100, like, 100%. Like I definitely, - Honda P. - Honda P just felt like,

"All right, well, if that's true, "them, like something bigger is something bigger is going, "I am very fascinated with that." - Yeah, what did you do to you, well, so I, when I say, I guess it did change,

but were you, I don't know, I was like such a sort of sweeping, were you a spiritual person before, but did you have, what were your thoughts on that kind of stuff before?

- Well, I grew up really, I grew up Catholic, I grew up very Catholic, I was like, I went to all girls, you know, I went to all girls Catholic school, my whole life, and so, you know, my spirituality was a very wrapped up

in, like, saints and God and Jesus and, you know,

and things like that, but I would say that I've always,

I feel like I've always had been a spiritual person.

You know, now I've shifted into more of the dark arts, you know?

- Oh, oh, goats and, yeah, sure, yeah. You're like, by the way, can I get a sample of your guys blood after this? - Then she goes, don't bother, I've already got it, I've already burned it.

- That's my stick, the whole witch thing. But no, I am, and I think I did really stop, at least for some time, for some time, like sweating the small stuff a little bit, like I felt, I did have them, I did really feel like, wow,

A, the trauma of something like that happening so out of nowhere changes the way your brain is, because I'm like, well, okay, if that can happen like that, then the folk fuck, I was gonna happen and what's the point of, you know?

- Right, you're not walking around thinking like that can happen like today, are you, like-- - Not anymore, but I was after that, I was very, yeah, I would be seeing you. - Did it make you less cynical, do you think?

- I think, yeah, I think so. - Yeah. - I feel like I have that contrary to popular. - I might straighten you out, well, no, I don't think that you're a cynical, I at all, I don't.

- So, but you would never take birth control

or whatever that thing is now, right? - I probably wouldn't, I mean,

- I mean, that was, if I would throw one for up.

- That's right. - But if that was the one thing that you could kind of point to. - Well, there's a baby inside of me. - What's that? - Hold, hold, that's the way we are.

- Wait, where'd you say, "Dude, dude, what did you say?" - No, I said there is a baby inside of you right now. - Is that a, that's true story? - That's true? - Yeah, yeah, that's true. - What?

- Oh, that's true. - That's true. - That's so good. - Oh, thank you. - That's very exciting.

- I was shocking, isn't it? - No, it's really cool. - That's really, really cool. - That's really, really cool. - Yes.

- That's right, number one. - Exciting, Docker. - I want, I'll just say this. I want, today was a big day. I went to the doctors today.

And my dog is also went to the doctors. - I'm also pregnant. - But my dog's getting a scan right now. - I got a scanner earlier. I'm not kidding.

- Boy, really? - When you get an ultrasound on her stomach, she'll be back when is she back? - Two o'clock, we'll find out. I think she's okay.

She had to get an ultrasound on her stomach. And then I got an ultrasound on my stomach. And there is a baby in there. - That's so exciting, that's so exciting for you. - Yeah.

- And it already has like a cloak and a little hat. And I think it's gonna come out. - But let me ask you something, if the ultrasound was, if you got your scan out at the vet, I would recommend that you know.

- No, no, just, no, no, just, I think. - No, we did, I did accidentally go to the vet first, but I'm done. That's why I was late. - Aubrey, I'm so happy for you.

I just think, you know that. I just think that you're such a great person. - Oh, you'll be so excited to have it on for you. Yep, really, really happy for you. That's so awesome.

You've always got, you're so funny and you're so,

you're such a great person. - What did you excited about being a mom? I mean, this is, you're gonna be great. - I am, yeah, I've always wanted, I've always wanted. I've always wanted to see what that's all about.

You know, just seems so interesting. - Oh, incredible. Thank you so much for sharing this with us. - Congratulations, it's all great news. - Thank you, it's very, very thrilling.

- Aubrey, you've been so busy too. I mean, you, oh yeah, I work, I work right now. - First of all, I was realizing last year, I want to talk about this because I don't think you've got enough, and I, you and I texted about last year,

I watched your movie Emily the Criminal, and I know it's long gone and whatever. I thought that was such a great movie, your performance in that was so, so good, Plaza. I mean, really, I don't know if you guys saw it,

what an awesome movie and what a great performance. - All I know is every time I see you in any, I didn't see that particular one, but every time I see you in anything,

I'm always stunned by how confident you are in being still.

