Table Read

Table Read

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<p>Cinema for your ears. Performed by Hollywood’s best.</p><p>Step inside the studio where <em>Hollywood’s top actors</em> bring award-winning screenplays to life... complete with a full cinematic score, immersive sound design, and the energy of a live performance.</p><p>Each episode is a front-row seat to a one-of-a-kind production: 20-plus working actors, world-class scripts from acclaimed writers, and film-quality sound crafted by Emmy-winning producers. It’s not just a podcast... it’s a movie you hear.</p><p>Recent guests include Mark Hamill, Rosario Dawson, Ty Burrell, Joe Mantegna, Fred Armisen, and more.</p><p> Produced by Jack Levy, Shaan Sharma, and Mark Knell Manifest Media.</p><p>#1 Fiction Podcast | 2025 Webby, Shorty, and Signal Winner | Cinema for your ears. </p><p> 👉 <a href="https://www.tablereadpodcast.com" rel="noopener noreferrer" target="_blank">TableReadPodcast.com</a></p>

Recent Episodes

20 episodes

Introducing: Born to the Game Podcast| Growing Up as Cedric the Entertainer’s Daughter – Lucky Rose Kyles

&nbsp; &nbsp; 🎙️&nbsp;Born to the Game &mdash; Lucky Rose Kyles Legacy, Identity &amp; Finding Your Own Voice Beyond Fame What does it mean to grow up with one of the most recognizable comedians in the world&mdash;and still have to discover who you are beyond it? In this episode of Born to the Game, Lucky Rose Kyles&mdash;founder of Pretty Lucky Lips and daughter of legendary comedian Cedric the Entertainer&mdash;opens up about growing up around fame without fully realizing it, and the journey of building confidence, identity, and independence on her own terms. From navigating friendships, boundaries, and assumptions in college, to learning how to say no and stay grounded in who she is, Lucky shares a raw and refreshing perspective on what legacy really looks like from the inside. This is an honest, uplifting conversation about identity, self-worth, creativity, and the courage to define success for yourself. 🔑&nbsp;In This Episode: Growing up as Cedric the Entertainer&rsquo;s daughter without realizing his global fame The moment she understood what legacy really meant Navigating friendships, boundaries, and assumptions in college The reality of being a &ldquo;celebrity kid&rdquo; vs. building real relationships Lessons on confidence, identity, and staying grounded How she built Pretty Lucky Lips and found her creative voice Why authenticity matters more than expectations Dating, independence, and trusting your intuition 💬&nbsp;Key Takeaway: Legacy doesn&rsquo;t define you&mdash;how you choose to show up does. The most powerful thing you can be is fully yourself. Subscribe, share, and join the journey. New episodes drop every Tuesday. Follow Born to the Game:INSTAGRAM - https://www.instagram.com/borntothegamepodcast/ YOUTUBE - https://www.youtube.com/@BornToTheGamePodcast https://borntothegamepodcast.com/ Find The Show: Born To The Game PodcastSee omnystudio.com/listener for privacy information.

Transcript
3d ago1:23:48

SuburbaKnight - Act 2

SUBURBAKNIGHT: Act Two Walter Knope has finally discovered the one thing worse than suspecting your new neighbor is a sex demon. Being right. Inside Richard's immaculate house, Walter gets the confirmation he was looking for. The Maitlands are dead. Richard isn't human. And he isn't just interested in Samantha. He wants everything Walter has. Walter tries to warn Sam. It goes badly. What starts as an argument about Richard quickly becomes an argument about money, sex, failure, jealousy and every other thing a married couple has been politely not saying out loud. Sam packs a bag. Walter, terrified Richard will get to her, practically helps her leave. Written by Nick Bannister, SUBURBAKNIGHT is a wicked suburban horror-comedy about marriage, masculinity and what happens when your midlife crisis actually grows horns. Walter needs someone who understands monsters. Enter Bobby Joe Williams. Local horror host. Full-time drunk. Part-time monster expert. Possibly the least reassuring person you could want standing between your family and eternal damnation. Bobby Joe confirms the bad news. Richard is an incubus. He feeds on souls, controls his victims through desire and, unfortunately, appears to be immortal. Meanwhile, Richard has already started remaking the neighborhood. Walter goes looking for Andy and instead finds him dead in the bathtub, his wife Alli transformed into something considerably less neighborly. Walter barely escapes with his life. Then Samantha comes home. Richard is waiting. This time, Sam sees him too. When Richard finally drops the charm and shows them what he really is, he offers Walter everything he ever wanted. Money. Freedom. A fresh start. All he wants in return is Samantha. Walter says no. Then Mia introduces Richard's face to a medieval mace. For a moment, it feels like the Knopes may actually have this thing under control. Then Richard takes their daughter. Now Walter and Sam are done running. They need Mia back. They need help. Unfortunately, the closest thing they have to a professional is Bobby Joe Williams in boxer shorts drinking margarita straight from a blender pitcher. So they do what any responsible parents would do. They raid the failed antique business. Crossbow. Mace. Axe. Sword. Armor. Walter's junk has finally found a purpose. And across the street, Richard is waiting. Starring Darin Toonder, Jim O'Heir, Jade Tailor, Jack Daniel, Rob Fitzgerald, Logan Laurel, Emily Brolin, Ashley Platz, and Zeke Alton. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell. &nbsp;See omnystudio.com/listener for privacy information.

