"Very good, very good, very good.
"Very good?" "Very good, very good." "That's a whole lot."
"Cool, what did you say?"
“"If you were to test computer, focus management, finance, and look for something."”
"Mega, but that's quite complicated." "Well, just a few photos of the student of the student of the student" "make it and make it." "Very good, very good." "Very good, very good."
"Hold your money." "With such a voice." "Oh, it's Red Eye Radio, Gary McNamara and Eric Hurley talk about everything from politics to social issues and news of the day, whether you're up late or you're just starting your day.
Welcome to the show from the Relief Factor Studios. This is Red Eye Radio."
All across America, we are Red Eye Radio.
He is here, Hurley, and I'm Gary McNamara, welcome and good morning. I got a question.
“"Do I have to pretend to be a soccer fan?"”
"Now for the next couple of weeks, do I have to fake it?" "I'm not going to be." "I'm not going to be." "Look to all the soccer fans." "All right.
Great." "You enjoy that." "It's like when you're inside the U.S., don't call it football." "Unless you plan to replace American football." Well, some of the big games are being played at Dallas Stadium, at Dallas Stadium.
"Yeah." "Where is that, Gary?" It must be in Dallas if it's Dallas Stadium. People of Arlington too, not too pleased about that. "Oh, come on, Arlington.
You had a good run." "The foreigners come in and change our stadium." "The Dallas Stadium. One of these foreigners coming in." Back when the stadium was in Irving.
"Where in Dallas, with the Cowboys, no, they're not." I kept seeing news stories. There they are. They're covering up AT&T Stadium. It's not going to be Dallas Stadium, even though it's in Arlington.
“You know, it's in, and honestly, the argument, you know, it's, with the people who, you know,”
it's the most popular sport outside the U.S., I don't live outside the U.S., I don't care. There are many things that are popular outside the U.S. I don't care. And if you love it, I also don't care, good for you, enjoy it. You should enjoy it. I don't need to pretend to enjoy it.
I just don't, you know, by the way, with the stars saying they're going to move to, what is it, Plano? Yeah. And the, it's funny because people kept saying, "The man's aren't moving out of Dallas. They're still in the Dallas proper.
They're just not going to be downtown." Yeah. The best one I saw the other day was the six floor museum is moving to Plano, and dearly Plaza is moving to Plano. And it would be on the fourth floor, probably.
We didn't have room one, the six. Sorry. But by the way, when it comes to men's soccer, if I wanted to see a bunch of guys in one venue running around, not scoring, I'd go to a rush concert. Well, that's where I'll be two weeks from tomorrow.
Well, and also, this is, you know, with Anne Gondroms, and by the way, everything coming out of the LA Forum show, the other night, Governor DeSantis even commented on it.
He said, "You can never replace Neil, but you can certainly have a successor."
The proper successor, something to that effect, and Governor DeSantis, you're absolutely right on that. And I'm watching, and these are amateur videos, but I watched them do the entire suite of 2112. They were so unbelievable, but it's also the first time that the other two guys in rush,
Alex, I don't get it, had someone say to them, "Hey, there's an attractive woman backstage." They said, "I saw the other day it was like, "Oh, finally there's a woman at a rush show." Yeah, it's like first time ever. And she's on stage.
Well, and all the guys in the audience, because here's the thing, when you see the, I think
You saw the same one, I saw Tom Sawyer, and this is the show at the LA Forum,...
know, it's a big deal, and she crushed it.
“I mean, I mean, that was one of the, one of the reasons is, you know, because I actually”
got tickets. Yeah. I was just, it was funny. They came up for sale, and it said, you know, I've got the City Master card. Yeah.
I've looked at other conferences before, it's never done, it never, couldn't get in for
anything. Right. And all of a sudden, I do want to go, you got two seats if you want them here, they are, and I, well, these are perfect. Like first row of the balcony at, at whatever they're going to be calling the reading
in for a worth now, because it was Dickies or Jason, but you know, they made that, that's like 15,000, they made that arena, you know, the whole end zone crumbles back to put a stage in there. Right. You have an old, hold the whole end zone behind you and, you know, we're, nobody sits.
It goes right into that, so there's extra seating, but they made that arena to be acoustically perfect. Right. And, you know, for a larger, they consider one of the best arenas in the world to see a show. I saw Transseberian Orchestra there a couple of years ago, it was perfect.
