Household Exclusive: Researching Our Ancestors

Thank you for listening. There are a lot more of you here since the last episode.

“So I wanted to come on, give you a little update and a little treat.”

My team and I are hard at work on season two. We continue to be hard at work. We just been a few months researching a few months writing, a few months producing, and then just like that. We have a new season. So that will be ready for you in the fall. Thank you for your patience and for your encouragement and for all the love. I feel it. I want to make you all the best season. I can. I want to do right by our ancestors. I've got the best team in the world. So I know we're going to do it.

See you this fall. Oh, well, you know what, but maybe actually there might be a little surprise here waiting for you on the 4th of July. Just in time for America's semi-quins and tiniel. So stay tuned for that. But until then, let me quickly address just three things and then

I'll play the little treat. One, North Carolina. I hear you. I've never seen anything like it.

“So many emails and DMs and messages being like, what are you doing? Why are you not down here? Get”

down here right now. Do a show for us. Hang out. I want to let you know that I guess that works because I'm going to come down North Carolina. I don't have a date yet. I'm just putting you all on notice. So you know, after season two is out, I'll find some time and I'll put on a show for you. Thank you for inviting me. All of you all the time. I really appreciate it. Number two, okay. In the Emperor Jones episode and so kind of subsequently in the paw ropes in episode,

we made some casting decisions and they were not to cast all this hodge and I why don't

want to say like that? I mean, we didn't consciously be like not him. It just sort of wasn't him.

And the women of the internet have spoken and they don't agree. I want you to know that I hear you. I'm not going to say something like, I'm not in charge of the casting decisions. That's up to the

“guest. You know, why am I getting these emails? Why don't you DM them? I'm not going to say that.”

I'm going to say that I take full responsibility and that I hear you and that if anybody has a line to Mr. Hodge, please let him know. He's got a very vocal and enthusiastic band based the listeners of the show and we'd love to have him on. All right. Number three, research. Wow. So all the majority of these messages that I get in DMs outside of just like love and encouragement, it's questions about the research process, which I love. Obviously, this is something I'm deeply

committed to. So I wanted to play all the conversation I had with my research producer, Choki Ayanson. It's available to our community of donors known lovingly as the household. We put this out for them a few months ago. If you would like to join the household and be able to access bonus content like this all the time, you can go to our ancestors Remesie dot supercast.com. But I'm going to play it for y'all today. This is the treat. Before I do, let me just set it up really quickly.

Something that animates my research process was this thought I had back in 2020, when there are all these calls to abolish the police. I was thinking, you know, if this works and the police become this relic of the past, then 200 years from now, people will probably look at what's survived with our movies and our music and our films and books and TV and this, and they'll think, you know, the number one issue in the lives of all of Black America,

the thing we kind of devoted ourselves to every day was the fight to end police brutality. And then I thought based on where we are today, that probably in the future, they're going to fall in one of two camps. Either they're going to say, you know, every time our ancestors, every time our great, great, great, many times great grandma Nicole went to go get a many petty. She sat her whole family down and kissed them goodbye one by one and said, "I know that the police could end it at

any moment." But I have to go have to go get this many petty for us, you know, because we have a right to do what we want to do. We have a right to freedom and I want future generations to have a freedom too. And as we all know, that's not really how going out works. Or they're going to fall on this other camp where they'll be like, if I was alive in 2026 and a cop pulled me over, I would say I'm not going to play respectability politics and try to, you know, appease you

and do what you want. I'm going to do what I feel like doing and I want to drive away. So I'm going to, I would have drove enough. I would have driven off. I would have been, you know, my own person. And one, that is not how we define respectability politics today and also, no, you wouldn't. Like, there's not how getting pulled over by a cop works, you know. It's really hard to explain the nuances of human interactions, compartmentalizations, the difference between like a horrific event

why the millions care so much about the few that it feels like it's happening to the millions.

That stuff's not going to make a history book. And so what I'm researching, I'm trying my best to do what I hope the future will do for us, which is to meet our ancestors where they are, not where I am. And I'm trying to put aside my judgments and expectations in twenty twenty six nest as best as I can and just understand them. And so I end up, I just have to dig and dig and dig and dig and dig until I feel like I do. Or I should actually say, we dig

because I put my research producer Chokey and into work. So without further ado, here's our

conversation. I hope you enjoy and I'll see you soon. Chokey, can you talk about your role on this

“project? I am the research producer for our ancestors, we're messy, which I believe you explained”

once as I get the articles from behind the paywall. I mean, I like to think I have more input than that, but that's about what it is. That's, that's like a headline of what you do. Can you talk about what you actually, what it looks like? When, yeah, can you talk about from your side? You're going about your day and then all of a sudden you get a text take it from there. Yes, sure. So I'll get a request from you to look some stuff up. I will then look that stuff up,

but usually in the context of the show, there arises a set of questions about whatever it is that you're researching. So on the one hand is, well, what is the story? Who are the people? What happened? But then also, we have to face the question of, what is the general historical context that

“animates or makes this tale make sense that helps us understand why these people are doing things?”