Transcript
4d ago1:02:28

Featuring: Filmspotting Podcast | The End of Oak Street, plus Tony and Late Fame | #1077

Is The End of Oak Street the best Spielberg movie of 2026? Or is one of your hosts committing movie heresy? Adam and Josh review David Robert Mitchell's dinosaur-filled family adventure and consider whether there's more on its mind than blockbuster thrills. Plus: thoughts on the Anthony Bourdain biopic Tony, Willem Dafoe in Late Fame, and Adam's conversation with the creators of the Table Read podcast. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits.&nbsp;⁠Use code FILMSPOT26 to take 15% off.⁠ Filmspotting Podcast (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:23) The End of Oak Street (00:02:24-00:49:09) Spoiler Talk: The End of Oak Street (00:49:09-01:10:34) Filmspotting Family (01:10:35-01:17:04) Tony (01:17:05-01:22:22) Late Fame (01:22:23-01:41:26) MLB at Field of Dreams on Netflix (01:41:27-01:45:52) Introducing: Table Read Podcast (01:45:53-01:59:42) Massacre Theatre (01:59:43-02:08:57) Credits / Releases (02:08:58-2:11:44) Notes: -Myth of the American Sleepover Review | Ann Arbor Observer ⁠https://annarborobserver.com/myth-of-the-american-sleepover/⁠ Feedback: -Email us at ⁠[email protected]⁠⁠⁠ ⁠⁠⁠⁠-⁠⁠Ask Us Anything⁠⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Use code "summer" for 20% off a Filmspotting Family membership ⁠http://filmspottingfamily.com⁠ -Filmspotting Shop for T-shirts and more. ⁠⁠https://www.filmspotting.net/shop⁠⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠⁠https://youtube.com/filmspotting⁠⁠ -Adam/Filmspotting: ⁠⁠Letterboxd⁠⁠ |⁠⁠ Instagram⁠⁠ |⁠⁠ Facebook⁠⁠ |⁠ ⁠Bluesky⁠⁠ -Josh/LarsenOnFilm: ⁠⁠Letterboxd⁠⁠ |⁠ ⁠Instagram⁠⁠ |⁠⁠ Facebook⁠⁠ |⁠ ⁠Bluesky⁠See omnystudio.com/listener for privacy information.

Transcript
7d ago2:14:25

Featuring: Filmspotting Podcast | Teenage Sex and Death at Camp Miasma and The Brink of War

Jane Schoenbrun&rsquo;s uncategorizable third feature, Teenage Sex and Death at Camp Miasma, marks the director as among the most assured and provocative filmmakers of their generation. Adam and Josh agree that it&rsquo;s the film of the year so far. Plus, other notable third features this decade, listeners pick their favorite Spider-Man movie, and Adam reviews The Brink of War. Find The Show: Filmspotting Podcast This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:38) Teenage Sex and Death at Camp Miasma (00:02:39-00:45:20) Filmspotting Family (00:45:21-00:51:21) The Brink of War (00:51:22-01:01:11) Polls (01:01:12-01:11:25) Credits / Releases (01:11:26-01:15:26) Feedback: -Email us at [email protected]⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Transcript
14d ago1:17:49

SuburbaKnight Act 1

SUBURBAKNIGHT: Act One Walter Knope is having a bad week. His antique store is bankrupt. The bank has locked him out. His house is now filled with everything he couldn't sell. His teenage daughter thinks he's embarrassing, his marriage has seen better days, and Walter is beginning to suspect middle age may just be a long series of humiliations ending in death. Then Richard Sarandon moves in across the street. Richard is rich, handsome, charming and spectacularly confident. The neighborhood women can't stop looking at him. The husbands barely notice. Walter notices everything. Especially the two body bags carried out of Richard's house in the middle of the night. Then Walter sees Richard do something no human being should be able to do. Written by Nick Bannister, SUBURBAKNIGHT is a wicked suburban horror-comedy about marriage, jealousy, masculinity and the nightmare of discovering that the impossibly perfect man next door may actually be a monster. Walter calls the police. They find nothing. Richard smiles. Walter looks insane. Then comes the neighborhood party. Pool. Booze. Barbecue. Husbands watching football. Wives watching Richard. With help from Andy, his beer-bellied neighbor and resident horror-movie expert, Walter finally puts a name to what moved in across the street. An incubus. A demon that seduces women and feeds on their life force. Now Richard knows Walter is onto him. Walter knows Richard wants Samantha. And the fight Walter thought was about his pride, his marriage and his rapidly collapsing life is about to become something much worse. Luckily, Walter's house is currently filled with swords, crossbows, armor and medieval weapons nobody wanted to buy. Maybe the antique business wasn't such a bad idea after all. Starring Darin Toonder, Jim O'Heir, Jade Tailor, Jack Daniel, Rob Fitzgerald, Logan Laurel, Emily Brolin, Ashley Platz, and Zeke Alton. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Transcript
18d ago25:59