Yeah. And it was just, you, I'm like, they have to be lip syncing. This cannot be real. It's just, sounded so good, but when the tickets were there, I went, and I'm not not, I don't know, one rush out and you growing up in Buffalo, you know, we heard rush
before anybody. Yeah. Well, for me, I mean, I was steeped in fly by night and in 2112.
I mean, I, I never had a buy, I never had a buy any rush because it was always on the radio,
but what got me was with got a lot of people, just could never get by, get his voice. I perfect a flueling stack. That's right, perfect, perfect, perfect, and so many points. Shoppaportik says, "Gis allege" and "Hallofulling".
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and here's the Cuba-Capsule Machine in your Chibu-fiali and at Chibu-DE. I like it early on, I like it actually throughout the career. I think on the live shows, it's very clear, there are certain notes you can't hit at a certain age. The one thing that it appears that they're not doing is live out of correct.
Live pitch correct, which a lot of bands do. There was back in the day, there was lip syncing going on by a lot of bands. But Gettys singing live, which is fine,
“there are some notes I think he recognizes he can't hit.”
So he sings like the alternate, which would be the version of it basically hitting the notes that he can hit. And it's almost like singing harmony, the harmony version. And that's good. For me, I don't think I needed to see them live.
Again, I knew there was going to be a lot of press about this, and a lot of videos. I've seen them, I don't know how many times over the years. Three or four, I think, is the count. I know I have tickets for my ticket stub still for three of the shows,
but I think I saw ultimately four. Well, I was a big fan of hers when she played in Gettys back, so I'm a huge jet-beck fan. And it probably was harder than quite frankly, than trying to feel the shoes of Neil Peer.
We talked about that, you know, I mean, because it's so, I said it when Gett-beck passed away. There are so many techniques that you could try and steal from people like Eddie Van Halen, the guitar greats, Stevie Ray von Jimmie Hendrix, you know, all of that,
by the way, those that may not know, Jimmie Hendrix was Mitch Mitchell's guitar player,
the drummer Mitch Mitchell, the drummers always say,
Jimmie Hendrix was his guitar player, not the other way around. He was of the drummer for Hendrix. But if you look at the grates and you look at the techniques, nobody, there are a handful of them where you can't duplicate it. There are some people that have done a great job in trying to play the songs.
Back with one of them, I think Mark Knopfler is right in there,
where you just can't, you can't do what they do, because of their unique style, dire straits. You know, it's just, yeah, and it's just unbelievable. And so I, you and I were talking about it, and one of our meetings the other night, and it was like,
that may be, if not more difficult, certainly about as difficult as trying to play Neil Peer, live. Now, Neil, they talked about how difficult it was. And, you know, you've got all these drummers who do these massive shows,
“their final tour, which was, I think, 2015.”
There were things that were going on with him. We didn't know at that time that he was ill, but some other things that were going on, he had gone on a long motorcycle ride, and his boots had worn blisters on his feet. And so he was, and, but he was still, he would tape him up and play every night. You know, a real trooper, but trying to, you know, as I think Governor DeSantis put it best.
You're not going to, there is no replacement, but a, an honorable successor to that, to be able to play that show, because she is also a technician. She's the way that Neil was. And when you, when you, if you know anything about drums, I started playing drums about the same time I started playing guitar.
Play drums in high school band, and I know we're near the level, of course, that they are. But I have an understanding of what it takes, how much work that would be to reach her level, my gosh. Yes, it's, it's natural talent, certainly, but it's also the work when you've got to fit in, because she's played with the greats. Yeah, it's, and, and for me, like I said, when, when I just happened to go and I went, well, you know,
something, for me, it was really after Neil's death, and I watched so many of the documentaries.
And I found them fascinating. Yeah, fascinating. And then I was always, it was interesting.