I just find it, it's such a, it's so, it's so, I don't know, attractive or infectious. It's not the word I'm looking for as an audience member, I'm just, I'm drawn in and I can't stop watching somebody who's so comfortable not helping me as an audience member

knowing what's going on inside your head, like I lean forward. - And being able to do that, JB, like in a drama, we have to be very sort of vulnerable, very real, and then being able to, and also do it in comedy,

you have so, you have such facility with all of it,

and I think it's really impressive, it's so subtle.

- I just, I hope people go back and rewatch that, and then continue to watch the newer stuff, but I wanted to say that, you know what I love that movie. - Thank you for saying that, I love that movie, that was such a baby of mine, that film,

I'm so proud of it, like, I just want, this script was so good, and I was like, as a producer, you know, just like, if we could just, it really taught me

that it is always the fucking script.

It's like, it is the fucking script. I'm like, if we shoot the script, exactly how it's written, the movie is gonna be good, and it was, we didn't compromise, and that was what I was so proud of. We didn't really didn't compromise the script,

and then the movie turned out great, and obviously so many other things have to happen, and make, you know, to make that happen, but it taught me that. - Where did your, where did your taste for,

what your particular style, where did that come from, was one of your parents, particularly dry, was there, was there an actor, or an actress that you really admired, coming up? - I don't, I don't know, I don't know, I don't know.

I don't even think, I mean, I don't even know, it's hard for me to really have perspective on that, at all, because I feel like the deadpand,

and maybe I've, oh, maybe that's how I wasn't really always like that,

grown, like that wasn't really my thing, but then I think that the things that I got cast in first, like, character wise, for me, like I'm not saying,

Like, oh, I'm a method actor, but like,

I do think that like, I capitalized on this persona early on, because the funny people role was really based on, you know, and I know that it wasn't officially said, but I'm pretty sure that it was based on Jeanine Garofflo, and so, and I kind of knew that,

and I studied her and her stand up. - Right, also incredibly dry and hilarious. - Right, and she was like, you know, she's such a hero of mine, like loved watching her, and then the Parks and Rec character was also kind of born out of that same.

There was a lot of stuff that there was a zone there that I was like, I can't do that. - Are you ever, do you ever allow yourself to think somewhat strategically about, well, maybe I should play a part that shows that I can do

the other side of the spectrum as well? I mean, is that, do you, are you one of those actors that, that considers that kind of thing?

- I mean, I think, I think, when I was on Parks definitely,

because I was always like, get me out of the zone,

I got to show people what I can do, you know? So I was always like, you know, dirty grandpa was an example, where I was like, get me that fucking part. And like, that has nothing to do with it. But now I'm more just like, I just want to be,

I just honestly just want to be in something good. I don't even care, it's not even about, oh, I want to blow everyone away with my performance, but I want to be in movies that people remember, watch more than once that don't just float away

into the ether that it's like they never, that never happened. - And the producing effort is in that direction. - Yeah, is it sort of like, start to cook your own food, right? And as opposed to just react to the phone ringing and- - Yeah, I mean, I want, I'm still an actor.

Like, I'm still like, why is no one calling me like- - Yeah. (laughs) - Where am I? - Right, hard to believe.

- Right, right, right, right, right, right.

- No, I mean, no, no, no, you know, I get a lot of,

I get a lot of, I'm in a very good, I'm very grateful for my, you know, position, whatever. I get off from things, of course. But like, I still have that like actor thing where I'm like,

it, but I'm producing, I think, was at first very much

about like, all right, well, if I'm not gonna get, you know, offered parts that I really want, then I'll just fucking do it myself. - Right. - But now it's more, but then I really,

but I really, I went to film school, you know, I studied film. - And why you? - And why you? - And why you, I studied directing and producing.

And I truly love the craft of filmmaking. Like, I really love movies. So like, you know, it's also, has nothing to do with acting. And it's really about just start, you know, making something from the very beginning

is the very end and seeing it through. And being like, you know, how can I make a great, - Yeah. - Did you have a favorite movie this year? The Oscars is like a month ago.

