"Olivia Wilde"

- Hi, I'm Liu Wilde.

I somehow got talked into being on smart lists.

So, I don't know, this is a disaster. Welcome to smart lists. (upbeat music) (upbeat music) - We love you, we love you, we love you, we love you, we love you.

- Can you get a small, I love you, you get a nice small mustache and then start doing the "we love you." - No, no, go, go, go, go, go, go. - Yeah, like this, we love you. - We love you, okay, Bella.

- We love you, we love you. - So, Sean, are those new specs? - Oh, yeah, do you like 'em? - Nope, no, sorry, sorry, sorry, you said that so quickly. - No, I do, I do, I like, I do, you're nice.

- Wait, who made the clear horn rim frames famous? I feel like it was like a Ted McGinley

“or one of those handsome fellas I think I did.”

- Andy Richter. - Andy Richter is over there for a long time. - Yeah, what did I just see Andy Richter is in? - And he's an obsession. - Obsession, yeah, yeah, yeah, he was great.

- I love Andy, can I just say that just as a general rule? - And he is so funny. - What's so love? He's so fucking funny. - Yeah, he's funny.

- Well, they can take the surprise out of your voice. - No, I'm not surprised, but since you have those moments we just think about something you go. - God, Andy, God, we have so much to remember, we used to play cards with Andy.

- Steve, I'm still alive. - Yeah. - No, I know, I'm just saying remember, we used to play cards all the time back in the day. - Yeah, no, with Kyle Dass.

- You with Kyle, I remember Andy once I met my old place in Venice, remember when he came down the stairs. (laughing) And he had so many jobs that brought like Fudge or something and Andy came down and he had,

there was Fudge all around his mouth. And he's like, hey, I couldn't find the Fudge. - I couldn't find the Fudge. - I couldn't find the Fudge and it was all around his mouth. He was like, it wasn't anywhere, I couldn't find it anywhere.

- Yeah, Jay, what did you think about obsession? Was it in a good movie? - Yeah, I really liked it.

“Now is that what you were watching with my wife the other day?”

- I was watching it with your wife in your house and you weren't there. - So jealous. - Yeah. - Oh, yeah.

- Let me check with Scott. - Scottie was there too. - And Scottie was there, yeah. - Let me just see you play. I must have been going to pay for that.

I know. - I know. - I will pay for that one. - No, you're going to text the guys after this session. You're going to say, hey, guys, did you trim out the little spot

where I totally forgot this guy was sitting next to me? - Wait, Jason, you just nodded to somebody. Is that somebody making you a ex-san? Would you have something? - Ew!

- Close. - Ew, who's there? - Morgan. Who's Morgan?

- Morgan is my incredible partner here in JP.

- Oh, you've got a partner now. Look at you. - Yeah, she's, she's, she's, now I have two partners here. I don't like to say assistance. - Yeah.

- 'Cause I like to stay relatable. - Sure. - But you know, you know who is resisting my assistant? - Here who's that? - Franny.

- Franches Konorban. - Is she there right now? - She is. - Oh, tell her we say hello. - I love her.

- Yeah, let's say the camera. - There she is out there in the production office. Can you see her? - Look at that. - Oh, yeah, look at that.

Look at her. Look at you're just in some lonely office. - You know, by the way, you know who stays relatable? - Mm. - People who don't say, I want to stay relatable.

- Yeah. - 'Cause they don't have to, they don't have to curate it. - My insincerity is bleeding through. - Yeah, man. - What is the sandwich that you got though?

Are you gonna dig into it? - No, as we just pushed forward, we don't talk about your net jets or, let's go pass out. - We'll go pass that.

- Let's talk about that.

- Or your long island, second home.

- Let's go. - Let's talk about the jets. - They're scouting. - Oh, look at Scottie, don't try to make up for it. - Oh, Scottie's doing prey hints.

- By the way, it's easy traveling, you know, you call and then they're there

“and then they get you from where you need to go.”

- You should try one flight. - Not at point, it's a better service. - Not at one flight. - Not at one flight. - No jets.

- This is disgusting. - It's so gross, guys. - It's not cut it though. (laughing) - So, Sean, now Sean, what did Scottie bring you?

Is that just your melt? - A bowl of mixed pop-tarts? - No, it's milk. - It's tea, it's tea with sugar and cream. - Sugar and cream.

What kind of, even with the tea, you can't take your foot off the gas. (laughing) - I think it's artificial sweetener today. - What kind of tea we have?

- Just regular, regular English breakfast tea. - Okay, okay. - You know, there's a cake lady coming.

- Well, this is not a surprise. - Yeah, but yes, I do remember. - We said, no, so Jay, I don't remember. What do we mean a cake? - He's got a woman who, I've used her, she's a man.

- She's great and she'll make any tea.

“- They mean you've used her, what are you talking about?”

- They're like a cake. - They're like a cake. - Yeah, she's, we call her, her name is cake lady, but she looks all the relatable bus over to the side. - No, she's like, do you know about it?

- Go down to the fucking store of my, okay? - No, she's like 10 bucks and she delivers it. - Yeah. - She makes it, and she'll deliver to your house and it's the best cause it has such a drag to go to a store

and put some time in to buy your child. - By the way, anybody gets a wedding of J.B. at a store, please take a pic. Please, please, take a pic and post it. - Let me tell you, there are two whole foods

that are going down at you. Two things that I like better than pushing a cart, aisle by aisle by aisle and taking really three hours to do 10 minutes of child under the heading

of things that never fucking happened.

(laughing) - I do love a good market session. - When was the last time? - I mean, less one was in, actually, what two days ago, I'd run down the street to get me and my assistant assistant,

some dinner. - Do you go to Whole Foods? - No, I went to this place that is... - Oh, I know that, that upscale marketplace. - Yeah, I'm so lame, right?

- Yeah, I bet it'll be by the way, that place you'd talk about relatable. (laughing) That's like the most expensive market in Trinidad. - But I'm hearing that, but it's so convenient.

- What's that down the way? - It's so nice, it's so, what's the call? - It's called metal lane. It's sort of, it's, it's, it's, it's the rich man's air wand.

(laughing) - Which is like, which is redundant. - It's nice. - It's nice.

- It's small, but it's incredible and nice.

- I don't mean to, I don't mean to disparage the place, it's very nice. - I know, but they've got to come down on prices, it's gonna come, it's gonna come, it's gonna come, but this is great, you can't charge $25 for a prepackage

to chicken, Chinese, whatever salad thing. - Wait, do you know what air wand backwards is? - Yeah, man. - No, where? - Yeah.

- Yeah, thanks. - Okay, our next guest, guys, today's guest. - Hey, if you fold a dollar bill into three things, then you'll be able to see that there's a-- - Hey, did you know what, more park is backwards?

More park you know the street at in the valley? - Sure. - Yeah. - We'll tell me, it's crap from you. - Wow, I mean, I have 14 year olds gonna love that.