Featuring: Filmspotting Podcast | Spider-Man: Brand New Day, Everybody to Kenmure Street, The Samurai and The Prisoner

After a five-year hiatus, Tom Holland&rsquo;s Peter Parker is back on the big screen with Spider-Man: Brand New Day, this time battling anonymity, a host of nemeses, and some arachnid-related changes. Adam and Josh have a review. Plus thoughts on the new doc Everybody to Kenmure Street and the latest from Pulse and Cloud director Kiyoshi Kurosawa, The Samurai and the Prisoner.&nbsp;&nbsp;&nbsp;&nbsp; This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. Filmspotting Podcast (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:22) Spider-Man: Brand New Day (00:02:23-00:44:22) Filmspotting Family (00:44:23-00:48:35) Everybody to Kenmure Street (00:48:36-01:08:32) The Samurai and the Prisoner (01:08:33-01:12:39) Massacre Theatre (01:12:40-01:20:03) Credits / Releases (01:20:04-01:24:02) Feedback: -Email us at [email protected]⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Transcript
21d ago1:26:35

Intoducing: Filmspotting Podcast - Top 5 Spider-Man Scenes

With the world&rsquo;s Spidey sense activated by the latest Spider-Man installment (Marvel&rsquo;s Spider-Man: Brand New Day), Adam and Josh look back at the webslinger&rsquo;s first 25 years on the screen with their Top 5 Spider-Man Scenes. Yes, even Andrew Garfield gets some love.&nbsp; Filmspotting Podcast This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. Intro (00:00:00-00:02:35) Top 5 Spider-Man Scenes (00:02:36-00:41:30) Filmspotting Family: &lsquo;20s/&rsquo;30s Madness &mdash; Round 2 (00:41:31-00:49:34) Notes / Poll: Best Spidey Movie (00:49:35-01:03:38) Top 5 Spider-Man Scenes, cont. (01:03:39-01:34:44) Credits / Releases (01:34:45-01:37:59) Links: &ldquo;When Mary Jane Kissed Spider-Man&rdquo; | The Ringer https://www.theringer.com/2022/05/03/movies/spider-man-kiss-tobey-maguire-kirsten-dunst Feedback: -Email us at [email protected]⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Transcript
28d ago1:40:24

Rooms Of Experience - Act 3

Rooms of Experience, Act 3 By Steffany Sommers Starring Patty McCormack as Ada Wells and Dan Lauria as DA Harvey Davis The trial begins. Detective Curtis takes the stand. Gina tells the jury about the woman who spent sixty-five years caring for her son. Alexis puts Ada on the stand. Ada does not ask for forgiveness. She asks them to understand. Dana answers with the law. Alexis answers with lived experience. An expert insists Teddy could have adapted to a new home. Ada insists they never knew her son. Then the case goes to the jury. But Dana&rsquo;s real judgment comes somewhere else. The blue envelopes. The hospital. The daughter she left behind. Dana finally tells Ada the truth. Her baby was born with Down syndrome. Dana walked out of the hospital. She never went back. And she prosecuted Ada because she needed to believe that leaving her own child had been the right choice. Ada does not condemn her. She reminds Dana that not every choice is permanent. Then she asks the question Dana has avoided for seven years. What is her daughter&rsquo;s name? Maddie. Before the jury can deliver its verdict, Ada dies quietly in her garden. In the hollowed-out place where Teddy used to lie. The case is dismissed. But the question remains. At Ada&rsquo;s funeral, Alexis gives Dana one final letter. Dana opens it. She finds Christopher. She finds Maddie. And for the first time since that day at the hospital, Dana moves toward her daughter instead of away. By the end of Act Three, the law never delivers a verdict. Dana makes a different choice. Starring Academy Award nominee Patty McCormack (The Bad Seed) as Ada Wells with Dan Lauria (The Wonder Years) as DA Harvey Davis Craig Parker (The Lord of the Rings) as Detective Curtis Nicholas Gonzalez (The Good Doctor) as Carter Nora Zehetner (Heroes, Everwood) as Rebecca Alyshia Ochse as Dana Jeffries Candice Coke as Alexis Martinez Eileen Grubba as Gina Gordon Alain Uy as Ethan and narrated by Sarah Elmaleh Table Read is executive produced by Jack Levy, Mark Knell, and Shaan Sharma. A Manifest Media production.See omnystudio.com/listener for privacy information.