- You know, did you love any of those? - This year was really tough for me. - Yeah. - I just could not get into any of it. I will say, and I don't understand

why Eddington, I know. - I know. - Everyone's pretending that movie didn't happen. - I love that movie. - I love that movie.

- I love that movie. - Right, and I don't want to hear it. - Yeah. - That movie is great. So like, what, what, everyone's?

- I love that movie. - I totally agree with you. - What the hell was that? - Amazing. - Where did that go?

- I don't understand. Apparently, like, it wasn't embraced at can where it were premiered in the story, you know. - No, the voice of filmmakers, right? - I mean, I see.

- Just. - Yeah, that was a stunning movie.

I thought that was incredible.

- In certain regard, this mother fucker. - I'm sitting on a really stupid pond that it could, but it's too far removed from what we were talking about. But just go far now. - No, but it's just like OCD and now I just want

to get it out. - Right. - So you start momentum, so while we're stopped. - Oh, you were saying the parts are coming and then, you know, the parts that you want.

Like, oh, maybe you could do some parts for fun, you know, and you could call them parts for recreation. You know what I mean? And I'm just saying it would be. (laughing)

- What I'm saying is that I said that again, and then I wouldn't have had to stop. (laughing) And this is why people beat me on the show. - We'll get it.

- We'll get it. - We'll tighten it all up. We'll be right back. - And back to the show.

- All right, well, I want to, is there a Delaware, right?

That's where we started. - This is where they started. - What a question. - That's not what you're gonna ask, too. But I was gonna ask like, because I've only known you

as an adult, I'm fascinated with who you were as a child, and where you this dry and funny and woody, and where your friends did you have, like a circle of friends that shared your sense of humor, or were you like?

- I mean, I definitely, I was definitely a shy kid up until when I discovered theater, like very classically, like, you know, I went to like,

The Bloomington Drama League,

which is the community theater I learned at,

and when I was like 11, and I started to see, oh, people are pretending to be other people. This sounds really fun. And so then all of a sudden, I kind of understood that that was an outlet for me, and then I,

and then I think I came out of my shell more,

and then by the time I was like, you know, in middle school or whatever, I was like funny. - And then the, and then your summer program at NYU, that was sort of like, okay, there's sort of, a bridge has been built to the, to the, to the big city,

and that's kind of how that, is that how it works? - Yeah, well, I think, like, I had a friend who's a comedian Neil Casey, who you probably know well, um, writer, really funny, you know, you know, Neil. - I think I do know Neil, yeah.

- He's a old school UCB guy, but yeah, yeah, yeah. - Him and I grew up together, he was a little bit older than me, but he went to the old boys' brother school. He introduced me to John Waters' movies, and to...

- Oh, wow. - And to UCB, the, the I pray says, "And to get a show on those television." And kids in the hall, and Mr. Show, and we got into like stuff like that as teenagers,

like young teenagers, and then I started to really become like a comedy, Freak, and then develop, like, my love for films and movie, you know. - Was we in a comedy, I don't, I don't, sorry. Who are you?

- Um, did you have? - Me, Graflow. - What do you mean? - What do you mean?

- I always, like, I always like black out when people ask me.

- I know, I don't forget. - Um, was there any other, like,

was there any other, you're not keeping me in a scene?

- Or, or, or industry, or career that was that was battling, your, your, your, your, your, your, your growing dream for this, uh, to be an actor, like, was there any other thing that you were thinking about maybe going to college to study?

- Yeah. - No. - This is it. - You were all in. - If I could dope, I love that. - I was all in, I was all in, I was like all in. - Mom and dad were okay with that?

What, what, what, what, what did they do? Were they like to go? - They were okay with it. My, my dad was the finance world. He was a stock broker, and my mom was a lawyer. - No pressure to go into either one of those professions

from them? - Nope. - My parents were really young when they had me. They were 19 when they had me. And they had nothing when I was born, like, really, like, hustled and worked their way up in the 80s.

- Yeah. - And, like, I learned from them, like, how to, you know, hustle, yeah. - And it didn't matter, like, what field you were in.