- That's right, 'cause she goes to school there there. - Okay, thanks for bringing us down. To guys, sitting and chatting with us today. - Oh. - This pure sunshine on feet.

This actor, director, is a woman I've had the deep pleasure of working with twice. - Wow. - As an actor, she has done fantastic work in both comedy and drama, in film, stage, and TV.

As a director, she's one of the most exciting and sought after new voices today and having already done three films, which no doubt, there will be more as many more as she wants as she wishes. She's a true friend.

- Love you, wow. - Real tech. - Real feel yourself, Olivia. - And to me, you're chasing, you're in the mirror. - There isn't Olivia, how in the world did you get that way? - Well, how did you get that?

- Because she's one of most sought after directors. - Oh, that's right. - Oh, that's right. - These, that's a layup. - I think you could hear my heavy breathing.

“I think that's what was at your small dog.”

- That was the last one. - That was the last part of the intro, Jason says and her heavy, known for her heavy breathing, right? - Wow, I'll live you're welcome to the show. - Well, I'm sorry, I feel like it's long overdue.

Can we are trouble making your deal? - God is this overdue.

- What, I, well, I, everyone, I finally did

every other podcast and this was it. - Oh, the last, we saved the best for last in this world. - That's right. - This is so exciting. Sitting here spying on you guys is a really weird

thrilling feeling. - Yeah, yeah. - The apologize for all the coffee chocolate trails. - It's so great. - I want 45 minutes of that and three of me

and then, well, you're in, guess what? - Yeah, here it comes. - You're not gonna let that off at all. (laughing) - Yeah, our favorite is to ask you a question

and then tell you what our answer is for that question and then whatever time remains, you can say. - Oh, I know. I'm a long time listener. - Yeah, are you a big fan?

- Who's your favorite? - Of course. - You're my favorite 'cause you brought me on. - Yeah, yeah. - Well, even though, even though,

“when I just, we did, that's what we did.”

- Did you guys have scenes together? - We did. - Really? - Yeah. - We have it all.

- But here we've seen, we don't want to say too much. - This will let's start with that. Let's tell them about your film coming out y'all. - We're in a film called Behemoth. - Mm-hmm.

- I'll say. - It's Behemoth and directed by Tony Gilroy. - The great Tony Gilroy. - The coolest. - Is the coolest guy of all time.

- Hey, well, why don't you try to book him, huh?

- I'd love to have, I am gonna get Tony. - Well, you have to, oh my God. - Dude, he, I'll fan all of that.

“- By the way, listener, please look Tony Gilroy up”

and you'll be amazed at just his credits alone. He's just in credit. - Michael Clayton, his first film somehow. - That's your first film that he directed. - Yeah, that he directed.

- Yeah.

- He's an incredible writer,

but that's a perfect movie. - Yeah, he gets Robert Alzwett to be the DP on that. - Right out of the gate. - It crazy. - It's crazy.

- It's like Citizen Kane. He's like, how about this? I'll try this job and it's perfect, but he's so cool and so chill and he makes it look so easy. I was just entirely obsessed with him and his wife.

He's got a real cool thing, like you and Amanda Jason. He's like that. They're like just cool and a band is cool. - Yeah, a band is cool. - She's got, she cares a cool for both of us.

- Yeah. - Yeah, the great Tony Yorick, can't we love him? - We love him. - What can he just tell you something funny? Olivia, it happened to me last week.

- I want to listen them in the same way. - I had, well, I guess this is for us. - So I had dinner with Tony, like, two weeks ago. - Oh, yeah. - And here in LA, and then I talk about reshooting yourself.

- I was weird, I was here, but I was kidding. - Keep going. - We just got you, and I, and I, we split the bill. So we both put our cards down, well, we signed the thing. Whatever, we split.

Well, it's a surprise, they got half out of you. - Couple days later, couple days later. - No, I did go through the back, I kept going. You had two drinks, right? - You had two.

- So that was the first time. - Who had the front fight?

- I'm looking at the dessert, like I never even touched it.

And so then, and then a couple days later, I go shopping to buy a few new items to get some clothes. And the bill was pretty hefty, and I give him the card. The guy gets a back him, and he hands me in the card back, and I'm talking to my friend, and I look down,

and it says, Tony, keep throwing him in the credit card. - Yeah, so I go, and then I text him, I go, hey man, so listen, you're about to get him big. - Thank you. - And so he goes, oh shit, and he goes, I'm going back to New York.

He goes, all right, I'll come over and grab it from you. I'm right around the corner, and he goes, he goes, I don't, I'm trying to think if I bought anything in the last couple days, and there's a pause in the testing.

“He goes, the only thing I thought, I think I bought”

embarrassingly enough are moth balls. (laughing) - What? - There you go. (laughing)

- That's relatable. - So it's what? - Yeah. - He loves, you guys got a lot of cash, Mary. - Oh, he does, he does, he does, he does,

a lot of cash, Mary, I bet he's a cash mirror. - Yeah, he's a cash mirror. - But this movie is, is starring Pedro Pascal, and I believe it won it, Pedro, but it's going to be so good because there are at least seven composers on that film.

It's a film about music, and Pedro plays a cellist, and you also play a musician. Did you get to play music in the movie? - No, no, I'm kind of-- - I read it. - I think I read it.

I read my-- (laughing) - No, I read it. - What, what instrument did they say? Your character played well?

- They just said it just a bunch. She's just got up like an all-around kind of whatever's available. - Yeah, he said, you kind of see, he often like, I don't know if you're catching my 10, 10,000-year-it-steers.

“Kind of a guy's got a lot going on inside, you know?”

- I love when you, I love when you wet the read, hopefully it's some of the quick wind instruments. - And that's the speed, yeah. (laughing) - So, truly, it's about, it's about conductors, composers.

Sort of, right? - Yeah, and like film composition, like, music for film. And it's kind of a love letter to that world, and they show that process, which is so cool. - Yeah, it's cool.

- Wow, that is something that your average movie goer does not get a chance to learn about. - Yeah, it's a big surprise. - Big surprise. - It's fascinating. It's really, really fascinating, kind of getting in and out of them.

The people who inhabit that world and what they are, and some of them are just the most brilliant. - And will play as Pedro's brother? - Yeah. - Put that together in your head.

- Yeah, wow. - Make that make sense, and it does, because you're that good. It was the tan, it's the tan that you currently have. - That's really weird.

- That's really weird. - Oh, that's a fake. (laughing) - There is no, what? - You guys, all right, well let's talk about it.

- All right, let's go, I'm not here. - No, all right, he's so good. - We've got, we've started at the end. Let's go back to the beginning. - Hey, living.

- 90's.

- Oh, I never called you, living.

Now, this has gotten some press before, and I apologize to ask you about it, but here we go. - Here we go. - Here we go.