Transcript
7/28/202646:12

Rooms Of Experience - Act 2

Rooms of Experience, Act 2 By Steffany Sommers Starring Patty McCormack as Ada Wells and Dan Lauria as DA Harvey Davis Dana tries to outrun the case. Literally. But Ada Wells keeps following her home. At Teddy&rsquo;s funeral, Ada collapses. Alexis asks for mercy. Dana refuses. Harvey warns her not to go soft. The medical examiner confirms it was homicide. Then reveals Ada could have hidden it. No visible trauma. No obvious cause of death. No reason to test for helium. But Ada left everything in plain sight. Detective Curtis admits she never tried to escape responsibility. Gina cares for Ada as her health begins to fail. Ethan offers Dana a life built on trust. And the blue envelopes hidden inside her desk keep demanding the truth. Then, at Rebecca&rsquo;s birthday party, Dana is handed a baby. A little girl named Molly reaches for her. A child with Down syndrome. Molly touches Dana&rsquo;s face. And something buried begins to surface. The prosecutor who insists there is always a choice can no longer avoid the choice she made. By the end of Act Two, Ada Wells is not the only mother being judged. Starring Academy Award nominee Patty McCormack (The Bad Seed) as Ada Wells with Dan Lauria (The Wonder Years) as DA Harvey Davis Craig Parker (The Lord of the Rings) as Detective Curtis Nicholas Gonzalez (The Good Doctor) as Carter Nora Zehetner (Heroes, Everwood) as Rebecca Alyshia Ochse as Dana Jeffries Candice Coke as Alexis Martinez Eileen Grubba as Gina Gordon Alain Uy as Ethan and narrated by Sarah Elmaleh Table Read is executive produced by Jack Levy, Mark Knell, and Shaan Sharma. A Manifest Media production.See omnystudio.com/listener for privacy information.

Transcript
7/21/202656:36

Rooms of Experience - Act 1

Rooms of Experience, Act 1 By Steffany Sommers Starring Patty McCormack as Ada Wells and Dan Lauria as DA Harvey Davis The call comes in at night. An elderly woman. A dead son. A tank of helium left in plain sight. Ada Wells&nbsp;doesn&rsquo;t deny it. She wanted his last day to be peaceful. Enter&nbsp;Dana Jeffries, razor-sharp, undefeated, and hungry to prove herself. Her boss,&nbsp;Harvey Davis, assigns the case for one reason: optics. Defense attorney&nbsp;Alexis Martinez&nbsp;pushes back hard. Detective Curtis&nbsp;starts questioning his own conclusions. Gina Gordon&nbsp;protects Ada like family. Carter&nbsp;becomes another pressure point inside the machine. Rebecca&nbsp;is caught in the ripple effect. Then Alexis shows Dana the home movies. The real story. The years no one saw. The cost no one counted. By the end of Act One, Dana walks out of Ada&rsquo;s house shaken. No longer sure the law and justice are the same thing. Starring Academy Award nominee Patty McCormack&nbsp;(The Bad Seed) as&nbsp;Ada Wells with&nbsp;Dan Lauria&nbsp;(The Wonder Years) as&nbsp;DA Harvey Davis Craig Parker&nbsp;(The Lord of the Rings) as&nbsp;Detective Curtis Nicholas Gonzalez&nbsp;(The Good Doctor) as&nbsp;Carter Nora Zehetner&nbsp;(Heroes,&nbsp;Everwood) as&nbsp;Rebecca Alyshia Ochse&nbsp;as&nbsp;Dana Jeffries Candice Coke&nbsp;as&nbsp;Alexis Martinez Eileen Grubba&nbsp;as&nbsp;Gina Gordon Alain Uy&nbsp;as&nbsp;Ethan and narrated by&nbsp;Sarah Elmaleh Table Read is executive produced by Jack Levy, Mark Knell, and Shaan Sharma. A Manifest Media production.See omnystudio.com/listener for privacy information.

Transcript
7/14/202640:56

RECALL Act 3

RECALL: Act Three By the time RECALL reaches Act Three, Miami Military Academy is no longer pretending it can survive. The school is still marching, still saluting, still shining brass and barking orders into the Florida heat, but the center is gone. Colonel Barnes is dying. Commander Patterson knows it. Sally knows it. And the boys, even when they are laughing too hard to say it out loud, can feel the whole place slipping into history. Written by Academy Award nominee Bruce Davison, and once optioned and held by the great Carroll O&rsquo;Connor with eyes on a Pacino lead,, RECALL is a funny, savage, deeply human coming-of-age drama about abandoned boys, broken fathers, old soldiers, Cuban exiles, secret weapons, and the terrible bargain countries make when they ask the young to carry the sins of the old. Act Three begins with the last quiet hours before everything breaks. Lishinsky and Sally steal a small piece of freedom on the water, drifting toward Captain Kidd&rsquo;s Island, talking about California, escape, fathers, graves, and the strange fantasy that two damaged kids might simply sail away from all of it. But nobody really gets away from Miami Military Academy. Not yet. Inside Barnes&rsquo; house, Patterson sits beside a dying friend and is handed the thing no soldier wants: responsibility without rescue. Barnes tells him the Army is calling in its chips. The school, the land, the boys, the munitions, the whole dream is coming apart. Patterson rages because he knows what the place is, and what it has been. A broken institution, yes. A madhouse, absolutely. But also the only home some of these boys have ever had. Then the machinery starts moving. The Army arrives. The Cuban officials arrive. The inspection becomes theater. A live round falls where it should not. The old bunkers by the bay are suddenly more important than the boys standing in formation. The parade takes them through Miami and into the Dade County Fair, where the whole strange, glorious organism of &ldquo;A&rdquo; Company explodes into one last carnival of cigars, sheep, majorettes, busted noses, bad decisions, and Patterson turning, for one mad instant, into the hero the boys still need him to be. But the comedy cannot hold the line forever. Colonel Barnes is gone. The flag drops to half-mast. The Razor Fiend is finally revealed. Lindquist, the feral boy from the mango trees, becomes a cadet, a savior, and maybe the strangest proof that the academy was never only a school. It was a place that took in the lost and gave them a uniform because it had no better language for love. Slouch and Bebop reach the end of pretending. Bebop is called home by a country that no longer exists the way he remembers it. Slouch follows because friendship, for him, is the only oath that ever meant anything. The Cuban exiles come in the night. Patterson tries to stop them. History steps over him. Sally leaves for California. Lishinsky stays behind with the ache of first love and the knowledge that some people are not meant to be held. Patterson sits with his ghosts. The boys graduate into a world already waiting to use them. And somewhere beyond the academy walls, the Bay of Pigs turns courage, loyalty, and bad American promises into blood in the surf. RECALL is about boyhood at the edge of the American century, when duty still sounded clean from a podium and war still knew how to dress itself up as honor. It is about boys who wanted fathers, fathers who failed them, soldiers who could not save themselves, and a country that keeps asking the young to pay for the old men&rsquo;s maps. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O&rsquo;Neil, Amir O&rsquo;Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D&rsquo;Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To support NVF or speak with a Veteran who understands, visit https://nvf.org or call 888-777-4443. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.