It was just like, they're, that's what they taught me.

And, and my mom, I think, also, like, she went to night school and I was a baby to be a lawyer and stuff, but she's a really introduced me to, like, Saturday night live. And she's got, she loves theater and movies. And I think at another life, she would've been doing what I'm doing.

- Yeah, but she, yeah. So, she's, they've got to be thrilled for you, then, 'cause you just all self-created. - They're so psyched. - Well, let's, let's stay there with Saturday night live.

So, you were, you were a page at one point at 30 runs. - That's cool, I didn't do that. - And then, a bunch of years later, what you, she comes back and she hosts Saturday night live. That must've been very surreal.

- That was crazy. - Crack, right? - That was crazy. I was a page 2005, it was right after the stroke, I think it was before the stroke, I don't have to stroke. But I was on an intern actually in the 30 rock building,

which is higher or lower on the power scale. - It's weirdly higher than a page, it really. - You would think that, because the intern doesn't get paid, but a page does, right? - But a page gets paid, so you would think,

but, like, no. - The page works for the network, the intern works for the show. - Exactly, and I was not a very good page. I was like, fucking around too much. - What was your problem?

- My problem was, I was hung over pretty much every time, and I would have to throw up in the trash cans in the hallway. Like, mid, what does a page do there? - Well, if you don't get an assignment,

which I never did, maybe once I got one,

which means like, you get assigned to a different show. Like, the coveted position was the Saturday Night Live pages to get assigned on SNL, but if you don't get assigned, you're just giving tours, you're on the circuit. - So you had to give tours?

- Oh yeah, I get tours. - And then-- - I would love to see that. - What would be so great about being an SNL page, is it just the fact that you get to hang out there at the desk,

and you like basically mission control, where everyone is passing by, and-- - You just get to be there, you just get like, watch what's going on, and it's simply amazing. - And like, meet celebrities and get them coffee,

or whatever, or it's like-- - So then when you come back as a host, were you, did you talk with them more? Did you, was it just sort of just a private--

- Did you order them or--

- No, I would never talk to a page.

- Never. (laughing) - No, of course, I mean, every time I go on that building, I'm like, you know, I still know the security guards, like it feels, you know, that building is so like,

it's such a family vibe there, like, it's the best. And like, I'm still, I love my bosses when I was, 'cause I was an intern at SNL and a page, but I was an intern in the design department with, you know, Akira and Keith Raywood and Joe and Eugene,

and the design of the sets or the costumes or-- - The set designers for the show. - And then I did my, when I hosted, I did like my monologue about that and I had those guys like come on stage. It came, it totally came full circle, but they were all,

yeah, I mean, I love, I love going back there. - Was it emotional at all? - Yeah, it's a real shame. - Really tripped, it's tripped out. It was very trippy.

It's weird, yeah, it's very weird. - When you grow up in Delaware, is that correct? - Yeah.

- And then you moved right to New York, right like when you're a kid?

- Yeah, I mean, I moved to, yeah, to go to college. - Go to college. - Oh, so Delaware, you know, up until you're at college and then you went to college in New York. Have you been to New York before then and seen it?

Like, I want to go there and all that? - Yeah, I mean, yeah, because Delaware is really, only two hours south of the city. People like think it's like five hours away. - Yeah, it's really close.

- It's really close. - I'd take the train up all the time. - And then you went out to L.A. So basically my question is,

'cause I always talk about Scotty,

about living in a small town somewhere because we're constantly on either coast in New York or Los Angeles, back and forth back and forth all the time. - And there's something appealing about living

in a small town somewhere outside of the city, but I think I might go out of my mind a little bit because I don't mean that you isolate it. - Yeah, and I do need the stimulation of the noise and are you like that?

- Yeah, yeah, yeah, I like the city. I like New York, I'm back in New York, you know? - I'm back in New York now. - I'm back in New York, baby. - You were.

- Yeah? - I'm back in New York. - So you wouldn't be able to move back to a small town

again, Sean, you wouldn't be able to do that either?