- I know why. - I know why. - But it's, but it's, it's cute, I like it. You had to change your name, didn't you doll? - I, you know, I didn't have to, I chose to.

- Oh, you kind of had to. Let's walk the audience through the original way. - I don't know this. - What are you saying? - Yeah, it's fun.

- It's real fun. - It's fun, but it's, but it's got some real lineage to it too.

- Okay, thank you so much. I was born with a different name. My family name is actually Coburn, but it's for now's to Coburn, but it's spelled, and I'm gonna, I weirdly have a visual for this.

Listener, you won't get it, but for these guys, but my last name is, - Oh, wow. - Cockburn. - Sean, you were just talking about Cockburn.

And like, two days ago. - Yeah, that is, that's, - Right?

“- 'Cause didn't, were you silent when you were talking about it?”

- That's not funny. - But when are you not talking about it? - And you're not talking about it? - In particular, it was behind a dumpster for I anyway.

- Yeah, yeah. - Yeah, yeah, yeah. - You got a real case of the Cockburn. - I mean, if anybody has any ointment or anything, - Yeah.

- Yeah, you should let me know. - Wait, it's really pronounced Coburn. - It's okay, but this is the thing. - That's not an issue. - In Scotland, it is pronounced Coburn.

I've never expected anyone in my life

to ever be able to get that, to put it to that. - Yeah. - So, from me. - You know, CK, by his way, so people can say. - Oh, sorry, sorry, sorry. C-O-C-K-B-E-U-R-R-N.

- Cockburn. - Very literally how you would imagine it being spelled. And it's a name to grow up with to build character. You know, it's a boy named Sue. And yeah, my family are all amazing writers

and journalists and just badass people. - And that book you just held up is that somebody from your family? - Yeah, yeah, this is my sweet assistant has built this little tower for the microphone

and she happened to use, oh, wow. - These books that were written by my family, just to intimidate me. - That's amazing. - It might mean I haven't been shit in my life

in that-- - They're very impressive. - Yeah, they're incredible. - But they're all amazing, yeah. - Well then, but so A, how early did you change the name

“and C, you landed on wild because of your affinity for?”

- Oscar. - Wow. - Oh wow. - Yes, and so I changed it when I was 18. I, right when you legally can, if you can believe it.

- But hang on, but you went through the toughest teasing years with that name. - Oh yeah, how'd that go? - I think it's, I truly think it's good for you. I think that everyone should be given one really devastating

part of their name just so you are just talking to Dax about this because he, also, he, this was also where he wanted to start. - He was like, you know, well, we were a child of that podcast.

- I've never spoken to Dax about his name.

What do we know about, what do we know about Dax's first name? - It's actually cockburn. - Yeah, what is, what is Dax's name? - Dax's actually his name, Dax. No, I think it's Dax.

- No, he's born Dax, right? - Forget why his mom, Dax's, what was the name of that? - Dax's, oh my god, you never asked him about that. - Dax's, oh my god. - I have, and I forget.

- Dax's is a win. - So, so, so, so, so, so, so, so, so, so, so, so, so, so 18, why 18, because I, so you wanted to change it forever. - Well, no, I'm, you know, I, I moved out here. I came right from boarding school.

I came right to a, and I was a casting assistant. And I was doing, I was going to auditions. And I was like, I want to forge my own path. And I had, I wanted to change my name. And I had, like, great affinity for other people

who had done that. I thought it was really cool when other people had done that. And I was like, I want, what would I do?

And I, the first play I did that I really loved

was the importance of being earnest. And then I read everything that Oscar Wilde wrote. And I just became obsessed with him. And he's Irish, my family's Irish. So, that's how it happened.

- Yeah, it's a great name. - Yeah, I didn't think it would be interpreted. So, like, pornographically. Like, the first 10 years of my career, every headline, every magazine that's just like,

"Good, get wild, like, born to be wild, wet and wild." And I was like, "Oh, fuck, I didn't wreck it." - I like it. - Really think that. - This is a little cockburn right now.

(laughing) She kept it as a middle name. - Wonderful, I did, yeah. - It's no.

“Wait, but what about being an assistant casting record?”

What's that, I would imagine that would have given you some comfort as you started auditioning that you'd kind of been on the other side of it and you kind of, was it less intimidating? - You know, I did it 'cause Keener had done it.

I was the best with Katherine Keener and she had done it. - Katherine Keener. - Katherine Keener. - It's not something most casting directors will let you do. They don't usually hire wanna be actors 'cause it's like danger.

So you have little spies in the office. But I worked for Mali Finn. Do you guys remember Mali? - Yeah. - She works, yeah.

- She was a legend and so I worked for her first one of '16 and then when I was 18. So when I was 16, I did for a summer and then she let me come back at 18 and have a real job. And I worked there for almost a year

and it was wild. I really saw how the sausage was. - So were you outside like in the sort of reception area

and mopped their brow and my God.

“- And it was so many people I later worked with”

and I was like, I really knew. - No way. - Another life when you're mad at me because it's taking too long and parking isn't oiling and you're late and you want coffee.

We'll be right back. All right, back to the show. - Did it help you at all, like understand the audition process like did you feel like it gave you a leg up?

- Yeah, also she had crazy high standards. So she would not accept anybody unprepared or not off-book. Like she would stop people and say, why don't you come back when you've done the work

and I loved that it gave me the sense of like, you better be really prepared.

Like I never have gone to an audition without being

without being prepared, but she had crazy stories and the thing that I love is that while I was working there, I was like this great legend. Hey, let me drink my coffee because--

- Go ahead. - I said, go ahead. - I'm not gonna ask you for that. - Just come right out. - Okay.

- Oh yeah. So while I was working there,

“there was like the legend of the Sam Rockwell audition”

and it was like she would tell us like the best audition I've ever seen was Sam Rockwell auditioning for the Green Mile. - Jake's directing him right now, I know. - Let me tell you this and please repeat this

and it worked today. So she said he came in and it was the last day of the director's sessions. The last possible day you could audition and he came in and he had been given the wrong scenes

and this man Sam Rockwell. He didn't even pause, he said, "Well, give me the correct scenes and I'll go learn them really quickly." And they said, "That's impossible, Sam.

It's ten pages of dialogue. You can't possibly know and could do it." And he was like, "Just give me a chance." I don't want to miss this opportunity. So they gave him the right scenes.

He goes into the hallway. They only have five minutes to give him to learn the lines he comes back in and he nails it and they were floored and he got the role. And she said, "That, that's an actor."

He can work that quickly. So years later I'm working with Sam and I'm sitting next to him in the makeup chair and I was like, "Sam, it's so nice to meet you. What an honor.

I have to tell you, I always heard the story

when I was an assistant and I just really inspired me and he goes, "Oh, yeah." That was like a thing I used to do. That worked every time. And I was like, "Are you fucking kidding me?"

