"Timothy Olyphant"

Morning well, good morning, into the nose, out to the mouth. That's it, into the nose and out to the mouth. Got your hands in. We get really low here. No, no, no, just keep the eyes closed.

Is it normal? Settle into your set's bones. Oh, I feel the spine stacking. And the neck, you don't need to feel my spine. Wait a second.

What is this? This is a little bit of tension right there, huh? All right, let's get to it on the new squirmers. [Music]

“But were you, what kind of student were both you two?”

Hi, I'm Jason. Hi, Jason. Were you guys both smarties? I don't think so. Maybe you guess here, you know, bees, you know, solid bee.

The one in college, it was really bad for me because I would always copy in some of

my eyes hurt because my face would be forward, but my eyes would be looking really hard down to the left. Right. Like a little computer watch? No, no, no, no.

No, no, no. No, with the guy next to me and either whoever was not there on either side. Really? Yeah, you were a habitual cheater. Totally.

And was he, was he hip to it? Was he kind of like, no, no, no. Was you a sidewank and showing it to you? No, no. One of those big, those big lecture halls, you know, and be like, my eyes would be like,

this and I hurt so bad. What, how did you trust that they knew the answer? Did it mean? Because any guess was better than mine. Better than your brain.

Right. I was just talking about this recently. I never, I didn't, I didn't cheat in high school or anything like that. No, I didn't. I didn't.

Not in high school.

“No, I'd be willing, I'd be willing to do poorly.”

I had moments where I was okay. And then I just didn't. Have you ever cheated in anything?

Well, I've never really like stolen anything.

I've never really, you know, one time this is a true story. The only sort of really vivid memory I have of that is when I was a kid when bag of chips was still 25 cents. And it was like a crowded thing at the convenience store after school. There were a bunch of kids in there was probably 11, maybe 10.

And I was like, fuck it. And I had to catch a thing. So I just took the chips. I thought so guilty overnight. I went to the next day and I put a quarter on the counter at the store.

Oh, no. Really? Really? Yeah. Really?

Really? I don't know. It paid away at me. I couldn't, like, I was like, oh, I can't. Have you ever done anything that would justify you getting arrested that you've

gotten away with? No. I did. I was arrested. You don't have to tell me.

You just say, yes, I did get away with a couple of things I could have been arrested for had it been caught. No. No, no. No.

I was arrested for that turkey sandwich.

Yeah. A turkey sandwich. I told you I stole a turkey sandwich and college was really drunk and the cops arrested me. I told you that.

I don't know if I've ever heard a more unbranded restaurant. Yeah. Yeah. Yeah. And the turkey sandwich was definitely unwhite bread with mayo only.

Of course. I was wrapped. You know, it was like in a 7/11 or what we called a white hand. It was called white hand. Yeah.

And I'm sure. And I was with my friend. I was so hungry and I didn't have any money. I just stole the turkey sandwich. I was really drunk.

We were eating out in front of the cop just stands right in front of me. He's like, hey, buddy, you're coming with me. And I was like, four turkeys sandwich. And he put me in the back. And I was fridding in the back.

And I was stuffed. Did he cuff you? Uh, I don't remember. Probably. And um, you probably asked for.

You said, wait a second. You're not going to cuff me? Yeah. You're like, use these and you produce your own cuffs. Yeah.

I'm pretty sure I need nipple clamps. And I think, and I think you have to. You have to cut yourself to me. I don't know. I put the lights on in the siren.

I know my rights. My rights are you need to cuff me. I just started yelling. Um, yeah. No.

It was for a turkey sandwich. And he took me to the station and I had to sit there until somebody didn't know gave me a hundred bucks to get out. I mean, one. And it's a long story.

That's a crazy story. You got mystery there. What a crazy waste of resources, though. Yeah. Yeah.

“That's what I was saying in the back seat.”

I mean, I, I, I, I, it's horrible that I said this. Run in your marble. Yeah. I was running my mouth because I was drunk. I was running my mouth.

And I said, isn't there somebody? Isn't there a worse crime happening on cameras? Right now. Like is it somebody getting like sexual harassment or something? The next go to is, I, my touch is pay your salary.

Yeah. I like it. That's how you're writing it. They are coming across. Yeah.

Yeah. Yeah. Yeah. Then they got, and pretty sure you're supposed to pin me down on the floor. Like, hot tie.

Yeah. That was a turn the light. It light should be a little bit lower. Don't you think? Shouldn't we have a glass of wine?

Where are we? What's going on? What about how I sent Shawnee?

Yeah. Out there. And, you know, I was going to live on. Number one is hogging. Hogging does.

Of course it's always the best one.

Oh, that we like McDonald's. Yeah. That's true. McDonald's. McDonald's was on the list.

Do they still make rum raisin? Probably. Why do you want some? I just haven't had rum raisin in so long. Well, it's got raisins in it.

Why would you? I just come up with raisins. And rum. Now, what do they do about the rum there?

“Do they, do they somehow take the alcohol out of the rum?”

No, no. They're, they're putting honey proof rum in the bottom of the screen. And selling it to kids. Well, but I really don't want to know. How did they get the rum flavor?

They're still cocaine in Coca-Cola. And the kids are like, the kids are like, hey, you know? You know what I'm sorry surprised guests. I know. They guess.

I don't know. I like that we said, you know, we had a great segment before about being justified. Because this guy is justified in a lot of stuff that he does. I will say. He is a multi-emi-nominated actor.

He has a crazy diverse list of film and TV credits that are just insane. Comedy's dramas. Recently, most recently, I think that everybody was delighted to see him in. FX is highly anticipated series, Alien, the Alien Earth franchise. Oh, my God.

I said, no, a Hollywood. He's also, no, no, a Hollywood. He was also an Apple TV show.

A last year's stick, which has got a second season coming up.

Soon we're going to be able to see him in, with a crazy cast with. And it's hello, joy and net bending and a bunch of people in this new Apple TV crime thriller series. Lucky? It's just tasty. He's a guy who, you know, in the reason I say he's justified.

Because he was also, I mean, I'm made for the show. He started and called justified. You know him also from Deadwood. You guys, it's the wonderful. And I'm so excited.

Timothy, all of that. Oh, my God. Timothy. Hi, buddy. Oh, little gentleman, you're in a day.

Dude. Dude, I listen. I was on the set of justified with, and I was working with Eric Roberts. And he's driving and I'm sitting shotgun. And I say, there was all those ND cops around in the scene.