- I don't think I want to want it, but I don't think I could, I would last, but maybe. - I don't know, sometimes I feel like I could, but where I grew up wasn't, there was a small town vibe in some ways,

but Wilmington, Delaware's like, it's a proper city. Also, so it's not like... - And you want, and you want to raise your family in a city, like, you are now. - Yeah, I mean, I wasn't, you know.

Not totally thought through, but I'm like, yeah, I mean, East Coast for sure. I, my family's in Philadelphia and Delaware mainly. - Oh great. - So I loved, like, one of the reasons I came back here

was for that, so I can get on the train and go home, you know, my grandmother, yeah. - How are you when you go on a location, like, when you're shooting something that's in a far away place? - A location?

- Yeah, on location. Yeah, like, like, white lotus, for example, like, are you okay being disconnected from major cosmopolitan city for a long period of time? - Yeah, I'm like, very adaptable.

Like, I feel like I would, I, I, I go someplace and I'm there for one day and I'm like, this is it, this is my life for the rest of my life. Like, I'm very, I think I would be okay, like, in jail. (laughing)

- You just make it your home, right? - Yeah, I'd be like, this is what I have to eat, and this is where I say that when I get into an elevator, I'm like, if it breaks down, this is where I'm at,

this is your first ever, right? - That's not true.

- You have to, you know, you have to, you know,

you can't die out for a cow. - Value in your little, no, in London. - I don't have to worry, I don't have to worry, I don't have to worry. - But we said proof of you not being okay being stuck in an elevator.

- But I went through, what is that therapy called? I went through that therapy. - I began. - Did you, EMDR? - Yeah, what, no, like, what does it call? - When you're electro therapy, you do the thing you're afraid of.

- EMDR? - No, there it is called. Shock therapy. - Anyway, exposure, exposure therapy. - Okay. - Yeah.

- So I did that with an elevator. - What is that word? - And then I got you. - You just opened up your trench coat, what's going on? (laughing)

- No, I did it. I did exposure therapy, and I got over it. - Let's talk about white lotus for a second. Where did you shoot that? - Sicily.

- Sicily. - It was like four or five months in Sicily and then one month in Rome. - Wow. - Wow, that's pretty nice.

- Oh yeah. - That's pretty fun. - Yeah. - It sounds pretty, pretty good. - Pretty, pretty.

- Good. Is everything okay, Jay? - Jay, are you okay? - I'm hearing something in the other room.

It's probably the Alexa chirp and off.

- Oh my God.

- Now, so just get attacked by a room bug.

- Did you?

- It's like electronics and you're a whole thing.

- Did you? Is it true that the scripts are really secretive when you're doing white lotus like you're not allowed to like talk about them? It's like doing star wars.

Is that, did you have a problem with that? - I didn't have a problem with it, but yeah, I mean, you're not really, you're, you're not supposed to 'cause he writes all of them. So you get all of them.

You've read all of the episodes before you. - Wow, that's so great. - He being my quipe. - My quipe. - Right, but is there like,

so there's a big, there's a big secret you can't say and on these shows, right? It's about somebody that dies, right? And that that's the thing they do.

- To anyone, to the boat, like what is,

what are they, they're trying to keep it secret and lock down because at the center of each one of these seasons is the reveal murder, right? The murder mystery. - The murder.

- Yeah, I mean, I didn't read other people's lines and other people, I didn't even know.

- Wait, you're not giving the pages that you're not on?

- No, she's giving you are. - Oh, you are. - Oh, she's giving them. - It's the word. - 'Cause I've heard of productions like that.

You're only given the scenes again. - My school bullshit, my line. (laughing) - All right, all right. - Remember, no, I didn't read.

My season was different, or maybe slightly different because it earned maybe it wasn't different. I don't know the secrecy. But I don't, yeah, I actually like, I read the scripts obviously,

but I was so focused on my, you know, storyline that I was, I didn't, I didn't even really know what was going on in the rest of the show at all. But I will say, I just was, was Sandra Bernhardt, who's gonna be on the next season.

- Right. - And I was hanging out with her last week and I was, and I was like, "Did you get all the scripts?" And she was like, "Yeah." And I was, and just, nothing.

And I didn't care. I'm not like trying to get the secret out of her, but like she had that, that white lotus looking her eye.