I was always a fan of the lyrics of subdivision. Yeah. Not that I considered, I mean,
“that, to me, that was one of their poppy songs. But I, but I think the beginning of it is a great”
intro to any song. Yeah. But I loved subdivisions because it talked about, it talked about alienation, it talked about peer pressure, you know, to conform, and it talked about, and I know people, I actually, I relate, I know people that, you know, in the song subdivision is about the fact that you grow up in a subdivision, and, you know, you become, you meet the same people, and what you are, you're always expected to be in that year group. Right. And I know,
kind of a box cutter, kind of, yes. I know a couple of people that actually grew up in a subdivision, women. I don't, I don't know any men that fit this, but two women, I know, that even as a grew up, the expectations of their friends where they could only reach a certain level and that level
was where they were in junior high school, that you could never advance, and they were actually
told this by their friends and parents of their friends look, this is where you are, and this is where you're always going to be. And I always found it fascinating in subdivision, you know, that, that whole concept, you know, related to me. But I just said, you know, always become more impressed through the years of Alex, as guitar work, and his production work. I'm a huge, yeah. Oh, what's the band that he does? He produced the great guitar side of Canada called the Dave
“Barrett the Dave Barrett trio, and Alex produced, I think there are two albums to go. I think it was”
he produced it. It's a great album. It really, really, really is. And for me, I got lost because my, I grew up in the border. It was a ton of Canadian bands. And for me, at that time when Rush came out, you know, it was, it was stuff like, you know, Max Webster, Chiloac. I mean, I was just into, I was into a different thing. All of that hit big in San Antonio and Del Rio, and I'll still never be able to figure that out. Anybody who grew up down there back in the day in that era
knows that the rock radio in San Antonio, of course, dominated. I think rock radio in Texas, along with Del Estations, but I was listening to San Antonio stations, but Canadian bands, Mochi, Rush, all of them were getting airplane and then I, then I was getting to Prague, so saga out of, also out of the Toronto area was big, and it just sort of Rush was there, but it was never, you know, it's like, for me, with AC, AC, DC. I never bought one AC, DC record. You didn't have to.
They were always on, but I always thought, you know, AC, DC comes on in the car and you blast it.
And I have never forget working at the steel mill in the first time I heard back in black,
And, you know, knew it was about bond.
when it hit three in the morning when I was working third shift, as a machinist, at Worthington
“Compressors in South Buffalo, this massive complex with 100, you know, 100, you know, foot ceilings,”
and everything else is huge cranes coming down, and at three a.m. this one station played Hell's Bells. Every single day at three a.m., the bell would go, Bung, Bung, and you could hear it throughout the
entire plant. Yeah. And that was just, and so those are just, but I never bought one of the records.
Yeah. Yeah. And never, never had any interest in seeing them lie. Yeah. I bought the, uh, the bond Scott. I saw them live twice about the bond Scott albums. Never saw them with bond Scott. Um, but the Brian Johnson story, you know, he was actually, they called him to do an audition. He said, well, I'm going to be in that town, uh, you know, they, because he had been singing with Jordie, and they, and bonds Scott actually brought Brian
“Johnson's name up before he died and said, this guy's a great singer. Yeah. So they called him”
to audition. He goes, well, I've got to do a jingle. The jingle was for Hoover Vacuums. You can still
find it on YouTube. Brian Johnson for amazing things. And, uh, and I've heard some of the stuff from
Jordie and you're like, yes, him, but it's just so different. Well, it's, it was a different, it was a, it was a, it was a pop feel. And of course, different era really, but then he said, they sat him down and said, uh, you know, when he basically was kind of picked, they said, all right, here you go. They gave him a room with a bed, a nightstand, a pen, and some paper. And then he had started his own autopotty shot. So he was thinking cars and he wrote down,
she was a fast machine. She kept her motor clean. The rest is history. Yeah. Yeah. Interesting. Yeah. Just, just interesting stuff in music, but, but yeah, it'll be, uh, it'll be fun to go. And I was, my buddy Jerry's flying in it. Yeah. You know, Jerry from Jerry and Mary and Gary. He's he's flying in. I said, yeah. And I said, I know it's going to catch off, go, but I got, I pulled the ticket for a couple of tickets for Raj. You want to go and he was like,
yeah. Yeah. And I don't think he owns a rush record either, but it was like, yeah, and I just
“said, as long as get he stays away from the real high notes, I think it might be really cool.”