And we're supposed to pull out in the shot and right before we rolled, I said, I said, I gave you 20 bucks. He just hit one of these bump one of these cops. And he goes, he goes, I hit a cop one. It's not a good idea.

And I was like, oh my God. I was like, wait, sorry. But your vehicle, it goes, no, I hit him. Oh, my God. And he said, it was a bad idea.

They had me on the ground so fast. And then from then on, I was just Eric, the cop hitter, Roberts. It couldn't get away.

“And I said to him, ask him, how many times you've been arrested?”

And he said something like in the double digits. But then he qualified it because he said half of those were before he turned 18. And I wasn't sure how to take that. But I was taking it. And then he looked at me and goes, you've been arrested.

And I said, no. And he goes, pussy. Yeah. I told him I was at swim practice. I happened to be once.

Oh, I love Jason's story. It's also gold. Pussy style. It was a rollerco. Yeah.

This is a rest of the Monaco for being drunk and disorderly. You know, in a nice little leopard outfit, fresh from the casino's, all banged up on, you know, cheap champagne and a pocket full of chips. Rocked. That's the name of his biography.

Good. But Sean, it sounds like we found a hack for you. You ever do want the hog tie? You just got a punch, punch the cop in the face. I just brought it down.

I just wrote that. You got it? Yes. That's right. Listen, I'm here for you.

That's why. That's why I brought it. It's so nice to see you guys. I've seen all of Alien Earth.

You're amazing and everything.

But I just, we're trying to say that. I love that show. You're amazing in it. Did you see Sean's face? I knew that.

I said that. Any look? Yeah. Such a good show. It's coming back.

No. Hey. Cool at me. Yeah. We searched you in a little bit.

Yeah. Thank you. You sound excited about it. You know what? You know what?

Tell me you guys aren't the same.

“We shot the first season in Thailand or something.”

In Thailand. We were in Bangkok. Wow. And it was just a magical experience. What?

But I heard it was a nightmare. I mean, there's a lot of tough conditions there. I know people. Don't put them in the spot. Oh, there's nothing better than listening to actor's bitch.

Come on. It's name of my book. Don't be afraid to bitch in other tips for young actors. That's so hot. Look at this.

This group here. You know, they call it like a murder of crows.

You got a little complaint of actors. It doesn't have the air conditioning. Like the Warner Brothers lock down. It doesn't. I'm with you.

I'm getting to my bitch. Yeah. Bitching, which is when we were there, it was quite magical. It's hot.

But it was a magical crazy, amazing place.

And the more you're there, the more you know it, the more you like it. At the same time, you're like, I hope I don't have to come back. Yeah. So for season two, they say, we're not. We were like, we don't want it.

Please don't go back. And they said, no, we're not going to go back. We're going to go to either London or Budapest and no offense to. I don't know. But I was like, oh, please London.

London. And then you get the call from your agent says, hey, good news. Season two. London. And I was like.

I can't shoot in LA. I mean. Yeah. Yeah. Yeah.

It goes that quick. Yeah. Yeah. Yeah. Yeah.

I got to leave. I got to leave. So what is that?

“What's your process of the thought like getting comfortable with that?”

Like we are. We are vagabonds. Right? Like you start the process very quickly. Okay.

I'm going to be spending five months in a foreign land in a hotel or rent a place. Whatever. It's like you immediately start thinking about, you know, you have a wife and children that you're going to have to figure out how to. Or whatever your whole life at home is all upended.

Start to bitch about that for me. The wife and children. Yeah. We'll start there. But just getting up.

Thirty five years in marriage this summer. Oh, that's great. That's great. Seven really good ones. Sure.

Sure. So we're right now we're empty nesters. Yeah. Okay. You guys are not.

None of no. I'm not half or half empty. Jason's half.

I've got one more year until my first one goes to college.

Yeah. So they don't they just leave you. So just, you know, like if I did it again, I wouldn't have gotten so close. Yeah. I bet that's that serious.

I've talked about it before.

“I think I tried to pick fights with my older one.”

Yeah. Just so it wouldn't hurt so bad. Did she. Oh. You're oldest.

Yeah, she's 19, but she ended up going to school in town. So it didn't hurt quite as bad. Oh. Did she just become like weeks before leaving? Just like who is this fucking devil that's taking over my child?

Right. Yeah. Well, no, she's she's she's a lot of, you know, as they do at that age. She spent a lot of time outside the house. So it's not it's not as somebody's smart one said.

You're not losing your 10 year old. Yeah. They're, they're, their wings are flopping well before they. Yeah. And she's a particularly good kid.

I will say she's a good kid. Yeah. She's a good kid. But yeah. Yeah.

There's a Tom Poppers. I think it's him as a joke. That when the, when your kids leave, nobody prepares you. How hard it's going to be to pretend to be sad. [ Laughter ]

But even the best kids they've tend to act up right before they leave. Right? Yeah. Yeah. Yeah.

So you're getting ready to go to London and you've got to like switch it all up. You've got to kind of like start to prep. I'm, I'm about to the same for six months through Atlanta and I'm like,

“Oh, every day I think about how's that going to go?”

How's that going to go? Wait a second. Hold on. Oh, breaking news here. Well, it's got a big job.

It's not, it's super exciting. But six months in Atlanta. Yeah. Well, how come I don't know about this here? Because you're not on my coaching.

I mean, you're just like hit me with a memo or something. But so like that, you know what that, you've done it before. So you know what that's like. You're getting ready to go to overseas. What's the hardest part free?

It's always the transition, right?

I don't know. You tell me, once you're there, I feel like it's always lovely. Yeah. It is. Yes.

But if you've got, if you've got like it, Will's got kids back at home. Yeah. Yeah. I forget.

Yeah. I was, I was very fortunate. I got so lucky. I mean, partly by design and partly just because I failed at getting jobs. But I more or less got to work and live in LA for a majority of my kids.

Was just to fight in LA? Just dead. I literally had deadwood for three years. And then justified for, I think, was six. And then did this thing Santa Cruz died for a couple.

Yeah. They were all shot here in Santa Clarito, but they were all in San I basically lived. Yeah. I guess I thought it was in show business. But even in town, aren't you like, I can't wait to get home.

Yeah. By the way, even in town, you're like, I got to go to the valley. Yeah. Right. That's what they're real complete.

Why can't I shoot at the fox lot? Like, my kids were small. It was great. I just showed to work to take naps. You know, that.

So when my kids were really small, I was like, look, I just go to work. So I get some sleep. Yeah.