Transcript
7/7/202645:42

RECALL Act 2

RECALL: Act Two In February 1961, the boys of Miami Military Academy are still marching, joking, fighting, shaving, bleeding, stealing, and pretending the world outside the gates is someone else&rsquo;s problem. But the world is already inside the school. It is in the news from Cuba. It is in the old munitions bunkers by the bay. It is in the secrets the adults keep, the wounds they drink through, and the wars they keep handing down to children. Written by Academy Award nominee Bruce Davison, and once optioned and held by the great Carroll O&rsquo;Connor with eyes on a Pacino lead,, RECALL is a funny, savage, deeply human coming-of-age drama about abandoned boys, broken fathers, old soldiers, Cuban exiles, secret weapons, and the machinery that turns fear into patriotism. Act Two begins as Stephen Lishinsky tries to survive the strange education of &ldquo;A&rdquo; Company. His head has been butchered. His pride has been beaten. His idea of honor has already taken a few direct hits. When he tries to run, Commander Patterson finds him at the bus stop and gives him the kind of broken advice only a broken soldier can give: if you are in a storm, sometimes the only move is to sit tight and let the morning come. But morning at Miami Military Academy is never clean. Coombs is missing. The Razor Fiend is back. Bear is bleeding into the sink. Lindquist, the feral boy from the mango trees, is pulled into uniform and passed off as a cadet because, at this school, identity is just another piece of equipment someone misplaced. Sally Barnes drifts through the place like a lit match, furious at her father, suspicious of Patterson, and impossible for Lishinsky to ignore. Patterson tries to protect her, but the past between him, Colonel Barnes, and Sally&rsquo;s mother is its own battlefield. Meanwhile, Slouch and Bebop stop pretending their war is imaginary. The key to Bunker 3 becomes guns, ammunition, and contraband dragged through the machinery of a school that is already falling apart. Patterson lectures boys on amphibious landings while the real invasion waits in the shadows. Bebop is pulled closer to the Cuban exile cause. Slouch, half romantic and half criminal, follows him into the Everglades, into blindfolds, pistols, secret rooms, and men who do not look like teachers. There is comedy everywhere because boys make comedy out of terror. There is coconut rum, marching songs, bad haircuts, chocolate cokes, contraband, dirty jokes, and the Dade County Fair waiting like a reward for good behavior nobody intends to have. But underneath the noise, the rifles are getting heavier. The lies are getting harder to carry. And the adults are running out of time. RECALL is about boyhood at the exact moment history stops being a lesson and starts becoming a weapon. It is about fathers who failed, sons who improvise, countries that ask for sacrifice before they explain the cost, and boys who are still laughing because they do not yet understand what the world is loading. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O&rsquo;Neil, Amir O&rsquo;Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D&rsquo;Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To support NVF or speak with a Veteran who understands, visit https://nvf.org or call 888-777-4443. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.

