for bottom? Yeah, so this is actually one of the, one of the many reasons that I was really excited to join Carve was because they had been investing in direct mail for many years, and it's
a channel that is a marketer of always found fascinating.
For us, we really treat it as a performance channel. We do send to prospects, but also pass buyers, and every send is a slightly different mix of that, but we send five to six catalogs a year, and we're both prospecting and retaining customers through that, and then the, the programmatic postcards is also really fun space that I've been able to work really closely with.
We actually tie that into our winback campaigns that we trigger via email, and based on the customers behavior in those emails, it'll either also drop them a postcard in the mail if they haven't converted, or if they convert, then it's great that we were able to do that for a much lower cost via email. And then it obviously for socials creates a wealth of still content.
Having a catalog, you can, you can obviously have a ton of still content for your, your social buys, but as we all know, the algorithm is pretty hungry for video these days.
“How have you shifted your content from, you know, catalog based stills to video?”
Within the last, I'd say 24 months, there's been a pretty big shift. A few years ago, if you were to look at our creative, most of it would be from our seasonal catalog photo shoots, and well, the creative was beautiful. It just wasn't working as well for the algorithm. What we did was one of our leaders had an idea to test some employee-generated content
EGC, and it just took off. It did really well. And starting with this test, we, we really built out a content pipeline, but we, we needed that test in order to, to kind of prove success in order to figure out how to build this pipeline. So now we, like I mentioned, we have a mix of UGC style content.
So still on photo shoots, what we've done a little bit differently is our organic social team. They now go to the photo shoots and they're taking UGC style content on the photo shoot. So it's kind of killing two birds with one stone a little bit there, and then with performance influencers, we got really great UGC content, and then the last piece is the EGC.
So that's our founder content, but then also we have a select group of employees who feel comfortable shooting content, and it's really authentic for us. So that's kind of how we've shifted to video, but we still use, I will say that with static we've tested a lot of different types of content with, you know, we can use it with gifts and carousels, and we have found some success.
So static is still a part of our media mix, it just isn't as much. And then on TV, so it sounds like TV is quite a big part of your top of funnel, which is pretty cool, and are you using the same video, that video pipeline that you've sort of created for socials, on TV as well, or is that different content as well?
We've actually partnered with an incredible agency who's able to take that UGC and
“EGC and turn it into a beautiful ad for us, which I think is really important for listeners”
to hear because, you know, when we first think of CTV, it feels like there's a barrier to entry if you don't have this really beautiful commercially shot content, and you don't need that anymore. There's really skilled agencies who can put together an awesome spot for you that performs really well.
And it also gives us some flexibility to update it more frequently because we have that content coming in so regularly. And then how do you think about attribution with TV? Are you looking for really introducing people to the brand with it mainly? How do you look at it in terms of, yeah, attributing sales to that platform?
Our key metric of success that we are optimizing towards is cost per site visit. We do look at rowaz as a secondary metric, and we're measuring that with an MMM tool. And so we can see both the attributed revenue on our site directly, but then we can also see it on other channels like Amazon. So we can really see the halo effect of connected TV.
And it's working. And it's working. Love to hear it. This episode is brought to you by Triple Whale, the AI operating system for e-commerce. Just a quick gut check for brand owners and media buyers.
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