We used to have an office Jason and complain that I didn't want to go to my office.

“And then I had another office for my company.”

And I'd go there and I'd show up and see my partner. And I'm like, hey, hang on a second. I'd go in, shut the door. I'd go the couch and take a nap. Oh my God.

Well, I know because I'm tired. I'm a tired man. I know. You know, dude, I was in my intro. I started going through your credits.

And I was going to start at the top. You're so many credits. You've done so much stuff. I'm such variety. It's insane, man.

I mean, you were like, you're just, you're so unbelievably versatile. And when you started as an act, well, first let's get, you're born in Hawaii and that you're raising California. But when you started, when you were first a young actor, did you have like a particular lane?

You thought you wanted to go in because you've eliminated the lanes. All the dotted lines evaporated for you a long time ago on whatever road you're on. Well, you're very kind, first of all. And by the way, back at you, because I just saw literally just a few nights ago. Is this thing on?

That's the best title right? Yeah. What a lovely, lovely performance. And it's so amazing. It's so amazing.

You lived in in present. Like you weren't, you know, that lovely thing where you're like, this just must be what he's like, because, you know, and obviously your comedic work is off the charts. So we started all range.

My god. It was really just a lovely, lovely, beautiful, lived in performance. So Sean wasn't terrible in it either. Look at Sean. Sean was delightful.

Which one of you? Which one of you, from that? Yeah, that's a good question. Either. I was either Steven or Robert.

Would you have one of those? You would now that I look at you. I'm like, yeah, you were there. You guys all have this, by the way. You guys all have the crazy range.

Sean, you're like, you're in the willing grace. You're like doing physical comedy at like the, the ultimate level of effortlessness. And then you're on stage doing like this, going to a toning out of court. Well, thank you. Yeah.

Yeah. Everybody's really good. Jason, you also, you do the acting and you do the voiceover. You are an actor. You're an actor.

You're an actor. You go from both. Right. Right. Now those things again.

It's amazing.

I remember you from the audience really amazing.

Right. But, but, but, but it sort of backed my question. And I don't know. I kind of actually know what I'm going to say to all of you guys. But, but, but Timothy, I want to hear from you first because I listen to these things

Dongs all the time. Did you, when you started, did you, were you like, because I remember I moved to New York. I'll start. I wanted to be a dramatic actor. I thought, because I didn't know any better.

I didn't know anything about comedy or how you get to it or it wasn't even. So it was like, I want to be a dramatic actor. Did you have that? We, we like, I want to be taken seriously. I want to do an important stuff.

You don't think acting is comedy. You think acting is drama. Yeah. Right. Right.

Again, memories are not reliable narrator here. But my favorite actors were actors who gave comedic dramatic performances.

“They were just, that's what I, you know.”

I always felt like to narrow new.

He was being funny in those roles, even the most dramatic roles. He must have known. He must, when he's doing taxi driver, he knows that's funny. Right. Doesn't he?

That's the moment. I wonder. I wonder. That's a good question. Right.

I always, I just assume when he's doing that, you talking to me. He knows that that's comedic timing. Right. It's happening there. Yeah.

Well, did you see him in King of Comedy? Exactly. Right. Yeah. I mean, it's just incredible.

Incredible acting performance.

So when he did comedy and, and some people were like, I don't, wow, who knew he could do comedy. I was like, raise my hand. raised my hand. I was like, well, I think it was there from beginning, right? Yeah. I don't know. You don't. I still. I feel like Will Ferrell. Well, yeah. Well, but. Well, what Ferrell's playing these eccentric characters that are funny because they're eccentric, but it takes great acting chops to be believably eccentric. I think this is the flip side, which is the best comedic performances are really dramatic. I think I think the through one is always it's commitment. Right. And so you're committed. We know, you know, it is long as you're committed to the bid, whether it's dramatic or not.

Right. Right. You have to be committed to anything like you can never wink, which is why when you see people who are doing stuff when they're too aware, then you're like, okay, I don't buy it as much. But if somebody's committed to the thing, yeah, you recognize that is feeling.

“And then one of the funniest things I think is when people commit to being non-committal.”

You know, like when you do like when you do really when you do really bad acting on purpose, that's one of the funniest I love that. You know, when you see somebody doing bad acting for real, yeah, yeah, I think for real. We'll be right back. And now back to the show. To me, you know, do you know what's thing for real? No. If this thing is the role came up with it years ago, which is it's so embarrassing.

And if you say to the other person, sing for real. They have to sing that song and they can't do any like you like say it's like satisfying by the stone. You can't do like.

“Like you can't put anything on. You have to do it as real as possible.”

Yeah. And it's really uncomfortable. So it makes your skin crawl. Like if I had we didn't have documentary too, but I'll had we'll do it in the car one time. And I couldn't even look at them. It was so I could. It was just horrible. Yeah.

It's the worst. But driving with your pants off. Yeah. And your face is satisfaction because I don't think of that as being like singing it for real, but it is no matter what you really are saying like this fucking man comes on the radio. You're right.

Telling you, why did your shirts can be any. Yeah. Can't be a real man. Like you're in it. Yeah. Sing for real satisfaction.

Think you're in it. Think it's totally real right now. No. Yeah. Don't make him do it.

Do it. Me? Yeah. You have to do it. Go.

I don't have to do that. Show it. You just thought about it. You just thought about it. You're like, I can't do it.

I can't do it. I'm looking at will and I'm thinking I have to do it based on that reaction anything not to do it. You can't. Give me some lyrics. What do I just know?

Look, this is not singing now. I don't know. Okay, I can't sing. Let's start there. You can't do like a Mick Jagger impersonation.

No, you can't do it. I can do it. I can do. No. Yeah.

“You have to sing it like you're recording it for real.”

Right. Okay. So I just listened to this yesterday and I'm not mistaken. I did not said when a man comes on the radio tells me useless information. It's got a radio given the useless information.

And she telling him how white his shirts can be. Come on. Who's telling him how white his shirts can be? Who's telling him a useless information? Just to drive my imagination.

The man. The detail. He's telling the detail. My imagination. When I'm driving in my car and the man comes on the radio tells me how white my shirts can be.

What? What? What? Was he saying there? God damn it.

No. No. No. No. It's later.

Hang on. You're right. I just love my favorite thing about this song by the way. Yeah. Is that he's at Mick at one point says because he's on a losing streak.

And I just love the idea that Mick has having a hard time with the, you know, like he was having a tough time. Yeah. And that guy was really getting under skin because he was right. Yeah. Let's be real.