- Sandra Bernhardt, do you know what we'll talk in?

- Did you guys all see King of Comedy way back in the day? - Yeah, Sandra Bernhardt. - One of my all-time favorites, guys. - Love that movie.

- We talk about that movie, what do you have, what do you have coming up that you're super excited about? 'Cause I know you got a lot of projects going on. - Oh, the well, the main thing that I believe this is like dropping the day that this comes out,

which is gay, which is Kevin, my new animated series that I co-rated and starred in and produced on Amazon. - I'm a prime video. - Oh, great, prime video, prime, excuse me. - And let's tell our listeners what that is about.

This show, Kevin. - So, Kevin, it's a lovely title, what is Kevin? - Oh, Kevin is a cartoon based on a real true story that was about my actual cat that I shared with Joe Wenger when we lived in a story of Queens.

At the time that we were talking about Will all these that UCB era, and we had a cat named Kevin, who was a alley cat, we actually had two cats, Kevin and Howard, they were brothers, but this Kevin survived longer.

So, this shows about Kevin.

But the show is basically about a couple

that is living in Queens based on me and Joe that break up and they have to tell their cat because in the show animals and humans interact and they tell Kevin like we're breaking up. So, who are you going with me or him?

And Kevin's like, you know what, I'm not going with either of you. I don't want to be with you, I don't want to be with you. I want to go out on my own and be with the single cats. And I want to play the field. So, Kevin goes and lives at a shelter

with all the other single cats and they kind of, they date owners and see and decide, you know, negotiate with humans and decide. Maybe I'll live with this guy, I don't know. - And who's playing Kevin?

- Kevin is voiced by Jason Schwartzman. - Nice. - Who's so funny? Cause Kevin's this kind of like neurotic cat. He's got a really messed up butthole that he's fixated on.

- Oh, he's constantly talking about his weird butthole and therapy. - Same. - And he's just got a lot of like interesting. - Grow Jason Jason, Jason wrote the music for the show, too.

- Jason wrote the theme song which is so fucking catchy. - You know, Jason's a killer drummer. - Yeah, he's a crazy, good drummer. - He's so talented. - Yes, he is.

- Yeah, he wrote the theme song, it's awesome. It has this like really like, yeah, early 2000s like indie rock vibe. And then the cast is just insane. It's like John Waters, plays our Mando, the cat, who's this kind of.

- That's great.

- Snobby, Persian cat, queen that lives in in Queens. What'd be Goldberg plays a hairless freak cat. Amy Sudaris plays like a little yappy dog that's bossying everybody around. - Oh, nice.

- I play a human among other things. I play a drunk spider and different kinds of characters. - Oh, that's great. But you didn't have to play two or three characters. You didn't run out of people you could have gone to.

I mean, you got, you got will. It's done quite a bit of voice work. Sean, Sean, Sean, I've done some. - We can't afford it. - If you ever get tired of playing multiple characters,

you know, just saying, and well. - So that is a really good cast. - Isn't it?

It's first stacked and the cast stars are amazing.

The show is really, really funny. We've been working on it for since before the pandemic, animation takes so long and it's really funny. I'm so proud of it. I think people are gonna love it.

- Schwartz, man, we should do it. He should do a show, a weekly show on Series XMU where he'd play all sorts of like, deep, deep, independent music cuts. It was so good.

I used to listen to every week. I'm such a fan of his and every way. - Yeah, his tastes and music are so good. - Really good. - Yeah, really really good.

- I wonder if he's not, I think he used to be in a band

back in the day, but yeah. - Yeah, he's not in like his band now. - The theme song to Orange County, isn't that right? - Yeah. - Oh, that show.

- Orange County. - Oh, yeah, yeah, yeah. - Yeah. - Yeah, I can't tell you. - Wait, wasn't that on while we were doing

a rest of development? - Sure, right.

- It's the same time, yeah.

- It sure is. - Yeah, I wonder if he's like in a dad band right now. How great would that be? - It's cool. - But those don't put him in that.

He couldn't be in that. - Was he a dad? - Okay. - But that doesn't need to be his identity, man. - Nope, doesn't.

- You know? He's a visual side gig. (laughing) - Oh, all right. - Well, listen, Aubrey, we hit it.