Yeah. Yeah. It's real difficult. You know, and he's not going to fake it. You know, so we are right. I radio brought to you by FPPF, you know, power max owner operators with authority generally have two options when it comes to sourcing freight, brokers on the spot market or directly from the source, the shipper. As any trucker with relatively recent experience with spot freight knows, the highs of work in the load boards can be really high. On the other side of that coin,
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program. Go to overdriveonline.com to the partners in business section of the website for more detail on this and many other topics brought to you by Shell Rotella with advanced synthetic technology is designed to help keep your rig running with more mileage and less maintenance. We'll be right back with more Rotella radio with Eric Horley and Gary McNamara. We're Rotella Radio. He's certainly running on Gary McNamara. All right, it's time for our senator Kennedy that audio cut of the week. All right,
talking about Graham Platner. All right, and the Senate race in Maine. Here we go. Mr. Platner seems to be one of the new faces of the Moon Wing of the Democratic Party. He clearly,
he's angry when I see monkey V. He always looks like he's straining to have a stool.
And I'm guessing he doesn't mean seat. No. Okay, let's continue with it. Yeah, more to say. His supporters say you know, you don't understand him. He's just idiocenecratic. He, I guess, he goose steps to the to the beat of his own drummer. But his history shows
There's more than that.
aunt B. And maybe he's his Mr. Platner's comments about black people. His
“Cavalier attitude toward rape. His apparently a stated preference for masturbating in a poorer”
potty. His contempt for America. I had to think at one point he implied that he wished the talent bond was, were better shots to, to tell our people. This is, this is not normal. There you go. That's true. No, it is. It's not normal. . Did I do? Wolverine. Knights are wear it's hand. With Gary and Eric, on
Ridd Eye Radio. And he's our proline. I'm Gary McNamara. Well, thanks for being here.
Thank you. Don't want to run out of our Ridd Eye Radio app today. And listen, when are you too? Yeah. And thank you. Hey, any grammatical errors, I make or any stumbling, I'm old. Yeah. All right. I'm not arguing that. No, a Rothman road. The here's a headline in National Review. Gram Platner is a very toxic masculinity stereotype. The left invented. This is just a couple of great paragraphs when you think about it.
When you think about the stereotype that the left has created about men that we live in the,
oh, what's the word again? Like say plutocracy, not plutocracy. Yeah. I got my blank here. Oh, I just, it's to get about a couple of seconds ago. And it's just the male dominated society. The patriarchy. Now, yeah, yeah, yeah, yeah, yeah. The whole thing with the patriarchy and the patriarchy and men control and men control when they're the ones when they're the side on the left. Right. That is pushing women out of women's sports. Right.
You know, the whole, the whole patriarchy, you know, patriarchy. We got to get rid of, get rid of the patriarchy. You know, me too has now become, he says. And Nazis, you've destroyed that. So it's more than just two things. It's also the patriarchy you've destroyed. And by the way, nobody can wear that mustache correctly except for scunkbackster. Give it up. Right. But, but the whole toxic
“masculinity that, you know, that's what men are. And especially conservative men and the point”
Noah Rothman's coming on, saying he goes, everything that they made up about men, everything that they said all men were like the patriarchy. Sexism, misogyny is all encapsulated in platinum. Yeah. And it's like, uh, the jersey right here, uh, then in the wake of the Democratic Party stumbles in 2024, the progressive political class concluded that they had alienated far too many men. Kamala Harris's defeats set off a panicky scramble to address the
problem with mission structure with with gimmicks. We just need our own Joe Rogan to compete in the mannal sphere. Yeah. That's Joe Rogan. If we were less, wonkish, we might break through. It was self-lattery dressed up as a critique. True believers in the toxic masculinity, construct seemed to have taken a different approach. Give the bastards what they want.
“That's how you get a grand platinum. The top of the ticket in Maine embodies all the worst traits”
that the progressive left assume were present in all men. He's a habitual liar and a provocateur. He's crude. He's bullish. He glamorizes violence for its own sake. He thinks in stereotypes. He is allegedly physically and emotionally abusive to the women in his life. Progressive spent the better part of a decade telling themselves and anyone willing to listen that all men were in their way, platinum. I saw that word and I went, I don't know that word.
It's an offshoot of platinum.
they're selling the voters. The vicious stereo archetype that they constructed in their own minds.