Oh, that's great. I have been brilliant. So like, I thought that this, I revered his ability to like flash memorized. He knew, he had the correct size.

It was all performance. Oh, my God. So it ain't so genius because it lowers their expectations. Then if you even like say half the things right, they're like, "Goddamn, this man there needs to fight real."

He's a crafty bugger. I don't know. I have a greater that rocker. I have to keep my knees bent. Is that guy?

He's like, "And the way it's so standing, he's like, "Oh, yeah." That's just like a thing I used to do. Oh, yeah. And I was like, "Wow, deserves an honor." I don't know if I told this before,

but we can cut this out of its boring. Are you ready to boring? No, no, no, no, no, no. God, God, pretty good. Pretty good. (laughs)

So I went to go audition for the bucket list with the brilliant rock, Rhiner, Resta Sol. He was amazing. And he, and I walk in, and I had the wrong sides. Right?

I worked for a long time, and I walked in, and I had all, like, wasn't even slightly wrong. It was completely rewrote all these scenes. And I started auditioning with the scene, and he's like, "What are you doing?"

And I'm like, "What do you mean?" And he's like, "Who gave you these sides?" And my agent, he's like, "No, there's a whole new script." And he's like, "I'm like, I didn't know that." I go, "Great, then let me come back a week later,

and I'll go work on them." So I work on them, and I had this bit already, and I walk in, and it's just me and Rob, and produce a couple producers in the cast director. And I was like, "You ready?"

He's like, "Yeah."

“And then I started going, "Why did you order the so bad?”

Like, the horse acting you've ever seen on purpose?" I go, "Why did you order the code red? I didn't tell you to order the code red. You want the truth? You can't handle the truth."

And I stopped, and he's laughing, and I go, "Did I get the wrong side again?" (laughter) - You're really great. - Yeah, so he's started doing the scene from a view, "Good man, that's all good."

- Did he get me the part? - Yeah, I got it, yeah. - Oh, nice, very nice. So now Olivia, what now that you're on the other side of the table in these auditions, is you're directing these things?

Are you incredibly more compassionate? - Yes, and then I take like 12 hours' procession, because I want to hear it all,

even if I know from the first moment that it's not gonna be them,

I'm like, "This is your time." And it's a disaster for everyone else, 'cause I will milk it. - It's so hard. - Yeah, that's right. - The auditioning is a fucking nightmare, yeah.

And these people, they come and they're so vulnerable, and yeah, being on that side definitely made me

- But there's so much more also, self-tapping now,

where it's all self-tape, isn't it?

“- Oh, yeah, that part seems fantastic, right?”

- Yes, it's just record your own identity. - Yeah, and then you definitely-- - And the pressure's off. - And the room, and like the room. - Yeah, well, what if you don't do well, what if you forget your lines with the self-tapes,

you don't send it until you're happy with it? - But you overthink it, and I mean, can you imagine how much, the overthinking, and also, what I find is when people send me tapes, they've overthought the framing, the lighting,

people have full setups now, and I'm like, "You don't need the, I'd rather if someone's like, "shitty, iPhone, selfie, video, and their car." - Right. - On the way to their real job, then then--

- I'd have a real life. - Yeah, yeah, yeah, yeah. - It's gonna be like-- - It's gonna be like-- - A full set up there, I'm like, "You didn't have to do that for me, I don't need all this."

- But Olivia, what made you, how did you know that you wanted to just move to Los Angeles and work in a casting director's office? Like, well, it's really cleaner. - And moved from where?

- I read the keynote on it. I moved, I was a boarding school in Massachusetts. - Okay. - Who went to boarding school here? You said that I didn't.

- Oh, you did? - Yeah. - Where did you go? - In Canada, we don't talk about it. - Okay.

- Yeah, we did a bad break. - Borderschool and I had a bad break out. - Okay, yeah. - Well, it's tough, but I went to a fancy one. I can't complain, it was very bougie,

but I graduated and left the suburbs of Massachusetts after growing up in New York and the D.C.

And I had never spent a much time in the West Coast.

I thought LA sounded like this incredible mecca of excitement. And I came out here and took like two city buses to work every day in the casting office. And then started auditioning and kind of like scraped my way up slowly.

But it was really the dream from the beginning. So for me, it was very exciting. - How about that? - And where did you stay when you came out? Did you move into the aquads?

- No, I thought it was a fun. - That sounded so fun for those people. - I did. - I did, a few policies and so forth. - So for Tracy, that's a place where the actors

would go stay when they came. - It was like a corporate housing. And there would be that thing.

“I remember Pilates and you'd have like six auditions a day”

and you're not getting anything. And the back gate is on barrum over there on the way down the hill towards one of the brothers. And on the back gate when you'd leave, there's a sign on the gate

and you had to wait for it to slowly open. And it said, "Smile, it's show time." - Oh, my God. - Oh, my God. - Oh, my God.

And the redate is like February and it's running all day. And you're like going back for a crappy pilot and you've just feel like I'm a flower like this. - Oh, we're just 31. Nothing is happening.

- That's my list show time, fuck me now. - Well, I had given myself a limit 'cause I had taken a deferred from college and I was like, "I'm giving myself a year or like nine months." And if I don't book anything in that time,

I'll go, I think that's good. I think giving yourself a little bit of a dead end. - What was the thing that you would have gone back and studied in college? - I mean, acting, I think I would have studied.

I really probably would have become a writer like everyone else in my family or I would have tried. So, but now if I went back, which I like to fantasize about,

I think you would be like completely, I think I want to study neuroscience. I think I would go and do it. Wouldn't that be cool? I thought there'd be a bunch of math

I'd have to catch up on though, which is-- - I've got a couple of friends that are doctors and I just, they walk on water to me. - Yes, yes. - It just, like, that's really like--

- I know. - You certainly aren't born with any sort of natural talent to cut people's brains open and fix it. Right? Like, you could be born with talent to throw a football 100 yards or whatever,

but you don't come out with it.

“So it's all learned, you have to learn so much”

and you don't learn it until you read it or it's explained to you or you have to retain all that. - You respect discipline and self-education. - Yeah, I just, I think it's incredible. - I wonder if they are born though with something.

Maybe you are born with-- - Well, you just, you have to, in a generator intelligence. - Yeah, or learn, or-- - That's why I'd get into neuroscience because I'd want to get in there and see if they are born

with it, like, you know what I'm saying? - Yeah, get in. - So, cut them open and then that's what we'd learn if they are born with it. Yeah, you fucking dummy, that's why I'm doing it.

- Yes. (laughing) - You think Dr. Gary walks on water by the way? - I do. Is it a emergency room physician? - No, you just respect his golf game

because he's so straight and he's always in the fairway.

- But what about, I have a friend that is like, he's like, I don't trust doctors, I don't believe in them, I think, you know, statins. Like, he goes on and on about like, what's--

- You're talking about RFK Junior? - Yeah. (laughing) - You talk dog? (laughing) - Yeah, I'm having dinner with him tonight.