Listen. He wrote it. I sometimes seem like a character losing streak. I know, but he must have been a man.

“But he, I think there's something there that he's there.”

The song is too good. Right. I was wondering about people who write love songs and stuff about heartbreak.

And then they're like, is that they have this much heartbreak always or like, what are they drawing on?

You know, I don't know. Anyone with a happy childhood. Everyone in the show business buddy. What was your family in the show business? I don't know.

I mean, did your family in the show business? Yeah. Where'd the acting book go? What happened? What happened?

It just was late. It was a hunch. I mean, yeah. I was just free with nobody else in the family. Oh, this would be good.

This isn't work out. I got the ceramics to fall back on. But where were you? Where were you geographically when you went? You woke up that morning and you had the hunt.

You listened to the hunt you went. I'm going to be at it. All right. I'll tell you. The chances of me keeping this short or slim.

But here we go. I'm going to go ahead. One. I will say that when I was a kid, I really had a whole idea of fantasy of being in show business, or in comedy.

And when I'd say, I want to do that. Like Steve Martin or something. My mom got blessed.

She would always say things like, you don't want to be like them.

They're like, you know, they're like on drugs and divorced. You don't want that life. Yeah, they're all divorced. By the way, cut to yours later. I was like, you're divorced.

What the fuck? Yeah. Cool. The Madesto. You want drugs?

We're in Madesto. Yeah. And yeah. So a group of Madesto. And then I went to college in LA and went to USC.

I was a fine art major. Because I always drew as a kid. And when I found out that was a major, I was like, Yeah, I thought I was getting away with murder. Couldn't believe it.

Really? Let me do it. I didn't know that that was a thing. Like you could draw. Yeah. She'd have a degree in drawing. So they'd give you a degree for that.

Yeah. Yeah. I went.

I went to, I got one like just, I finally got that few years ago.

So you didn't finish. But I did four years ago, but I didn't get my degree to them. Yeah. Just a little bit. Ah.

That's great.

But if I see, actually, you gave me the figure. You brought it on the black market the way. Yeah. Yeah. I think it was like anything.

It was like one of those COVID things. I was like, you know what? And my kids were getting ready to get there to degrees. And I was like, I got a, I should, this is the time to do it. You see, there's a strike or a COVID.

And I went back and finished up. You went back. And they gave me the honor to go. And at USC, yeah. And worked with my, the same professor.

It was a lovely experience. Wow. The great Ruth Wiseberg. Um, who was my professor when I was there. And she still teaches.

And as well. She and I got to do independent study. But it was wonderful. Um, and. And then I got to go.

Speak at the. Graduation ceremony for the fine art and all that. Which I thought was hilarious. Because all those kids accomplished in four years. What took me like 32.

And I was there to give them advice.

“What, what were you thinking that fine art degree was going to afford you career wise?”

Like, what, what are all these kids? What do you take that into? Like graphic design and, and, and, and. Well, because I've, because one of my daughters is that that's that's her jam. She's okay.

Gifted as as an artist. My eldest daughter is actually a student at SC right now. Um, because she's loving it. Absolutely. Congratulations.

Yeah. Yeah. Thank you. So should I encourage the, the 14 year old to continue drawing? Um, where there were their options explained to you there at the, at the school.

First of all, of course you have, you got, of course you encourage her to do what she loves doing. Yeah. Why should you do it? You're going to be a lot of people. It's not loop or don't go down.

It's not. You're just going to become a coach and learn Mandarin. [laughter] Okay. Uh, you know, uh, yeah, what else are you going to do, right?

Keep going. I'm just going to code.

So here's what I understand now.

If kids get like a bachelor of fine arts, these just have so many different directions they can go. Yeah.

“And they're thinking, and I just, some degree, I think they're very attractive in whatever workforce,”

because they were kind of just thinking outside the box all the time and being creative. What's going to get their masters? They're going to be like a finger being artist. Yeah. Okay.

Good job. Sean, what's your degree in? Um, my degree is I never graduate, but I got an honorary doctorate in music. Yeah. Oh, you never graduated?

No. This is breaking news. You've never, you, you have buried the lead on this for a while. I went four years as well and then I got an honor. I didn't graduate high school.

So you guys got me beat. Yeah. Right. It doesn't show.

No, I'm never saying it doesn't show.

You know, it's not that you. It just sounds like a rolling. It's a rolling. You're doing it. You're doing it.

You're doing great. But wait, so you get this degree from USC in fine arts and drawing. And you're like ready to start, you know, drawing stuff or tagging bridges or doing something. And then, and then you go at the end of all of that, you go. You know what?

“Sir, what you're in LA and you're like, I want to be an actor and like, how did that?”

I do think I had a certain amount of conscious thinking that I was going to put off a midlife crisis that I was like, whoa. Yeah, I really did. I was like, I think my parents were split and they were.

My dad was going through his his his and I just thought, right, that doesn't look fun. And, you know, there's you always, you know, oh, I always wanted to do this. But my never did it. So it became this. So I was considering going to get my masters and fine arts.

It's really kind of what I wanted to do. You know, like when when when grandparents and stuff would ask you, what you're going to that degree, what you're going to do with it. At first, you're like, I don't want to be an artist and that. You see the expression on their face and then you start saying, or I could do commercial work.

Yeah. You're talking about all the things you could do. But I really just wanted to be an artist. And, you know, I was like, going to galleries and like, you know, in LA and museums and CRISPR, and and Valdasari, all these people were big inspirations.

But there was a bunch of things I always wanted to try that were on my mind.

Like, I knew I always wanted to do stand up. I always thought it would be fun to be an actor. I thought it'd be great to be in a band. You know, things like that. And I thought I should, I should try to cross all these off before moving forward.

Those all take a great deal of courage, though. Well, what doesn't? Yeah. Well, yeah. Well, I mean, certainly standing up in front of an audience all alone with a microphone is sort of the

designate of balls. Yeah. I was thinking of that on your movie. I felt like they captured this thing that no one prepares you for when you do stand up,

It's just that real quiet is terrible. So quiet, no one tells you that it's going to be that quiet before you move forward. Like, the healthy respect I had for stand up to what they do before was huge. And then, and then it was just magnified the first time, I remember the first time going down at this comedy seller.

And I was doing it. I was getting introduced as, as my character as Alex Novak. But I remember the first time going up there.

And trying to go up as a guy who had never done it before as well.