“Yeah. Wow. No, that's exactly it. Wow. And we didn't need to go any further than,”
and that was so well written, but we don't need to go any further than Tim Walls. He was the permission structure. He said it. They needed more toxic masculinity. Well, they got to have the proper mustache number one. Then Tim could give. Yeah. No, but you're right. It only scunked backster. Only scunked backster can make that happen. For those that don't know, guitars for dollars. But, you know, the way for the email correction. By the way, that's also correct.
He played with everybody. He did. He said at one time during that time, he was doing so many disco songs. He and another session guitars would call each other and say, "Okay, what, you know, let's try and guess the one note we would be playing all week long." Because
“disco basically was one note. So, what note will it be this week? And then he got the call from”
him on something about him, though, because it was funny. He was telling my brother about at the other day. My brother was talking. We're talking about woodstock. He'd watch a doctor, miter, and woodstock. And I told him, I said, you know, Jeff scunked backster was great friends with Jimmy Hendrix. And said, Hendrix version of the star-spangled banner was not an anti-war anthem. No. He said he goes, he goes, he goes, he's a patriot. He said, Jimmy Hendrix was a patriot. He
goes, you know, yeah, he was a surgeon. And everything else, he served. He goes, he did not buy into the anti-war stuff. Right. He goes, he goes, he goes, and people didn't know it. He goes, but I knew him, and I knew him well. Yeah. So, what got, what a historian he is to listen to. Oh, yeah. You know, the other thing though, because we talked about misogyny and sexism and all that. And we were talking about, you know, I'm going to the rush concert in two weeks from tomorrow. And, you know, Anika, you know, the drummer
for Jeff Beck is the drummer there. And, you know, and you hear all of those, there's sexism where, you know, there's some kind of woman. And you see people make that accusation that other people are doing it, but I don't see it. No. Because, you know, it's like when Anne Wilson and Nancy Wilson apart talked about the sexism that they got. Well, that was inside the record industry and
the music business. Yeah. The exact was never in. That was never. I, I never. When I look back
at the, the music that, that I, you know, I like, you could, you know, if you sit there and you say, Taylor Swift sucks. Oh, then you hate women artists. No. And, you know, and I go back to all the women that I, because I, what, what I really became a fan of was really the women of Motown. Well, you know, I wrote Barracuda and it was about an executive, actually. Yeah, song Barracuda was about an executive. First of the fans, I was a kid. And when I, I remember the first time listening
to the dog and butterfly album, and I'm like, oh, man, I mean, it was everything was just spot on. Some of the stuff in the 80s. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Well, they had to go ballads. You know, it's a, well, even they say there's a couple of songs they no longer perform, you know, for various reasons from from that album. But, and the fact that the only number one song that I've ever had was sang by Nancy, not Anne. What was that? These dreams. Oh, yeah. Okay. Yeah.
It's, and, you know, she did a great job, but that was kind of that, that arrow was different for them and talks about that the MTV age though. They were like, okay, we're doing videos now.
“You need to lose weight. You need to do this. Well, I actually saw the original, you know, what about love?”
I actually saw the band that made that song back in probably 79 or 80, a band called Toronto from Toronto. There the ones, you know, heart didn't write that song. Right. Right.
And, but, but, yeah. So, I mean, I always, I never, I didn't have any prejudiced growing up. I didn't have
any prejudices at all. I mean, in music, certainly none at all. If I liked it, it was great. I didn't care. I didn't care the color of the skin. I didn't care the style. I just cared about talent. Right. Even when I was younger and so when heart came out, I was like, wow, but it was interesting to always woman talk about the sexism that they encountered. I'm like,
Where?
Executives. Executives. Yeah. At that time. Right. And so, but yeah, I just, I just thought about that when I talked about platinum and the sexism and all that, but because we had talked about it. Well, but, you know, it's kind of the same line.
I mean, the, the liberals always say, you know, look at how many Hollywood liberals
covered up the big scandal with, uh, with what's his name? The producer. Yeah. And, and Harvey Weinstein and that, they, at that point, they all knew it. There were jokes made about it at award shows. And if you look at that, everybody in the room at those awards shows had the power by then to do something about it and say something about it. And then they just didn't. And, you know, if you're young and new in the
“industry, you know, I believe you still have to say something. Otherwise, it's going to happen to others.”