Transcript
6/24/202645:47

RECALL Act 1

RECALL: Act One In February 1961, while America watches Cuba on television and tells itself the next war will belong to someone else, a dying military academy in Miami is still teaching boys how to stand straight, take orders, and become men. Written by Academy Award nominee Bruce Davison, once optioned and held by the great Carroll O&rsquo;Connor with eyes on a Pacino lead, RECALL is a funny, savage, deeply human coming-of-age drama about abandoned boys, broken fathers, old soldiers, Cuban exiles, secret weapons, and the first terrible lesson of history: nations do not only go to war with armies. Sometimes they go to war with children who still think they are playing. Act One begins with Stephen Lishinsky arriving at Miami Military Academy, a bright Pennsylvania kid who volunteered for the brochure version of honor and discipline. What he finds is a parade field, a dying commandant, a school already being swallowed by the future, and two cadets handcuffed to a howitzer before morning formation. Inside &ldquo;A&rdquo; Company, Lishinsky meets the boys who will become his education. Slouch is a Brooklyn-bred survivor with a cigarette in his mouth, a wound behind every joke, and a talent for turning trouble into currency. Bebop is a Cuban refugee carrying the murder of his father and the dream of taking his country back. Wheeler is an eleven-year-old officer with a sword too large for his body and a hunger for command. Sally Barnes is the commandant&rsquo;s daughter, back from wherever she ran, driving straight through the gates with all the fury of someone returning to a home that has already become a ghost. And then there is Commander Patterson, a decorated Navy veteran, drunk, wounded, funny, dangerous, and still trying, in his broken way, to protect boys the world has already thrown away. The academy is collapsing. The boys know it. The adults know more than they are saying. Castro is on the news. Cuban exiles are moving in the shadows. The old munitions bunkers are not empty. And when Slouch pockets a key marked Bunker 3, military school stops being a game and starts becoming the first draft of a war story. RECALL is about loyalty, damage, sacrifice, performance, class, country, boyhood, and the machinery that turns fear into patriotism. It is about the lie adults tell boys when they call obedience honor, and the moment those boys discover the rifles are real. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O&rsquo;Neil, Amir O&rsquo;Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D&rsquo;Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To support NVF or speak with a Veteran who understands, visit https://nvf.org or call 888-777-4443. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.

Transcript
6/16/202640:51

RECALL - Trailer

RECALL trailer A dying military academy. A country drifting toward war. A group of boys told to stand straight, swallow fear, and call it honor. Set in 1961 Miami, RECALL follows Stephen Lishinsky, a bright-eyed new cadet who volunteers for military school and walks into something far more dangerous than discipline. Inside Miami Military Academy, abandoned boys become soldiers before they understand what war costs. A Brooklyn hustler steals weapons for Cuban exiles. A Cuban refugee carries the murder of his father and the dream of taking his country back. A decorated Navy hero drinks through old wounds while trying to protect boys the world has already thrown away. Then Cuba moves closer. The Bay of Pigs moves closer. The rifles are not pretend anymore. Written by Academy Award nominee Bruce Davison, and once optioned and held by the great Carroll O&rsquo;Connor with eyes on a Pacino lead, RECALL is funny, brutal, beautiful, and dangerous. A coming-of-age story about loyalty, sacrifice, broken institutions, and the moment boys playing soldier discover the adults have been playing something much worse. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O&rsquo;Neil, Amir O&rsquo;Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D&rsquo;Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To donate or get help, visit https://nvf.org or call 888-777-4443. Because every story has oxygen. And sometimes the best thing you can do with attention is point it toward someone who needs it more. RECALL arrives Tuesday, June 16 on Table Read Podcast. Listen to the trailer now.See omnystudio.com/listener for privacy information.

Transcript
6/9/20260:52

GATEWAY 3 & 4

The deeper we go, the stranger it gets.GATEWAY: Three &amp; Four is now live.A missing scientist.A military experiment losing control.A government program based on real declassified files that suggests the human mind may not simply imagine other places, other times, or other dimensions.It may be able to reach them.At a moment when UAP disclosures, intelligence programs, government secrecy, and the unknown are no longer living at the edge of the conversation, GATEWAY feels less like science fiction and more like a classified question we were never supposed to ask out loud.Inspired by the real declassified Gateway Process, Three &amp; Four push Lt. Col. Wayne McDonnell beyond investigation and into something far more dangerous.Itzhak Bentov is pulled into the Monroe Institute to help McDonnell move deeper through the Gateway.General Addis wants control.Nurse Fields may know more than she is saying.McDonnell’s mother reaches across a line she should not be able to cross.And somewhere between the physical world and the Gateway realm, the experiment stops being theory.Because once consciousness leaves the body, the question is not where it can go.The question is who else is already there.The past is not quiet.The future is not safe.And the Gateway is no longer waiting to be opened.It is open.Starring Zeke Alton, Petri Hawkins Byrd, Ashley Platz, Cam Clarke, Pasha D. Lychnikoff, and Shaan Sharma.Written by Dave Pirinelli.Story by Jack Levy, Mark Knell, and Dave Pirinelli.Produced by Table Read Podcast and Manifest Media Productions, LLC.Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.GATEWAY: Three &amp; Four is live now on Table Read Podcast.Listen now.See omnystudio.com/listener for privacy information.

Transcript
5/27/202634:21

GATEWAY 1 & 2

Gateway: One &amp; TwoA classified cockpit recording. A military tragedy wrapped in silence. A secret government experiment that suggests human consciousness may not be confined to the body, the brain, or even time itself.When Lt. Col. Wayne McDonnell is pulled into an investigation involving Army Intelligence, the CIA, and the mysterious Monroe Institute, he expects a case. What he finds is a threshold.Inspired by the real declassified Gateway Process, Acts One and Two launch McDonnell into a world where science, espionage, altered consciousness, Hemi-Sync, remote viewing, and time begin to collapse into one terrifying possibility:The mind may not simply observe reality.It may be able to enter it.As the experiment deepens, McDonnell encounters failed subjects, hidden rooms, impossible memories, and visions of the past too vivid to dismiss. What begins as an investigation becomes a journey into the most dangerous frontier ever explored: the human mind.Because the past may not be gone.The future may not be waiting.And the Gateway may already be open.Starring Zeke Alton, Petri Hawkins Byrd, Ashley Platz, Cam Clarke, Pasha D. Lychnikoff, and Shaan Sharma.Written by Dave Pirinelli.Story by Jack Levy, Mark Knell, and Dave Pirinelli.Produced by Table Read Podcast and Manifest Media Productions, LLC.Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.