- No. - No, but stop dog. (laughing) - No, but like, what do you think about these people who don't ever, who constantly put doctors down?

I'm with you, I'm like, I've taken the two choices about someone who,

self-help, whatever. - And somebody who studied it, day in and day out, I'm gonna go with the guy who studied it. - Yeah, just assuming that those doctors must be wrong. - Yeah.

- Like, why? - Also, there's a bigger conspiracy at play here that they're looking to take the world over, if all the work and I have to figure it out how to trick us all.

- Right, right. Sean, trust doctors too much. I mean, I would say that maybe. - Yeah, you've got a virtual party kid at Cedar's. - No, he's, they call him paddles when he comes in.

- He's got eight failed and he's always getting it fired up.

- I mean, I had to play a doctor to be anywhere near it. - How, let's talk about house. - That wasn't me trying to like, segue into the mirror. - No, no, no, no, no, no, no, no, no, no, no, no, no, no, no. - And we appreciate the help.

- And for our Canadian listeners, it's the show known as House. - Yes, so. - Creative, like, Canadian. - Wasn't that next door to us over there on the FOX platform?

“- It was development, I think, in Canada.”

- Oh, man, I wish I was on your show. - I wish we were all back on the 20th lot. - Wasn't that great? - Just going to Apple Pan every day for lunch. - Apple Pan is in my life.

- Is that still there? - Oh yeah. - I think it is there. I think Irving is, I go there after therapy. - Irving is off by Apple Pan.

- That's great. - Or am I thinking of Nate now? - No, you're correct. - Shawn, you go there after therapy. So once all the feelings come up,

you go to stuff, I'm back then. (laughing) - With the tune-amelt and the milkshake. - Yeah, so good. - And fries.

- All right, all right. So now, so we're back, we're gonna go back in the time machine. - Yeah. - What is Olivia Coburn watching when she's a we-las, that's inspiring her to become an actor?

- Okay, this is the thing. I think about this a lot now. My family, we watched a lot of comedy together. And it is my greatest memory from childhood is the sound of my parents laughing and all of us laughing.

And my mom has really funny things. She's still like cries when she laughs. And it's just adorable.

She's always be like wiping away tears

and my dad laughing so hard. All of us.

“And when I think about it, it was a lot of comedy”

that I wouldn't have been absorbing the real meaning of. I mean a lot of all family. - All family. - Yeah. And so like, we watched like, like a lot of comedy

that was probably a little too adult. And then a lot of, you know, we watched like Wayne's World a thousand times. Like for some reason, Wayne's World was like a huge movie in our family, but a lot of SNL.

And it was a real joy to just sit and watch, you know, all the monkey Python together a lot. Like we just, it was the best. And I think for me, watching comedy, even watching like for me, I love Lucy.

I watch a lot of old comedy tellings. - We did too. I do too. I watch cheers a lot. - Cheers the best.

- Oh, cheers. God I love tears. - And so I think about like, oh, of course, that's where I find myself and I wanted to make comedies

because it's just, I think it is probably the happiest memories from childhood. I think I'm trying to recreate that feeling. - But did you go like, oh, I'm gonna go and do this and I wanna be in comedy?

Like was that because of this? - Yes, yes, yes. I think probably because it was, I probably, at the earliest stage saw how happy it was making my parents. Like I think.

And then I would, I was the ham of the family. And so I would make them laugh. And then I would, I was the ham one of the family. And I would go and like, just entertain everyone.

And they always had parties.

My family, my parents are very social and very good hosts. And so they had these amazing parties all the time. And it was my joy and life to go and like, perform as the little kid. So, but I really think it was from watching all these great

movies together. And I think about it because I'm like, am I showing my kids enough like great films? I hope so. - Jason, you're good about it with Franny.

You've been so good about it. - I put them in front of the TV before they could even speak. 'Cause that was my upbringing. I mean, like, you're going off. - 'Cause you're going off.

- You're busy. But, you know, they got to learn somehow. - You know, colors. - No, but you've talked to the last couple of years. Like you and Franny talk about film.

And you go, sort of put a lot of good stuff in front of her. Like, that's been important to you. - Yeah, yeah, yeah, really important to me.

“It's because that's what I had with my dad.”

It was a great subject matter and shared references and yeah, I just, I love it. Yeah, you don't want to expose your four-year-old to the wire, but, you know, it's just like a common sense. - I'm in front of the screen.

- And when they get it, it's so great. But sometimes they'll be like, they'll come back from their dad's house and be like, "We had to watch 12 angry men, and I'm like, (laughing)

(laughing) - Well, I don't know if that's... - Well, so it's, you know, so it's the trouble that you're met with. - Oh, it's like, oh my God.

- What are your kids? What do you go to? Whether they repeat, like, they'll watch the same one movie over and over. - Well, I miss when they were really into like musical theater.

I mean, Otis used to be obsessed with singing in the rain.

And, you know, Mary Poppins and all that's in.

“And now, oh, now it's more, actually, the thing”

that I love that he's into is Godzilla. The original, the old Godzilla. - Oh, no, with like the claymation. - Yeah, yeah. - Like, Mothra, the 1960s Godzilla's are so cool.

And beautiful. And he and I went to Japan a couple of weeks ago on like a little mom's son trip. We went for so jealous and it was the best. It was like, the greatest trip I've ever taken

with another person alone. Like, it was, we laughed constantly. And it became from our shared Godzilla's. - Can I just say he's in a side? If you guys been into Japan before,

sure, no, I want to go. I've been a couple of times as a kid and I have actually promised that exact trip Olivia's just took to both girls, individually just for the other time. And I have not, I have not done it yet.

- You've got to go. - Were they able with the same thing? Japan is the greatest place. I couldn't love Japan anymore. It's made, it's a man.

- And it's great for kids. It's so clean. Like, oh, it just couldn't get over the fact that there's no trash on the street. And there's no trash cans.

So it's not because like, oh, they have so many trash cans. It's that they just respect the city enough to not litter. It's that everything about it is interesting and beautiful and we had the best. And we got on the bullet train and every you,

I bet you love the pavement because it's very efficient. Everything about it. Like the train, it looks like literally like

to the second at the time that it says.

It's like the opposite of Italy. Even and I love Italy too. - But it's like, we want to train. - Yeah, yeah. - And Otis is like that.

- The train will leave the van to the van. - Yeah. - Make a big deal. - That was a nice coffee once they get it.

“- It's predictable and I think kids really like that too.”

They like the idea that like it's gonna happen when they say it's gonna happen. And they're just the coolest. - I saw this thing about Japan where the, if a kid, I may have gotten this wrong.

If a kid is wearing yellow, then that kid is by himself and everybody watches out for that kid. - Come on. - You know, like the kid? - The kid isn't, I don't have a...