But when you're powerful, people like Jane Fonda and other people, you know, and the, the comments that were made after all that came to be was like, wait a minute, you guys had leverage at that time. You didn't need, you no longer needed Harvey Weinstein. And it could be, and by the way, if you think you did, is justice, does that not prevail over your career? I would think it would. And when I heard, when I heard, you know, some people
nodded to fence, but they were saying, well, when you, you know, yeah, he might have been that way even in the 70s and the 80s, but it was more accepted back then. And I remember hearing that going, no, it wasn't, no, no, it wasn't. I worked in, you know, I worked in the bank at that time. It wasn't accepted. And I worked for Harvey Weinstein, not in movies to be clear, and not in movies. No, at the club that he owned the small club, he owned, which was the first place, the police,
for example, played when they came to Buffalo, the club called Stage 1. I was a club DJ there.
I played tunes in between the sets of the bands. And he probably was in there. I never met him,
but that place was run. I mean, the management ran that place. You know, it was professional, never accepted. It was never accepted. It wasn't accepted between the employees. It wasn't accepted anywhere, and where I was in the 70s. It was never accepted. That kind of stuff. And so when they started using that as a defense for him. Well, you know, it was more accepted back then. No, it wasn't. No. And so, but, you know, why I quit that job? And I quit that job.
It wasn't my full-time job. I was helping out a friend of mine, the late Tom Conley, was a great club DJ. Different than club DJs are today. This is, this is mixing rock tunes back then. Yeah. It's because they, they came in. They said, "Okay, everybody who works here has to take a lie detector test in the next 90 days or you're gone." What? And then New York State made lie detector test. It lied detector test illegal. And I went,
“you know, they, they did at one point. I think in the next six months, but I just said, "Well,”
I'm putting in my 90 day notice." They go, "What do you hide?" And I go, "What are you talking about?" Half the records in that booth I bought. I really didn't make much money working here,
because you guys never had a record collection. You go in there. Probably 50 of those records
are mine. I go, "No, I'm just not going to take a lie detector test to have a job." Well, you're going to take a lie detector test to make sure you're a good boss. And so I just, and they were just on their forget. Everybody was shocked. Everybody also really, I go, "No, I'm not taking a lie detector test to stay here." It's a part-time job. I'm doing it for the fun of it. Plus years from now, we'll all find out what the owner is all about.
Exactly, I wish I would have said well, right? If the owner, because they can then I will too. If Harvey doesn't, Harvey doesn't, Harvey doesn't, I'll do it. Yeah. Because he was part of Harvey and Corquise Stage, or excuse me. Harvey and Corquise production.
“They brought, they were the big concert promoter of Buffalo. That's how Harvey Weinstein started.”
David is part of Corquise. And so they, I think they, they would book at the big auditorium. They owned the century theater and they owned Stage 1. So they had like, they had, you know, they booked the Big Arena, the theater, and then they booked the club. Right. And the first place the police played was there. Yeah. So, right, like the week that Rocks and came out. So, you know, Erosmith played their one time under a different name. They came in in a different
Name and Erosmith.
But yeah, this whole thing about plan, or it's really interesting. Because now you've got three things.
“They can't use Nazi anymore. They can't say Republicans are Nazi, because you got a real one.”
And, and then the the the the entire thing of, you know, sexism, misogyny. Sorry.
They owned you guys own it now. Yep. We are right. I ready. Oh.
We'll be right back with more Red Eye Radio with every currently and Gary McNamara.
We're in a video. These are early. And I'm going McNamara in a sneezing fit. It's like, yeah, I couldn't turn on the microphone. I was sneezing. Yeah. Oh, man. Oh, man. Oh, man. Wow.
“These summer allergies. Yeah. Yeah. I think mine are letting up just a little bit.”
So, um, I've been better. This little sense of panic. It's like, Ron's pointing, like, time to go on. Go on. And I'm like, you can't quit. But you bunch you bunch you bunch you. Yeah. I'm okay right now. All right. Good. Yeah. Be careful on your way home. Who is I sneezing at?
“I don't know. At you. At you. I get it. That's what you mean. I. I. That made it.”
My gosh. I'm impersonating you. Yeah. I wouldn't. I wouldn't. That's not a good play. [Music] This is Red Eye Radio on Westwood One.