We're Bradley saying to me, like, we're doing something different. Don't try to rely on tricks.

“You have to go up and do this as this dude who's never done it.”

And going up there, just standing there. Fucking, you're like, you, you just feel like it's so quiet. And you feel like, oh my god, I'm about to fall off a cliff here. Yeah. And it's just, it's the best and the worst at the same time.

It's simultaneously just like the most terrifying. So I, yeah, stand-ups what they do is just like, fuck man. And like, I tried it. Timothy, did you do this? Yeah, just for a little while.

Right around the corner from comedy seller in New York was a place called Boston Comedy Club. Oh, yeah, of course. Oh, you did, huh? Yeah, I did.

Do you still remember some of the jokes? I'll tell you some of mine. Oh, John has a really famous first. John's got a great opener. Yeah.

John has a great opener. Yeah, John has a great opener. Yeah, John has a great opener. Yeah, John has a great opener. Yeah, John has a great opener.

Yeah, John has a great opener. John has a great opener. Yeah, John has a great opener. John has a great opener. Yeah, John has a great opener.

- Hey Tim, tell us some jokes. - Yeah, perform for us monkey. - Okay, keep the life in your recommendation. - Sure, I'm sure I'm trying. - Once you, uh, once you wet the appetite, here we go.

- My opening joke was, um, you know, they say ballet is one of the most difficult things to do, so I just say don't do it. - Fuck. - And that's the joke, Tim.

- Yeah.

- So, I mean, that's it, there's never, never gets good.

- No, never gets old or funny. - By the way, and you, well, I appreciate you calling me Tim, but you know, you can call me Tim. - Can I call you Tim? - I didn't know you can't call you Tim, my Sean, you as well.

- Okay, great, man. - Not, not so much. - Just your coast, your coast. - Wait, do you guys know each other a little bit? - Yeah, we do. - We do.

- We do. - We do. - We do, we do. - Yeah, we do. - We do. - We do. - Yeah, not as this thing on. This is where I leave you.

- Yeah, close, close, close in title. - Where I leave. - And, um, and you remember, 'cause you didn't buy my, I'm a chupicchio's office, that's right. - Oh, are you really?

- Yeah, I need a computer, I guess you can't do your show,

“if you don't own a computer. - Do you know a computer?”

- No, I don't, it turns out, I didn't realize that. - Whoa, whoa, whoa, whoa, whoa, whoa. - Let's start there. - Well, I mean, I got like a, you know, I got a phone and I got a thing that's all you gotta do.

- We're back and up, we're starting from here. - I don't buy it. You don't have, and you being an artist, you don't have an iPad with one of those little, the one of those little stylus pens, pens?

- No, no. - No. - Wait, Tim, the pencil in the paper. - You don't have a laptop. - Come on, the pencil in the paper. - You really truly don't have a computer.

- I don't, well, let me, 'cause I think honestly, it's very important in this. - Thanks for not lying. - We went, we went and got out a old desktop computer that we still have in the house, and plugged it in,

and started it up, and they were all USB things, and I was like, I don't think I can, it won't, I need to get that out. - Just for the purposes of doing the podcast you tried. - We're doing this, yeah.

- Just let sacrifices that went into this, guys, and the book of your own, I appreciate it. I'm super honored, it's a pleasure to be here. I'm a big fan, I listen, I don't listen, but I read the transcripts, and the show shows very very good.

- That's better and written. - The chemistry comes across in the print. - I remember getting a note from our producers saying, we're gonna be producing transcripts for Tim Oliphant, and mailing them to him every day.

- But wait, but Tim, you've never been tempted

to buy a laptop or a desktop, just to see the landscape out there, like all the different sites you can go visit to. - Don't condescense it. - Expose yourself a little.

- Jason goes on a lot of sites and exposures himself, is what he's trying to say. - Hey, gang, have you ever seen one of these? - Hey, gang. - Wait, wait, this is so dope that you don't have a laptop.

- Jason has a hundred laptops, they're all brand new, just to look at baseball scores. - All these talk about AI and stuff, not curious to see what the fuss is about. - But you can do all that on a fun little phones.

- I guess you can't, but you're always spreading and spreading and clicking and spreading. - Don't do your fingers like that. - It's definitely not. - It's spreading and sliding, it's just like,

“oh, how about Chris Nolan doesn't even have a phone?”

It's, I'm like, oh, so chill. - One or two people without a phone, it's the most exciting relationship. - Wow. - If you know someone without a phone

and you're like, all right, so we're meeting it, like seven, dinner at seven, tomorrow,

I'm so excited, it's like being in high school.

- It's a role in the dice, yeah, they'd be here. - Remember, we're old enough. Remember, like being teenagers and being like, hey, so you'll run into people, you'll go, well, let's do something,

“and you have to go there, and then you'd”

run into people there, and maybe they were there, and she's in the next place, where were you? - And the night when fold, if you go out at night, the night would just come on fold, the way it was gonna unfold.

- Well, what about directions? What about Dre, remember when you used to have a map, a map book, the Thomas guide, or even a school dot map, or just to sheet a paper with the list of directions,

are you gonna turn left on such and such, then go a mile, then turn right on such and such. - We're gonna ask people for directions. - You know what's embarrassing, embarrassing about having a friend without a phone as you're going to meet them.

Let's say it's a seven o'clock, you're meeting them at dinner. - Yeah. - You realize that we oftentimes, like, like, "Hey, on my way out the door, ETA's, I don't know if I can hear you."

And then it's like, parking, like you're literally giving the play by play on the way there. - Yeah. - When you don't have that option, you realize how embarrassing that is.

- But you do, you do have a phone. - I have a phone, yeah, I do have a phone. - All right. - So this was time of this the other day with people. How about when you have plans?

Even with somebody you do want to see, and they go, "Can't make it." And the relief of not having to go to something. - It's so great when somebody fails. They're like, "Hey, I can't make it."

'Cause then you're like, "Oh, no problem." And you're thinking, "Oh, God, I get to stay." - Found time. - Found time. - Yeah, it's money in the pocket.

- Yeah, finding a 20 in an old jacket. - Yeah, hello, friend. - Hi. - Hi. - Wait, you know what I want to say,

I talk about old friends and working together, makes me think, "Justified, which is so good

and you were so good and it was amazing."

And over the, you said it was five years that didn't realize it was fine. - You did it with our old friend. - I was certainly a Sean and my old friend, Margot Martin Dale.

- Oh, great. - Oh, great. - Who am I? - Oh, do it. - The bad.