- Just on Shaperone, don't you? - Yeah, on Shaperone, yeah. - Wow. - On Orphan. - Orphan.

It's an Orphan uniform, right?

Just walking around, looking at our home. - This one's free, just grab this one if you want. No? - I don't think so. - I don't think so.

- That's so fun. - Sean Jesus. - No, but I think I saw that. I don't know if that's true, but yeah. - I don't know about that.

- Probably not. - Well, this is, Olivia, this is a segment we like to call it. I think I saw that. (laughing) - We're just, it's really a lot of conjecture

in the next video, the other segment called. - Scrub my search history by Sean Hay. (laughing) - Wait, we have this one. - I made it.

- I made it. - All right, so here we go. - What was the thing? What was the thing? What was the job?

What was the thing that turned it all? 'Cause you're auditioning, you're doing so. What was the thing? What was the first boom? - I guess, probably the O.C.

The O.C. - I was a bisexual bartender, Alex Kelly, and it was a big show. Bigger than I knew, it was when I agreed to do it, and it was wild.

- You know, it's being, it's being re-watched. - Oh, I know. 'Cause I was young folks now like come up to me and I'm like, what do you mean? It's such a deep cut, but they will say,

like, I love you on the show, and I'm like, what show, and it's the O.C. and I can't believe,

“I mean, for them, it's like Nick at night now, right?”

It's like, right, right, right, right, right. - Right, right, right, right, right. - Why they landed on that as opposed to, let's say 902, 1O or Melrose Place or... - It's close enough.

And also, they're obsessed with early OTS, everything fashion now, too. So like, it is from that era that is now, we're like coming back and so they're into that look and the music, it's relevant.

- It's really amazing. - It's done, you're about to be in style again. - Yeah, she was doing this the good thing. - I'd be waiting to pay off, yeah. - Yeah, you're like low-rise jeans

and you're a little crop top. - Yeah, it's coming back. - The thing in the mirror behind you coming up is it's closer than it looks, yeah. (laughing)

We'll be right back. And back to the show. All right, and then there was, then there was girl next door, there was alpha dog, and then we got to, and the top was in Aliens.

- I love that. - In the age up, when are we getting to the change up? - I mean, were there more people to talk how boys and Aliens would change up? - Oh, that's hard.

It might have been the same five people out there with Aliens. - Let's talk about the change up. - Let's talk about the change up. Let's talk about the different memory of the change up. - My favorite memory is obviously sitting on your lap,

topless with pasties. - No, I mean from shooting, I mean from the movie.

- Yeah. - That was a good time as well. We really had the best time. I loved making that movie. - Right.

- It was a main last. It was the coolest. - David Dawkins was so freaking awesome. - Oh, I'm kidding. - Yes, it was really fun.

Down there in Atlanta, I love it.

“- If you remember when I stopped by on the same time?”

- Yeah, Sean, you were making three stages at the same time. - Yes, yeah. - And I walked to the mall to go see Green Lantern and there's Jason and Ryan filming change up in the middle of the mall.

- Oh man. - And I walked right into the middle of the scene. I was like, hey guys, oh, they should have kept that. Movie would have been better. - Yeah, but they're curly wig on.

- Yeah, totally. - Right, the fountain. I think it was the fountain right in the middle of the mall. - Oh, right, the fountain. You guys were so good.

It was, you were so funny together. - You gotta bog you over by the fountain. (laughing) - Totally. I was shuffled along very quickly.

- And then we do drinking buddies, Joe Swanberg. That was completely improvised. - Completely improvised. Yeah, that's like the true Swanbergy in way, which is kind of that mumble core, which I think they hate

that word mumble core. - It seems very, I don't know. - Oh, for me. - But more than it is, it's a mess.

“- It's a mumble, I don't know how to call it. (laughing)”

- They you get, there's no script, there's a sort of outline. And then you just improvise. - What is this for? - Oh, this was a movie called drinking buddies. - Oh, drinking buddies.

- Isn't that similar to what they do on a curbionthuzy asum? Sean, you've done that. - Yeah, yeah, you just get one of these. - Oh, I'll let you go.

- So there's no written script. - No, zero, you just gotta hit the beats and then you start to write it. - It's super fun.

- It's so great, and it was the first time

I kind of took myself seriously as potentially being able to write something or maybe direct something one day because we were really in control of the story and that it was a collective effort

and that it was so fun, it makes it very real. And it was, we kept learning from what happened and then letting that affect the next scene. So it was like, oh, now this would happen to these people, it was a shot in order.

- We shot it mostly in order. And that led to then the movie that I just directed, this movie, the invite that I did completely in order and it was all really started in drinking buddies days when I was like, this is so fun

and it was a dream, I loved making that movie. In Chicago, drinking beer. - I love that. So that was my next question

“is so did drinking buddies inspire you to wanna direct?”

- Yeah. - That was that, though, experience. - I kind of, I wanted to before,

but that was the first time that I was like, wait,

I think I might know how to put a scene together because I was given the chance to sort of be a part of that process and it was, I was like, this is the most fun. - And now having done both, obviously scripted

and this version where it's improv through an outline, do you prefer one of the other? Or... - I think there's a, what I prefers, what I ended up getting to do on this movie

which was we workshopped the script together as cast in writers and then we were able to shoot in order, shoot it, yeah, it was like a play and it was a very well thought out script ultimately but we had kind of worked it together

and it not in a full likely way where we spent like a year improvising on a cliffside or something, it was not that. But it was very, it was very organic because we had really massaged it together

and then once we got on set, we knew exactly what we were doing. I looked at that. - Well, so tell the audience a little bit more about that and this was called the invite

and it's inspired by or based on... - It's based on a Spanish film. - Okay, so yeah, so tell me, how did it kind of get started?

Who watched the film first?

- Of what we called, who called the other person and say, let's do it this way. - Okay, so Rashida Jones and Wilma Cormack. - Yeah, I love it. - Roaf, we love it.

- Roaf, the English language adaptation of a Spanish film that was called the People upstairs. And it was a small Spanish film that was based on a play that you can sort of see the origins of it as a play because it's four people in one apartment

and that's the whole thing takes place with four people in one apartment over one night. And the idea is that it's kind of a dinner party gone wrong. It's about husband and wife in our version. It's myself and Seth Rogan who have been kind of plagued

by the sounds of our neighbors upstairs having very loud sex. And it's been driving Seth's character kind of insane. And I'm the notes to him. I've invited these people over for dinner and he's furious because he doesn't wanna have dinner

with anyone. He's tired from work, but he says fine, if you've ambushed me with this, I'm gonna bring up the noise from upstairs.

You will not, please just try to be normal

“and have a normal night so we can have friends.”

And so the whole night he's kind of threatening to bring up this thing and they are endlessly kind of sexy and enigmatic and they end up really blowing our minds and changing our marriage in one night. - The other couple is...