Transcript
5/20/202638:58

THE G.Y.M. — PILOT ACTS 2 & 3

THE G.Y.M. — PILOT, ACTS TWO AND THREE By Dani HanksPick up where Act One left off. Valerie still cannot get her commercial. The film crew is still in her face. The Solstice gym across the street is still winning. And things are about to get considerably worse.Bryan is teaching group fitness despite not knowing what "happy baby" is, and every senior in the building keeps asking when Reggie is coming back. Kayla is supposed to be training her client. Her client is currently turning purple under a barbell. The cameraman looks weirdly familiar to her and she cannot place it. Chris is somewhere in the locker room going through a smoothie situation he did not ask for. Wade the IT guy is crawling through a server closet stuffed with the unpaid invoices Valerie has been hiding in her clipboard. And Valerie, our hero, has just told the cute IT guy that her anaconda doesn't want his real estate funds.It's fine. Everything is fine.By the time we get to the pool, Alexa is jumping off a diving board she has no business being on, Bryan is leading a secret back room of seniors through a yoga pose he learned thirty seconds ago, Wade is sitting next to a soaking wet Valerie holding the worst envelopes she's ever seen in her life, and the truth about who's been filming all day is about to drop in the middle of the room like a brick through a window.Underneath the chaos, this is what the show is actually about: a woman trying to save the only place she ever felt at home, with a crew of misfits who have nowhere else to go either. Norman Lear would recognize this gym. So would anybody who's ever worked at one.Meanwhile, across the street, in a chrome office at the new Solstice, a Southern silver fox in a tall cowboy hat is watching the whole thing through binoculars. He is having the time of his life. He is not done with The G.Y.M. Not even close.Recorded live at Podcast Movement at SXSW in front of a packed house of our peers, and you can hear it in the room. Video version available on YouTube and across our channels.CASTHeather Foster - Narrator Allison Dunbar - Valerie Yasmine Al-Bustami - Kayla and Spin Client Kensington Tallman - Alexa and White Trash Spin Diva Shaan Sharma - Wade, Bored EMT, and Johnny Joe Nemmers - Gary Hughes, Cocky Newscaster, Television, and Gruff Driver Jacob A. Ware - Bryan and Sam Brian Villalobos - Chris, Weak-Armed Client, and Handyman Amy Bailey - Mary, Gem, Peppy Newscaster, First AC, and Phone Scott Hervey - Client Carlin (special guest appearance, our attorney from Weintraub Tobin)Produced by Manifest Media. Created by Jack Levy, Mark Knell, and Shaan Sharma.This live read benefits Best Friends Animal Society, selected by Allison Dunbar, dedicated to bringing no-kill to every shelter in the country. Save Them All. bestfriends.org/donateSee omnystudio.com/listener for privacy information.

Transcript
5/12/202622:32

THE G.Y.M. — PILOT, ACT ONE

THE G.Y.M. — PILOT, ACT ONE By Dani HanksWelcome to the run-down fitness shithole at the end of the strip mall. Two buildings left standing, a tech repair shop and The G.Y.M., and across the street a brand new chrome-and-barbell luxury chain called Solstice is having its grand opening on the same day Valerie is trying to film her grand re-opening commercial.Valerie inherited her childhood sanctuary the hard way. The previous owner got hauled off in handcuffs as "The Flamingo King," the FBI took the penguins, and she sank her life savings into keeping the bulldozers off the lot. Now the bike handlebars are snapping mid-shoot, the wifi is down, the POS is down, the smoothie blender is wifi-controlled (a mistake), and a real estate vulture in pinstripes will not stop circling the parking lot. Her ragtag crew, an Insta-thirsty trainer, a Finnish golden retriever on a visa, a chaos-gremlin receptionist who cannot swim, a buttoned-up IT guy from next door, a smoothie-bar veteran who misses the cocaine era, and a crystal-worshipping yogi with prison connections, is the only thing standing between Valerie and the wrecking ball.It's a found-family workplace comedy in the bloodline of Cheers, Superstore, and The Bear, but make it the gym. HBO sitcom material with prime-network legs. Dani Hanks' pilot won the 2024 Austin Film Festival Josephson Entertainment Fellowship, the year-long development deal AFF hands to the one teleplay it bets the most on, and ISA named Dani one of the Top 25 Screenwriters to Watch in 2025.We recorded this live at Podcast Movement at SXSW in front of a packed house of our peers, and you can hear it in the room. The energy, the laughs landing in real time, the cast riding the wave together. Video version available on YouTube and across our channels. Lean in with that, then let Act One take you the rest of the way.CASTHeather Foster - Narrator Allison Dunbar - Valerie Yasmine Al-Bustami - Kayla and Spin Client Kensington Tallman - Alexa and White Trash Spin Diva Shaan Sharma - Wade, Bored EMT, and Johnny Joe Nemmers - Gary Hughes, Cocky Newscaster, Television, and Gruff Driver Jacob A. Ware - Bryan and Sam Brian Villalobos - Chris, Weak-Armed Client, and Handyman Amy Bailey - Mary, Gem, Peppy Newscaster, First AC, and Phone Scott Hervey - Client Carlin (special guest appearance, our attorney from Weintraub Tobin)Produced by Manifest Media. Created by Jack Levy, Mark Knell, and Shaan Sharma.This live read benefits Best Friends Animal Society, selected by Allison Dunbar, dedicated to bringing no-kill to every shelter in the country. Save Them All. bestfriends.org/donateSee omnystudio.com/listener for privacy information.