- It's more nice to have one of those, be one of those people that when people say your name, everyone just goes, "Oh, guess what?" - Guess what, you're one of those people. - I think you're one of those people.

- Oh, you are. - No, it's true, it's true, it's really true. - It's really true.

“- I think you are, yeah, Margot Martin Dale.”

I mean, I will say, "What a absolute, just, just a legend." - I haven't had the pleasure yet. - Oh, dude, I'm a huge fan, though. - Yeah. - She was lover.

- Yeah, she was. - I remember years ago, she did that. President, one of Krazynski's movies, and so she didn't know John, and he asked me to introduce him to her.

And ended up being really, really good. And so I said, "Hey, John, Krazynski wants to call you, "and can I give him your number?" And she was like, "Okay." And then she called me after she goes, "Look,

"I told him I'm gonna do his fucking movie, "so it better be fucking good or else it is on you, "because you fucking forced me to do the other way." - So good, right? - You know, Margot, I mean, that's so unbrand for,

and she ended up being wonderful, obviously. But she's the best. - Yeah, I had the pleasure of sitting next to her when she won an Emmy. And it was such a lovely moment.

I remember, I don't know why it pops in my head, 'cause all of that is what I spent a year with, you know, that personality you're just talking about. And such a, whether the camera was rolling or not, you just felt like you were getting this authentic,

connected, amazing, just, it was so easy.

And then we were at the Emmys, and her category was before mine.

“So I just remember that when they were sitting,”

I'm sitting next to her and they're announcing the names and all of that, and then they say the winner is, and when they set her name, she squeezed my hand, like I could have bruised me. I get in the squeeze that happened.

- Yeah. - It was the first time I kind of understood what the award's meant, you know, like I was like, oh, that moment when that involuntarily like, oh my God, you know, and then I was so moving.

- Not much of a story, but it's so much to see. - And I remember sharing with her. - Well, then she forgot to thank you. - Did she thank you when she got on stage? - She did, no, she did, she did.

She did, she did, she did, she did, she did. She was classic, her dad. - We'll be right back. And now, back to the show. - But Timothy, you know, Tim, sorry.

- No, what's up? - No, so familiar. - T, T, dog. - T, dog, T, dog. - Did you, I remember that I, I, I, the other day, and I'm just remembering, I, I, through my feed on Instagram, saw a clip of you telling the story on about deadwood about.

It was so funny, can you tell what happened again? It was like the worst deadwood story or something. It was so funny. I mean, I don't want to give it away. And if you don't want to tell it, it's, you don't have to.

- No, it's already on Instagram.

- It was so small. - Well, you know, milk stories, you guys know the, the milk. You guys have heard the milk stories over the years. - We've heard some, heard some rumlings, but I bet your Tracy is not.

- No. - No. - It's not the story. - She's, she's not, she's not hip to the Hollywood stories. - David Mills, my, my, my, my, his book. He read his, I don't know, I don't know.

- David Mills wrote for Tracy, created dead. - Yes, I'm like some other things. - Yeah, NYPD Blue, Hill Street Blue's. - Ledger, deadwood, and just a legend of a writer, and one of these guys who like, you know,

graduate first in this class at Yale,

had a heroin addiction, you know, like a combination of brilliance and life experiences that often don't go together, you know. And so almost every day on that set was these kind of stories.

But we had a, was it the second season, there was, we had a storyline where, I'm married to my, it wasn't what really happened in real life, which, and my character was a real guy, I said, Bullock. But anyway, he was married to his brother's widow

and was raising his brother's child as his own kind of thing. So we had this whole, his kid and, and like a lot,

“I think there was rumblings on the set one day”

that there was some issue with the, with the kid as either as rap, or as mother, but David was really upset about something. And I was like, I don't, I'm not gonna pay attention. I'm just doing my thing.

Oh, I know, is that by lunch, it was a knock on my trailer door, and it, I hope it is David, which is unusual. And I said, what's up, and he says, we're gonna kill the kid.

(laughing) And, we're just gonna kill him. This is the next minute, it's so good. Such classic show, this moment, that happened after that.

He goes, I said, really, say, yeah, we're gonna kill the kid. I go, this is the show of this in part. He goes, it's gonna be great for you. It's gonna be really, it's gonna be some really nice, some wonderful, there's more room for you.

And everybody brings great moments.

So we wonder moments, these amazing moments,

and he's gonna reach, and he's, and he'll be, well, and his, his bedside, and he, talking to him as if your brother, and your brother, and wonderful. And it's gonna be good for the kid, too. And he'll free him up for other opportunities.

And yet we did, the whole season was, this epic story that, that, whatever happened that morning, turned in to the season. - That's amazing. - So amazing. - That's amazing.

- JB as an actor who directs, how cognizant are you of, being, of understanding the process

“that they're going through when you're giving an out?”

- Yeah, I mean, it's all, you're gonna get a worse performance if you leave that note session with the actor and the actor feels bad, you know? So it's, it's all people's skills, right? You just gotta, you gotta prop 'em up

while you're telling them to be different. - Here's my, I didn't move it with Larry Kassen, just a dream working with him, and he came up to me after, I think more than one take, yeah, it was a couple, 'cause he said to me, he said,

at Tim, there's a joke there, but we wouldn't know it 'cause you keep it up. Should we just move on, or do you want to try again? (both laughing) - Hey, Tim, you get this, right?

(both laughing) - And it's not a circle so I'm very, very useful, but I'm like, okay, lightning, that was a good idea. - I just had another, that used to remind me, I just did this play in New York and Lee Selerman,

who's brilliant, she's an incredible director

and a good friend, and she goes at the first run through, is a one-man show, I did the whole thing the very first time, and afterwards I go, I feel like I'm just saying words, and she goes, yeah, yeah, it looks like that.

(both laughing) - Wow, which was great, which was great. - Yeah, it was the kick in the pan, I needed to kick in the pan. - But you were just so happy, you got through it,

“and you didn't forget a line, I'll bet, probably, right?”

I mean, that was the big test. - Yeah, but I mean, I needed to actually think about what I was saying. - Now, on the other hand, I did a couple of months with the soda bird for you, me for you. - Yeah, but the name is what you do there, right?

- Sure, sure, sure, sure. - Three months? - Yeah. - Not a single note. - Yeah, that's two or three months.

- That's terrifying in its own way. Three months, and once I was in a car with him, I was driving, it's just me and him, and he's operating, and I got back in the car,

And he goes, if on a scale of one to 10, that was a seven, maybe an eight, and I was like, I'm cool, that was, so that was technically our one exchange. - No way. - No one performance exchange.