- Penelope Cruz and Edward Norton. - Oh, yes, yes, yes, yes. - I mean, say that, it's not the same. - And so, so, so Rashida will wrote the English version and I got that script and I was like,

this is hilarious and it was clearly an opportunity to make something in this way that I had been obsessing over since drinking body. So I was like, okay, we can shoot this in order and we can really personalize this script together

and workshop it and make it really specific to these actors. And we can shoot it on 35 millimeter and we can make it really fun and I'm obsessing my nickels.

So I was like, this can be our Virginia wolf and it was the best experience of my life. - I love that.

“- And well, I love working with you guys.”

This one was great, but then so you take this great script from Rashida and Will and but then the four of you get together the cast and do you guys start to take and even plus the script because of the specificity of each actor?

- Yes, and we really, the six of us sat for two weeks. This was the thing. I was like, can we stop giving away rehearsal time immediately when we make movies?

Like, it's the first thing we give up

and we're talking about this recently. - It's possible to convince people, really agents. Agents with the ones who were like, no, he's not available until the minute you start rolling the camera.

- Yeah, right. - Why? Why can't we consider it part of the job? Can you imagine doing that for theater? If it was like, no, I'll be there for previous.

- Yeah, and what they do is then they pro-rate they're, then they pro-rate their salary. They say, well, this is so next to two weeks of work at this winter, Jason's also an agent. I don't know if you can do that.

- Yeah, be my agents, please. - But it really was so fun because the sex of a sad at this table and we tore through the script and Rashidun will were so game to kind of let it evolve

to what these actors were thinking. And it was so fun and it was like, imagine, I mean, Seth and Edward and Penelope are all real filmmakers on their own. I mean, their directors, their writers

and so the opportunity to kind of get all of their good ideas and put them in there and Edward is on another,

first of all, Edward's maybe one of my favorites,

smart list guests. He's maybe that episode is really, really great. - It's so smart, it's so funny. - Yeah, and people don't even know funny. - People do know it but I'm obsessed with him

and he ended up improvising like an entire monologue and the third act of this movie that is so beautiful and it really just, it was his gift to us to just kind of like, he said to me, I'm gonna, I have a story I want to tell in the scene, I kind of don't want to tell you what it is

and I was like, okay, yeah, how long, like, Rusty, just because we're like rolling film and I was paying for the film and I was like, it's just like, how long? - Was it longer than a full mag?

- I put it thousands of mag on the camera and I was like, go, and he used it and it was really great but it was, the finale of the cruise came up with the funniest set piece in the movie and it was all with the, you know, workshopping was

Rashida and Will who would, man, just like run with the punches of roll or run, do you roll or, - You roll with the punch, you roll with the punch, yeah. - They rolled and ran with the ball. - They ran with the ball, it was the best

and then I wasn't supposed to be in the movie but the actors bullied me into playing that part which was very sweet, well, not how do you find that? Do you find it efficient to direct yourself or do you find it distracting?

- I think in this case it was efficient because it was so intimate, it was almost like having one less body on set was actually really helpful and I think that it allowed me to see things they were all doing these geniuses were doing so many little things

that I could see things the camera couldn't see and so I'd like, oh, okay, and we need to come around because that is doing something that I actually need us to get and so in that way it was good. I feel like it could be very difficult in a different situation.

I also was playing someone who was like riddled with anxiety and which helped because (laughing) I could just kind of be me. - Were they comfortable with you directing them

“inside a take or did you have to wait until you yelled cut”

before you gave them notes? - I wasn't, I didn't do it like, okay, give me a little mark, give me a little mark. - It's still rolling, I want a mark, go deeper. - I didn't do that at all. - I didn't do that at all.

- Yeah, yeah, yeah, no, I really believe in letting people

that what I really can do as a director is later on prune and adjust things in the edit.

“So I just think it was like encouraging them to keep”

experimenting and and with Seth I would have to tell me he could be meaner to me because our characters, it's a very contentious relationship and there's a lot of arguing he's a very non-confrontational person. So the most direction I gave Seth was like,

you can fucking scream at me like I can take it and angry Seth is a thing to behold because he's got it in him, it turns out. - How many days was it then? It must have been 23. - Amazing.

- Yeah, so fast and like just the best. I mean we were on this little sound stage since at last Paul must, it's the pink one. And if you remember the opening of the player when he drives in, it's that and it's iconic.

It's great and tiny and we were all, we built the set on stage and we just you know banged it out and then and then a year later went to science. It was so funny.

- We get in the weeds for one second.

Did you, did you have multi-camera cameras? - Oh. - Hit one camera. No and then towards the last week we brought in a second camera because we wanted to just be able to,

there were some scenes that they benefited from two cameras. But I didn't want to. I felt like I had been inspired by like Tarantino saying like don't be a hack, have one camera, pick your perspective and any time you have two cameras,

one shot is suffering and I was like oh that's cool. - Well but you've got these four people talking all the time and so you've got to do it four times at least so that everyone gets a camera pointed at them. - Yes, you know and we did a lot of like shared frame.

“That's why it is very theatrical in that way”

that there's a lot of times we're sharing the frame which is why we had the best focus puller in the world who could somehow predict when someone was gonna improvise a joke. - And it's also better I think for comedy because there's nothing worse than cutting back

between you know from singles and comedy. Love seeing people inhabiting the same frame in a comedy. - Oh it's so thrilling because you really did that. - Yeah yeah yeah yeah it's so much better. - So if you take a left on most moments like

extreme parking obviously, again just I know that one. (laughing) - Where the trucks go. (laughing) - Also editing comedy too I just find

we I always think you know I gave you or whoever it is

they gave you the comedy timing while you were filming it and then you added our cuts plays with it. It's like no we gave you the timing when we were filming it. - Yes that's what it is. - Exactly.

- Exactly. - Yeah God it's a good one. - I'm so good 'cause you're fully intact. - Yeah but you had you had so much technique and know how an execution right out of the gate

with book smart was like just like a stunning accomplishment. - That must have felt so good. - That movie so good. - That was your first movie you directed.

- Yeah yeah. - Yeah that was my first. - It's insane.

“- I think that it really was because my proxy film school”

'cause I didn't go to college and go to film school

and I was always insecure about that lack of education.

And I think that being on so many sets as an actor I just paid attention to everything and I just tried to absorb it. But yeah I think book smart. I think often your first movie is the one

you've been building up for your entire life and you put all of your ideas into it and you have so much to give and you're lucky if it resonates with people and I got so lucky because it happened to hit a place

and a lot of people's kind of shared trauma of adolescence like you that's the thing I love about high school movies. - But even but just the making of it Olivia like you know and the stuff that you wouldn't have been around to observe and to sort of cherry pick

from these great directors and all this post-incredibleness in that film the editing style, the choice and the use of music and stuff like that's all shit that the people usually need like a handful of movies under their belt before they really kind of fake.