Transcript
5/5/202616:42

PV & FRANNY - Part 2

PV &amp; FRANNYA girl with a glockenspiel. A boy with a guitar. A high school full of weirdos, mascots who may or may not be unhinged, and a mystery that isn’t what anyone thinks it is.A dead-serious love story… that refuses to behave like one.One flier turns into a band. One band turns into obsession. And before they ever play a real set, everything is already ridiculous.ACT TWOIf Act One is about starting a band, Act Two is about what happens when everything immediately gets in the way.Franny does what any rational person would do.He writes a love song.Which would be fine… except for the rule.No romance. Ever.And PV means it.What follows is a series of perfectly logical decisions that somehow make everything worse.A love song that says too much.A date that shouldn’t exist.A plan to fix things that only complicates them further.Because if PV won’t date a bandmate, there’s only one solution:Make the competition part of the band.Which works.Until it doesn’t.As alliances shift, rules get enforced, and Franny finds himself deeper in a situation he cannot control, the band becomes something else entirely.Not just music.Not just friendship.Something closer to a test.Of loyalty. Of identity. Of whether you can separate what you create from how you feel.And in the middle of it all, the stakes quietly expand.A school competition that suddenly matters.A partnership that feels more intense than anything either of them expected.And a realization that success might not look the way they imagined it.Act Two is where the band takes shape, the lines get blurred, and the consequences of those rules start to land.Because sometimes the only thing more complicated than love……is trying to avoid it.🎭 CASTNARRATOR – Ty BurrellAJAY – Rahm BraslawJUDY – Samantha MorelosMARIAN – Eileen FogartyPV – Kensington TallmanRYUZO – O’Neill MonahanFRANNY – Liam RichardsonGROUNDSKEEPER – Fred ArmisenDALE – Ruben RayTAP WATER BOTTLED WATER JINGLE – Chris Mann🎬 PRODUCTIONWritten by Tommy WallachDirected by Mark Knell &amp; Jack LevyExecutive Produced by Shaan Sharma, Jack Levy, and Mark KnellTable Read is a Manifest Media production.See omnystudio.com/listener for privacy information.

Transcript
4/28/202617:48

PV & FRANNY - Part 1

PV &amp; FRANNYA girl with a glockenspiel. A boy with a guitar. A high school full of weirdos, mascots who may or may not be unhinged, and a mystery that isn’t what anyone thinks it is.A dead-serious love story… that refuses to behave like one.One flier turns into a band. One band turns into obsession. And before they ever play a real set, everything is already ridiculous.ACT ONEOverton High is chaos in a controlled environment.The mascot smokes. The journalist thinks she’s breaking Watergate. The nicest bully in school politely refuses lunch money.And then there’s PV.Brilliant. Intense. Completely uncompromising.She doesn’t want to start a band. She wants to build something real.Franny Blevins just wants to be part of it.What begins as an awkward coffee shop encounter quickly turns into a partnership built on music, rules, and one very firm boundary:No romance. Ever.Which becomes a problem almost immediately.As Franny gets pulled deeper into PV’s world, her music, her logic, her investigations, and her completely upside-down way of seeing everything, the stakes escalate in the most unexpected ways.A hate note that isn’t hate.An audition that turns into an interrogation.A band that starts to feel like something much bigger… and much messier.Act One is the beginning of the band, the beginning of the obsession, and the moment everything starts to spiral just slightly out of control.🎭 CASTNARRATOR – Ty Burrell AJAY – Rahm Braslaw JUDY – Samantha Morelos MARIAN – Eileen Fogarty PV – Kensington Tallman RYUZO – O’Neill Monahan FRANNY – Liam Richardson GROUNDSKEEPER – Fred Armisen DALE – Ruben Ray TAP WATER BOTTLED WATER JINGLE – Chris Mann🎬 PRODUCTIONWritten by Tommy WallachDirected by Mark Knell &amp; Jack LevyExecutive Produced by Shaan Sharma, Jack Levy, and Mark KnellTable Read is a Manifest Media production.See omnystudio.com/listener for privacy information.

Transcript
4/21/202620:44