- But she's also editing too. - No, it's interesting. - I was gonna say, yeah, he's got me, but I was gonna say, interesting, he mentioned soda bird, 'cause he is operating, and when we were doing our movie,

with the, is this thing all with Bradley,

“and we're old friends, and he's also operating, right?”

Bradley operated that whole film. - Yeah. - So he, and as you know, it was very close, you know, he's like, cameras in my face. - When do we start to roll, we're rolling, Miloba.

I mean, put the camera up, we haven't even started yet,

then he put it down for a second,

look, and he's like this part, and he's like, no acting, and then the camera right back up. - No, it's like, like, I read that. - And he was right, and it was so disarming, like, you know, I had one time also, I did one of these,

I did two of these Ninja Turtle movies years ago, like 10, 15 years ago, and we were in Madison Square Garden, and it was produced by Michael Bay, and but he came in one day to shoot all this stuff at Madison Square Garden, we shot it in the next game,

and then they cleared out, and then we did this stuff on the floor, and he decided to operate, he wanted to do this one bit where it kinda, and like the camera goes up this action, and up to me in the front row, he goes, okay, reset,

and it was like, chaotic, and stuff was going, and he's really on top of it, and he knows where everything is, and he's got a crane going at the same time, and he's operating, and he's camera's down, and he's like, following along the ball,

and then he just goes like this,

and then he just goes right up onto me,

and just goes, say something funny. - I was like, oh fuck, literally like that. He was at Nightmare, and I'm like,

“I said something super sweaty, you know what I mean?”

- Yeah, exactly. - Yeah. I can't wait to talk a little bit about, well, you've got a couple of things coming, you've got this mini-steeries called the Five Star Week.

- Kids moved out, I've been working more than ever, ever in my life, I mean, you have, I guess I don't have to go to a tennis tournament this weekend, so yeah, let's go. - I only enter with this renewed for season two,

stick season two is a bit renewed for season two. - That was a joy of a gig. - Adventures of Cliff Booth, which is coming out, it went out Christmas time. - Speaking of no notes, adventure.

You have talked about the adventures of Cliff Booth, I want to know about this. - Yeah, what is this film? - Though the, yeah, that's the prequel to once upon a time in Hollywood, right?

- Oh, is it prequel or sequel? - It's a sequel. - Yeah, sequel, but isn't it, is it the time before, once upon a time in Hollywood? If I get this wrong, it wouldn't be that surprising,

but I'm pretty sure it's after, it's after. - It's after, it's after. - It's the adventures of Cliff Booth. - And it's later, Gotcha.

“- I think we're, I think we're in the '70s.”

- It's so finture, light touch. I'm not saying that sarcastically, but I would imagine performance note. - A favorite thing to do is this after we finish the take is before he said anything.

I'd say, can I get one more? - Yeah, if I could just get one more. - Once again. - Tracy, he's famous for many takes. - We're talking, right?

- Yes. - And telling Tracy that's good. - Yeah, that's good, that's good. - You'd use it to Tracy. - And they'd think.

- Yeah, so we would do, yeah, I did a scene, yeah, for like two days, day and a half,

I didn't, I'd never done that anything like that.

I feel like I was pledging a fraternity. Thought a little bit like, like, oh, let's go again. Let's do it. But yeah, I want to be part of this. Let's go. - Is it technical?

Yeah, it was the most because of technical and framing the composition thing. - Honestly, it's often times multiple. It's often times everything. It's, okay, on that moment, you know, maybe this.

And then when you lift your hand up, show me where it is. Okay, now move it just an inch left. Okay, now down just a half an inch, lift it right there. And then I go, okay, slow that.

So it's everything from, when you lean forward, don't lean quite that far a little there. So everything, it can get super, super technical visually. But it can also get very, very specific about, you know, when you do that, maybe it's more of an order,

maybe it's more of a, like, you know, so will sometimes be performance. It's almost like doing a run of a play, you know, like a scene, but you're doing it so many times. You're doing it the master, you're doing like 20 times.

And then you're pushing 20 times. And you know, like so for a day and a half, you're just doing this scene. What was the most number of pages you did on one day? Was there ever more than three pages in a day?

About there. No, I'm very briefly in it. So I just showing up for this thing. And I don't know how many pages that was, but we shot it for a day and a half.

I don't know. Yeah, we didn't, my coverage was day two. It was kind of, it was fascinating.

And I think years ago, when I was reading about him,

I just thought, no fucking way, life's too short. But for whatever reason, at this point in my, it's, I just was like, yeah, let's do 30 takes. I've great. Oh, man, I just, it's an experience.

It's nothing else. But it throws you to a, there's a real quality that starts to happen that you don't expect, which is, you're doing it so many times. It's hard to shut out the voice that feels like you're doing it

wrong. Yeah. And that's the kiss of death, right?

“So you have to, so it's hard to, you also start to lose your instincts”

because, I mean, it really does. It really is like a, you know, it was like a, pledging the fraternity here. And they're gonna break me down. And I'm not gonna, I'm not gonna talk about that.

He's talked about some of the strategy. It's because, yeah, if you do a great take, you know that feeling, right? Jason, you finish the take and you think, that just felt so money.

The fact that you're gonna do 15 more after that take, you start to go, me, it wasn't that good. I don't know, right, you have to shut that voice out because you just have to realize. But he talks about that sometimes he'll do a bunch of takes,

just to get the actor to stop acting, you know, 'cause you just run out of acting ideas and then you just end up just saying the fucking lines. And that's sometimes what he's looking for is, I don't want performance, just say the lines.

And yeah, let's just get on the wall. Just have a lot of friends, right? Exactly. Yeah, I can do it too much. But it's like, I feel like I've gotten,

I mean, say this with a grain of salt, but for the most part, my technique filled, last decade or so has been memorizing the lines and then memorizing them too, exhaustion, so I show up hopefully in that place.

So then to show up and then keep going.

“There's like, you have to readjust your-”

- Sure. - It's motto is always like,

does this put me on the 405 this next week? Like, you know what I mean? Like, uh-huh, what do they mean? Yeah. (laughing) How do you expect me to act like this?