We did a case. - We did a case. - It passed our time. - All right, I mean, you're amazing. - Oh, good light.

- Firing on all cylinders.

- Congratulations on the incredible news.

- Thank you. - Oh, my gosh. - Really cool. - It's really, really awesome. - Thank you guys.

- Thank you, guys. - And the birth of your new show today is well. - Good one, good one, good one. - So, just, you're just on your own. - You're just on your own.

- You're just on your own. - You're just on your own. - You're just on your own. - Thank you for doing this. - Thank you for your time.

- You're just on your own. - You're just on your own. - You're just on your own. - You're just on your own. - You're just on your own.

- You're just on your own. - You're just on your own. - You're just on your own. - You're just on your own. - You're just on your own.

- You're just on your own. - You're just on your own. - You're just on your own. - You're just on your own. - You're just on your own.

- You're just on your own. - You're just on your own. - You're just on your own. - You're just on your own. - You're just on your own.

- You're just on your own. - You're just on Amazon Prime starting today. - It's the perfect show. - There we go. - Don't ruin it for me.

- Don't ruin it. - We love you. We love you. - Thank you. Enjoy your day.

- Bye on your hand. - All right, good bye. - See you down the road. - Bye, Plaga. - Bye.

- Bye. - Bye. - There she goes, Aubrey Plaza. - There she came there, she went. - Yeah, yeah, yeah, yeah.

- What a pleasure. - What a pleasure. - I love her particular talent and taste and style. - Yeah. - She's real cool as the kids say.

- She's real cool. - Yeah.

- Well, she just does something that I think a lot of actors

are not really comfortable doing, which is, you know, like, I don't know. - I don't know. - Believe that there are enough. - Exactly, yeah.

- They're not screaming in their performance at you, you know? - Yeah. - I mean, she has, she has so much, I don't know, again, just sort of facility with all of it. It's amazing.

And that, honestly, I mean, I always,

I've always been a fan in sort of bias, but then when I said last year when I saw that, Emily, the criminal, it was just, it was like another layer, like another really rich, heavy duty layer, I was like, wow, this kid,

I'm not, not kidding, that sounds almost like, you know, this, this person is, that's just, it's got it all. - Yeah. - Yeah, yeah.

- Yeah. - You know, then I think about it and then I look at JB and I'm like, what is this, what's the good thing? - How is he still going? - What am I supposed to say?

'Cause he's just so, he's in a negma, I don't know. - Well, no, it's not your ability. I guess it has a talent, you're great, you've got so much help, but it's a person, you're like, you got the personality of a waymo driver,

you know, right? - Right now. (laughing) - He's like, if you alone, most good. - Yeah, I guess, but I'm reliable

and I'll get you there on time. - Okay, there, but then it's basically nothing. - Right, you don't mean like, that's a role-bound.

- Yeah, yeah, yeah, yeah, yeah, yeah.

That's nothing, but there's nothing.

Like, you put your hand in there. - Expensive, but like, not even there. - So expensive, it's still waste. - That's the other problem.

- You're so, you've pressed yourself out,

you know what I mean?

You have prices, it's not about money.

- No, I have a goodbye. - Did you dig some out? - Oh, I know you do. Well, I was gonna say, what's this at today?

I don't know if there's something to do with that.

- Oh, this is Grumbard West.

This is my high school, it's a castle on a hill.

Is that something you purchased? You don't wear a lot of things that you buy, that you buy? - No, they gave this to me. - And I wear it thrown out of freebie.

(laughing) - I know. I was like, if this is like somebody's production company. - Yeah, yeah.

- And I'll bet the sweats, the sweats or the college,

I want to. - Uh-huh. - This sweats or the college, the has the high school, and this is somebody's company, I don't know what it is.

(laughing) That is pretty crazy, isn't it? - I didn't realize it's on now. - It's so good. - Well, maybe one of these days,

you got to get yourself out to a store and actually buy something. - There we go, there we go. (upbeat music) (upbeat music)

- Smartless is 100% organic and are tizantly handcrafted by Rob Armjarrif, Bennett Barbaco, and Michael Grand Terry. (upbeat music)

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