I don't know, I got just so happy that again I'm doing this. This science of it is not born with it. You're born with it. - Yeah, we're gonna cut you open and take a look.

- You're born with it. - Yeah, get in there. I love it, it's I'm a much better director than actor but I love acting too but directing you. - I don't know, guys tell me am I wrong?

- Yeah, you're right. - No, I know you paused after you said that. - I did, I was like, "Oh, so Olivia, what's going on when you're not working? Pickleball or what?"

- Oh, no, I should I learn it? - Fuck. - I was the central part of the other day and they were playing it and someone was playing like Jimmy Hendrix, this stereo and like everybody

was playing Pickleball and I was like, "What a beautiful hobby that I don't do." But I like to watch. - Yeah. - What is the hobby someone would be surprised

- Oh, no. - It's just us, no one's listening. - No, it's good between us, girls. - Yeah, or the past time, or like the guilty TV or the thing, do you have a thing that you do?

You're like, "Oh my God, I can't believe I'm wasting my time "during this." - I don't, yeah, I don't, I mean, hobbies, yeah. I mean, I feel like I'm really recently, it's like I'm working or I'm mothering.

- Yeah. - It's a dumbest thing that you do because like the directing is like, you can't stop thinking

'cause there's never, you've never had it all figured out.

- So like, what do you do that requires zero thinking? Do you ever just stare at the television and talk to you? - Oh my God, yeah. - Talk to you?

- Yeah, and love. - You get wrapped up in crap? - Yeah, I just watch the love as blind. - Oh, I just watched the love as blind. - I did four hours of below deck yesterday.

- You did? - We did four, four hours of below deck yesterday.

“- I did 90 days, if you want to say it before,”

the 90 days. (laughing) - I've been a bunch of episodes. - Wow. - I'll let you know what any reality is about.

- I mean, I love love on this spectrum that makes me cry, and I love it so much. - Incredible. - And, no, I mean, I love a housewife. But I think that for me, it's like,

- Oh, any city on housewives.

- I mean, I like Beverly Hills, but I think that any city will do it for me. - Yeah. - But I think that, like I just watched all of love story and I got really into it.

That's the Ryan Murphy, that's the Carol upset, right? - I got really into that. And it's not quite reality TV, but you still feel like a little, there's something a little guilty pleasure about.

- I ever watched that, but I'm the only bummer about that love story to me is that it's me. - The Diane the End? - No, it says me, what is it? - What is my favorite?

- It's me, it's me, it's me, it's me. - Oh, my God, that's, that's the restaurant we ate.

“Before we let you go, because we're coming up on the end here,”

'cause it's so fast, I know, I know. Talk to us about another new thing coming up called, I want your sex. - I do, I want your sex. - Right, it's just on our clip.

- That is, I want it. - And that is Gregorokki, who is a real, like, very cool filmmaker, who is a real L.A. filmmaker. He is an author and wild. I mean, very, very much in individual.

And I play a Dominatorics and, of course, and I, - And you're done with your Dominating the sweet cook for Hoffman. - You know, he does deserve to get whipped. - He loved it.

- And it is a very, very campy fun movie. And it was really cool because when we were at Sundance with the invite, I want your sex premiered on Friday and the invite was Saturday. And I just felt so lucky to be able to,

- That's amazing. - Being a part of this fun business where we get to tell all these crazy stories and they both got bought magically. And so, and they're coming out.

- Right after each other, and it's so fun. - Yeah, it's like an invite movie. - So, yeah, so I want your sex comes out July 23rd, which is in about 10 days from this air day here. - And the invite is out.

- And the invite is out. - Yeah, yeah, it came out June 26th. So when we picked up my birthday. - Oh my God. - Oh my God.

- You know what we've planned? - That's what we planned. - I mean, you did love it. - We saw it. - Yeah, on my birthday.

- And you had the best time in my life so hard. - Yeah, I love that. - Oh, I'm glad you loved it. Your favorite film, come on. - Yeah, you liked it.

- You liked the beginning and you loved the middle, but it really was the end of the guy. - Yeah, yeah, yeah, yeah, yeah, yeah, really. - Really shed a tear. - Yeah, well, well, well, well, well, well, not dry.

- And then we're going to all look forward to the behemoth, which we really will be our net, coming out sometime next year, right? - Yeah, at some point. - Meanwhile, you're probably hard at work,

getting ready to direct your next incredible movie.

- We're all waiting for it, keep jammed. - Please be in it. - Can you just give us a hint of what you're working on an area or no? - A comedy, it's a, it's a Christmas comedy.

- I'm in, I'm already in. - I love a Christmas comedy. - You should see Sean play an elf. He did it with Kenny Rodgers. - And he was on the reverse, Kenny Rodgers.

- Yeah, please come back now. - I sent myself tape over with real good lighting. - Yes. - I actually put myself in a winter wonderland, just in my league.

- You can't please. - Yeah, yeah. - Great. - What was your life? - Sin, I don't know when to hold them or when to fold them.

(laughing) - What was your life?

“- That's what it was, that's what it was.”

- We love you Olivia. - I love you. - Thank you for having me. - What a dream. - Congrats on having me.

- Yeah, super, super cute. - Thank you. - Keep going, girl. - Thanks. - Bye.

- Bye guys. - See you soon. - Bye.

- Bye. - And then. - Wow.

- That's incredibly charming.

“- Olivia Wilde, love her. - Yeah, love her, love her.”

- Yeah. - You can tell she's funny. - You know, she's super funny. Super funny, so smart, so, so smart. And so cool.

- She's so excited that she's directing and that it's like, she could just do it forever, you know?

Like, it's incredible out of it.

- Every gear. She's got every gear. - She's got every gear. - She's got every gear. - And they're all working.

- They're all working. - Yeah, I know.

“I'd love to have a, a gear would be nice.”

- A gear. - She's got a ball, you know? - I mean, don't worry, don't worry, what are you doing with your life? - I don't know.

- I tell you what I am doing on October 17th. - What do you, what's that, huh? - Well, if you're gonna, smartlet.com/live, you'll find out what I'm doing and it has to do with the houses.

- Just give me some help. - Just say that. - I'll just tell you what. - I'll just tell you what. - What you say, smartlet.com/live

“has to do with the holiday with the ball.”

- What are you saying? - And you know what? I'm gonna invite you guys. It's killing me. I'm available. Oh, yeah, how are we gonna be doing? We're gonna do a live smartlist show at the Hollywood ball Number 17

So it's gonna be often one point Hollywood boom Wow, what we're gonna do is we're gonna. You know

Finally Jason's got one to the or Scott the apple. L.A.'s got the orange and so what we're gonna do is since

You know the Hollywood ball is such a big part of L.A. We're gonna go ahead and take up out of the orange. We're gonna take a big bite Wow Smartlist is 100% organic and are tizantly handcrafted by Bennett barbaco Michael Grant Terry and Rob Ogdjurf

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