How do you expect me to act that well? When you've seen the craft service table, and we both know, that's fucked up. - Yeah, that's terrible. - Wait, so we have to,

'cause we, I can't believe it's been an hour already. I feel like I could talk to you about this shit for fucking ever. - Yeah. - Talk about Lucky, Lucky is about to come out

this new series we have to mention. - What's Lucky? - Yeah. - So I get, Lucky is also with the same preface of the, whether it's a pre-core or a sequel. If I get some of this wrong, it will be surprising.

- Okay. - But I believe Apple is not Apple TV, and it's Anutea their joy in that Benny. - It's great. - It's great, yeah. - Lovely.

- Yeah. - Tropper, wrote it, he's a genre- - He's a genre- - He's a genre- - He's a genre- - He's a genre- - You know, you know, you know, I did to get a-

- Yeah. - Jonathan Tropper. - He's kind of a thriller- - Fred's a neighbor. - Jonathan Tropper, right? - Correct. - There you go. - Very talented guy.

- Very talented guy. - So that was cool. And then there's this, that was fantastic. - That's good. - That's good. - No, that's good.

- Thank you, great. - That's great. - People are leaning forward. - Yeah. - Yeah. - No, they're gonna watch it out. - Yeah. - And now I'm gonna cut,

I'm gonna move on, so I just leave some one more. And then there's the, the five star weekend, the Jennifer Garner and Peacock. That's lovely. - Look at you, you just go, go ahead, love it.

- Dude, it's really awesome. - Dude, it's insane. - It's kind of fun. - Yeah, thanks, I appreciate it. And then, yeah, I don't, the kids moved out.

“I just, I think it's a time, it was a lot of time on the hands.”

- Yeah. - And then the, when it was at the Larry David thing, I think, airs after the interview. - Close your enthusiasm before this goes out. - No, that 250 year thing.

- Yeah. - So that was fun. - Oh, shit. - He's gonna play at Trump's 250 year. No, no, no, no. I'm still in for Millie Vanilli. Oh, yeah, yeah, yeah, and then I'm just doing percussion for you.

Yeah, playing the Maracas. I'm in that too, Tim. Oh, yes, yeah, yeah. It's fun. Yeah, super fun. Sure. I think it comes out soon. Like in June or something, or July. Oh, July. Yeah, July, right? Oh, Sean, you want to talk a little bit about what you got. No, tell me, how was that? Did you enjoy it?

Yeah, I was fun. What did you do? What was your scenario? So, so the concept is Larry David did a show for HBO to celebrate the 250th anniversary of the United States, and he put himself into historical scenarios to re-enact them. And mine was the right brothers, and it was me, John Hammond, Larry David, and John Hammond, I played Orville, and the right brothers. And he played Lawrence, right?

The third, like, brother, and he was complaining about the middle seat on the plane that we just

invented. And yours is what? I'm okay, Carl. Oh, good. Yeah. Yeah, I'm one of the earth brothers. And Larry, the whole okay crowd, Larry sets it off. It's all it was in. Yeah, it seems like plenty of opportunity to have a chance of you. You see, our me, well, our phone number is must have we haven't

Sure. It was more on you because I feel like you should have said something on there be half.

Yeah, I know. I'm sorry. You know, I mean, it's you're seeing them all the time. I do feel like everyone in town has been on Kirby and Thusias. And will did you do it? No, you and I did not do it. New and I did not. I don't think he likes us. You know, you know what, Larry actually said to me last this is true story. So I can say he said to me, uh, about six months ago, how come you were

“never on Kirby? I go, you never asked me. Yeah. And he was like, uh, and then I said, I think I'm too tall.”

Anyway, I did say that to him. We've had him on the podcast. We have. Yeah. Yeah. I've never been in

a Bateman project. We just get to that right now. I know, there's something on Sean, you and I have never been in a Jason Bateman job. Wait, you guys have an either? No. Wait, what? He's directed like a bunch of things. Oh, are you going through a canyon? You can't hear us right now? Are you guys getting hear me? Do we listen? I hear you. Can you hear me? Guys, I'm going to call you back. I'll call you back. David, you said me a call sheet. I'll show up. You know, I'm going to do, I'm going to put

all three of you in one, come on and I'm going to cut it. And then I'm going to cut it. You want me to cut this? It'll be so vital. Uh, speaking of vital, your vital to show is Tim Oathon. You are just an absolute gem and it's been awesome having you. Dude, continued success. I'd stay keep saying busy because it's so great watching you, dude. Yeah, and get back Christine. They're they're office back. Yeah, yeah. Back to you guys. Uh, it was a pleasure. Thank you. A pleasure. We looked

up to it. And we came lucky. All this stuff, congrats. What a joy. What a joy. They're great.

Tim Oathon. Thank you. You're going to get a riddle of applause. Yeah. I think that's the first,

that's the first goodbye applause we've done. I think so too. I've warranted. Yeah. Gentlemen is pleasure. Likewise, Tim. Thanks, Tim. Thanks, dude. Bye, buddy. Uh, so yeah, what about that Tim, all the fan, huh? Oh, I'm so good. He's a good dude. He's a real good dude. He's easy on the eyes.

“He's got talent. I know. What's not to come up? That's why I work so much. And he does have a reputation”

that is he's one of the nicest guys. That's his best because he loves him. Remember Margo's saying how much she loved him? Back in the day. Do they say that about any of us? About us? Yeah, I don't think so. Yeah, they say about telling me all the time. You ever heard anything bad about me? Let me just say, I would not look it up. We're are you. If you want to have a continued good rest of your day, I would not investigate. Don't dig. No, you don't dig. Don't dig. Don't dig. Don't dig.

If anybody loves Jackie Bays. Everybody knows that. I mean, you can find some nice airs. I'll know about any of us. But boy, that's him all the time. No, you get you get 10s across the board. We forgot to plug. We forgot to plug. Maybe just roll the tape on that. October 17th. What do you do? Hollywood Boy, you go to smartlist.com/live and you get tickets. Sorry. You go to smartlist.com/live and you get tickets for Hollywood Bowl October 17th. We're going to have some surprise guests there. We're going to

want to have two or one. Okay. Yeah. You go to smartlist.com/live and you can get tickets for

“you or for a friend. You can not free. What do you do? If you get them for a friend, you have to”

make my way. Smartlist.com/live. Smartlist.com/live. Smartlist.com/live. Smartlist.com/live. We're a lot of you. We're a lot of you. We're a lot of you. We're a lot of you. Five dollar football and five dollar. Fast. Smartlist is 100% organic and are tizantly handcrafted by Michael Grant Terry, Rob Arnjarf, and Bennet Barberco. Smartlist.com/live.com/live.