And how do these things come together in such a way that you can then tell a compelling story?

And so generally speaking, I don't really have, you know, storytelling instincts, but I'm always

fascinated by research and by the ways that you in particular are trying to understand something. Because you're kind of like a, you're a non-academic who's trying to understand what's like dope or exciting or important about something. And so then the way that you struggle to understand is eminently more fun than the way that a professor person was frozen. Oh, interesting. Yeah, so then, so when you raise questions to me, it gets me like thinking in a way that I

wouldn't otherwise, right? And so that's pretty dope. But then, so then it also like helps me look at this historical moment, almost like through your eyes. And I think that that kind of merger of fascination, your story of fascination, and my general kind of academic historical

“like fascination, I think those things come together and like help you determine the best way to”

tell the story while being faithful to the historical moment in which this story shows up, right? Right. So yeah, so this is the, this is the thing that, uh, I only I in my head call the Ayodela Lashay method. That is the method is true, that is what it's called. How do you determine that what actually, I'm curious about, you know, what I was originally asking for was just like, "Oh, can you find articles or whatever?" But then you started to send along

analysis. What kind of went into your decision to add that? Why did you think that was important? Yeah. So, uh, I think that if you have bear historical moments, and I think that this is a mistake that if you look at the various, um, kind of YouTube, people or other kind of independent researcher type people, they can tell the story of the thing that happened. But without the analysis, that is, without kind of sitting with reflections from someone who has studied and been immersed

in, in the time period or in that, you know, in that context, you're bound to make these anachronistic mistakes in the storytelling, right? Like, you're just going to kind of import the way that you see the world on that historical moment and then tell the story, and that will do a disservice to the story. And so it's actually vitally important that we have commentary and

thing that matters to the person in the moment. And that thing is, you know, depending on the moment

in history, it's actually going to be kind of hard to understand, especially when you talk about black history because, you know, we hear living in what some scholars might call the post-soul condition. We have a set of interpretations that we often will place on every black thing that happens in history no matter what. And we kind of think that we know it because we are in fact united by this collective experience or whatever. But of course, day to day, moment to moment, that is not true.

Like, there's a ton of weird, different original, not thought about things that people are encountering in history. And so then we need to try and get as close as we can to what those concerns and considerations are so that we can, you know, tell the story in a way that is exciting for the audience, but that also even feels right to the historians. Yes, yeah. And that's like we've had, there's been one episode I can think of like all the top of my head where the guests reaction to

the story, you had like a little bit of an issue with, they were drawing parallels to today that you were like, well, technically actually, they're putting something on the past that is not

“like an accurate reflection of the past. Yeah. And I think that, I mean, it makes sense because”

very often when we read black history. I know that I do. I feel like a certain kind of closeness with whatever the person is going through. In a way where, obviously, when I read other kinds of history, I read in more of this as a witness. And then, you know, if I read the dead white guys of my philosophy training, then I read it as like a fully excluded kind of person, like trying to understand, right? But I think that we should caution ourselves to read too much of ourselves

into a text at first. I think it's good to kind of take a step back and just ask yourself,

am I getting what they're trying to say? Like, like allow the text to reach you a little bit because that might help or improve your understanding or it might help you understand something new about your current context, right? Yeah. And that was that. So that was my goodman next question to you. When people are digging into history, the thing that makes it sticky is that it says something about today. But then the thing you risk is that you're misinterpreting or you're putting too much

onto it. How do you think about that balance? What do you think is more important or is that like an impossible thing to say one is more important than the other? Yeah. I mean, I don't think that it's it's about a thing being more important. But I do think that the better you understand history,

“the better you understand the present. And I think that if you have a default notion of what the”

present is like, and you impose it upon history, then you're stopping yourself from learning valuable lessons that could help your present. Do you can you think of an example? I mean, I don't know if any of the things that I'm thinking of are going to be like terribly

terribly helpful. I sometimes think about the humanity of the person. One of the most amazing

historical figures that I think was like that we encountered recently. That is that they've been they were there the whole time, but more presently were like, oh, by our arrestant was kind of amazing. Yes, yeah. And so it's like reading his stuff is like, and this is like really like pretty dope, but then also just on a person, a person level, I remember thinking like, this guy was probably pretty annoying. Yeah, yeah. Like this guy was like probably pretty intense and I bet when he came

around, all the homies were like, God, I'm so there we go. Yeah, like I could see that happening or whatever. And it doesn't take away like anything from like how awesome he was, but it does call into

“question the way that we present historical figures. Right. And and I think that what I like the”

most about your show is that it's history without the reverence. And I think that the thing that black people desperately need to better understand black history is to not be so goddamn, you know, reverent about it. They need to like stop talking about these people like they're the great

who were weird, they had flaws, like they were in fact just like us. And I think that if we can

start there at that level, then there's a lot more that we can learn and also maybe the stuff that lies ahead for us can not be less daunting but we can just realize that we're part of a continuum. That like regular ass ladies and guys like we're struggling and that we regular ass ladies and guys and they thems are going to struggle as well and that we're not like, you know, we're not set against the greatest people of all of history. We're set against Grandma. Yeah, yes,

yeah. What was a particularly fun or memorable research quest that you have gone on

for the show? Oh my God. I mean, I love every I love it. Okay. The only one I can think of is that time is that time that you encounter a scholar that kind of sucked and then I read her whole afternoon and hated the whole thing? That was nice. Yes. No, I mean, I obviously I

“loved reading about Paul Robinson. I think that the like another thing that gets lost in our”

reading of history is that we read a black history like it's a black American history and we don't do that great job in America of reading the transnational kind of nature of the whole thing. And so like a lot of these historical figures when you dig into them, you see the way that they interacted with the entire world and the world's history. And and I think that that's one of those lessons that makes you say, oh, wait a minute, why am I not tracking international news? Why do I

not care about the struggles of these other countries or whatever, right? Why have I become so insular? You know, I need to stop reading the root. You know, I mean, like some of these that kind of things. That's where you end up. That's where I personally end up. Okay, final question. Do you want to talk about communism and boarding houses? I know that that was really, really important to you. Listen, do you have any final words on it? Yeah. Let's, let's, let's do a, let's just do a communism

“bonus episode in the future. Yeah, I mean, I think it's probably going to have to be done. It's going”

to come up a lot. Yeah, I'm into it. I don't want to do it. Let's do a, let's do a black communism like, you know, shit chat, fire side chat. Ooh, okay. Yeah, with Nicole and Chokes.

No, I would never call you that. No. No. Some people call me that. I know. Well, oh, no, I'm thinking

of Ronald. He calls you Yokes. I wouldn't call you that. Ronald calls me Yokes, yeah. Yeah, but people call you Chokes. Some people do. No. Thank you so much for your time, Chokes. This has been really gray. Do you have any final words? Anything you want to share? I don't know. I think your show is super cool. Very happy to work on it. I, I wonder, what do I wonder? No, that's it. It's all good. Whoa, wait. No, what do you wonder? Where are you going to say? I just, I feel like there's so

much potential for your show as a show, but also I think that it's a, it's a, it's a way to teach people black history after I think a kind of an extended interval of time where maybe we

“weren't teaching black history in the best way to a general audience. So, I think that what I want”

to see is our ancestors were messy as like a high school history curriculum. I mean, that, uh, that also kind of shows people how to do research because I, you know, I can tell you, you're on my college campus. People have lost that ability and they're just kind of believing anything. Yeah. And I think that our ancestors were messy provides a potential lens that can help people not just get in touch of black history, but get in touch with the activity of doing research and figuring things out

in a way that supports a better people, more democratic institutions, uh, and, you know, less

that was just the thing that I was like, uh, never mind that was your idea. Okay. Well, we'll discuss

“it because a lot of people are asking about research. Like, that is the number one. It's just”

absolutely shocking to me comment on TikTok because I did tell you that you're an influencer. We're an influencer. I'm an influencer now. And everybody's talking about the research. So, maybe

“there's an audience. Yeah. I mean, yeah, I think that, uh, I think that people don't understand”

how powerful research is. I think that there's a kind of, uh, there's a false infinity that

the internet represents. I think people think that the fact of the internet means that everything

that could be known is present and accessible, and that has actually never been true. And so,

you by just doing such a revolutionary thing is like digging in a box or checking in an archive, you're kind of coming out with, uh, information that shows that not only is this shit not available,

“but that you have to have the right configuration of curiosity to discover it. And, therefore,”

we also need to relearn the art of curiosity. Hmm. Anyway, that's why I hate the internet. Okay. Well, thanks so much, everybody. That's been Shioki Ayan said. Research producer Ryan Zester's were messy. Pew, pew, pew. Yeah, it's like applause. They'll be other sounds. I don't add sound I don't know if that's to these. - Okay, great.